A discussion of Philip Sidney as a creator of fictions, a critic, and a poet, who adopted a variety of personae to teach his readers how they could fool themselves into forgetting who they were, both in the context of the psychic inner world and in the outer realm of social position. Included in this study are Sidney's court entertainments now known as The Lady of May, the Defence of Leicester, Defence of Poetry, and the Arcadias.

This book gathers selected papers presented at the 4th International Conference on Inventive Communication and Computational Technologies (ICICCT 2020), held on 28–29 May 2020 at Gnanamani College of Technology, Tamil Nadu, India. The respective contributions highlight recent research efforts and advances in a new paradigm called ISMAC (IoT in Social, Mobile, Analytics and Cloud contexts). The topics covered include the Internet of Things, Social Networks, Mobile Communications, Big Data Analytics, Bio-inspired Computing and Cloud Computing. Given its scope, the book is chiefly intended for academics and practitioners working to resolve practical issues in this area.

It's normal for westerners to travel in different worlds from their own and then write about their experiences. It's a lot less common to come across someone from another world who describes what they have experienced in our world. We westerners are centered in our cultural reality and take it for granted while that of others is only considered in a peripheral way. When this viewpoint is shattered the egocentric western outlook is deeply disturbed. So, almost a century ago the German poet Enrich Sheurmann was the first, followed by millions, to delight in the reminiscences of the Tuavian Chief, who, on his return to Samoa described to his people the Westerner, the Papalagi, and how he lives. That account is certainly one that shouldn’t be forgotten on the bookshelf as having already been read. In its simplicity and frankness it is ready at any moment to shine a blessed ray of light on the clouded heart of western man. But the time of Tuavii is already long gone. The Papalagi has not stopped his mad race and his world meantime has changed. A descendant of Tuavii, Apineru, chief of a small community left his little island for about a year travelling to the west in the seventies. In Papalagi Act II, Apineru while sitting on his mat, describes what he has seen and experienced to his family members and other islanders that visit him of evenings in his hut. What is the everyday life of a westerner, what are progress, television and freedom to a man, seemingly uncultured, yet with only the good and well-being of his virgin island at heart? His style follows no logic, there’s no false pretence in his criticisms and the impressions that he communicates and the images that he describes do not follow any classical line of analysis that the Papalagi are used to. Apineru cuts through all the usual paradigms simply with the freshness of his sentiment, in the poetry and magic of his singular imagination, provoking us to smile and look beyond the daily shortcomings of so called modern life. Available in German, French and Italian. The original version of the Papalagi edited by Erich Sheurmann has been published in English by Legacy Editions in 1997, under the title Tuiavii's way. The text (no copyright) can be read also here http://www.nonduality.com/papalagi.htmIndex "The Papalagi poisons himself day after day, word after word, action after action, mouthful after mouthful. He doesn’t die straight away as was about to happen to me, but a bit by bit, day after day. In the end, he is dead even without realizing it. But now too much time has passed from the moment that the poisoning has begun and so the dead Papalagi doesn’t remember anything of how life was at the beginning. So the Papalagi behaves like the protagonist of that story that a village chief told me when he visited our island on the day I got married. It is told that a certain Ira left his island where he had his father, mother, brothers and sisters to look for pearls on other islands even though you could find marvellous pearls in the sea around his. He reached another island in his canoe and stayed there for a while finding pearls, but a bit smaller than those found around his. So he left even that island to go to another, then another again, finding pearls but always smaller. He arrived at a sixth island, and here the pearls were so small that you could hardly see them. One morning he took his canoe out and reached a seventh island. He landed and here he met some men and women to whom he immediately tried to sell his merchandise. Straightaway the islanders recognized him as the brother who had left a long time before, who, from a seeker of precious pearls, had transformed into a collector of empty shells. In fact he had returned to the island from which he had begun his adventure, but he wasn’t aware of it..." MetaArt Editions [email protected] Coming Publications: The Submarine and the Whale, by Cristelle Wells The King’s Chef, by Amussis Charisteas

Self-taught photographer Hugh Mangum was born in 1877 in Durham, North Carolina, as its burgeoning tobacco economy put the frontier-like boomtown on the map. As an itinerant portraitist working primarily in North Carolina and Virginia during the rise of Jim Crow, Mangum welcomed into his temporary studios a clientele that was both racially and economically diverse. After his death in 1922, his glass plate negatives remained stored in his darkroom, a tobacco barn, for fifty years. Slated for demolition in the 1970s, the barn was saved at the last moment--and with it, this surprising and unparalleled document of life at the turn of the twentieth century, a turbulent time in the history of the American South. Hugh Mangum's multiple-image, glass plate negatives reveal the open-door policy of his studio to show us lives marked both by notable affluence and hard work, all imbued with a strong sense of individuality, self-creation, and often joy. Seen and experienced in the present, the portraits hint at unexpected relationships and histories and also confirm how historical photographs have the power to subvert familiar narratives. Mangum's photographs are not only images; they are objects that have survived a history of their own and exist within the larger political and cultural history of the American South, demonstrating the unpredictable alchemy that often characterizes the best art--its ability over time to evolve with and absorb life and meaning beyond the intentions or expectations of the artist.

Presidential Image has become an integral part of the campaign, presidency and legacy of Modern American presidents. Across the 20th century to the age of Trump, presidential image has dominated media coverage and public consciousness, winning elections, gaining support for their leadership in office and shaping their reputation in history. Is the creation of the presidential image part of a carefully conceived public relations strategy or result of the president's critics and opponents? Can the way the media interpret a presidents' actions and words alter their image? And how much influence do cultural outputs contribute to the construction of a presidential image? Using ten presidential case studies. this edited collection features contributions from scholars and political journalists from the UK and America, to analyse aspects of Presidential Image that shaped their perceived effectiveness as America's leader, and to explore this complex, controversial, and continuous element of modern presidential politics.