Daylight in the Swamp is the bush memoirs of Selwyn Dewdney, a noted Canadian artist and recorder of native rock art. His two great loves, art and the Canadian north, come together in this book. His respect for native culture and art is reflected in his own work, his insight into native rock art, and his passion for canoeing and the northern experience.The third theme of the book is history spanning the period from 1910 through to the 1970s during which the old north largely vanished. Dewdney was there to record the images of forgotten dreams painted on rocks and cliffs throughout the Canadian Shield. Thanks to these memoirs we are all there to witness these things with Dewdney.

Seagulls And Camels, And Other Tales That Touch The Heart is a delightful montage of a lifetime of stories, reflections, and observations by the author on his way to becoming an octogenarian (a person who is in his eighties). It is a feel-good book for replaced, unhurried, recreational reading, and readers will appreciate the author's intentional avoidance of politics, gloom and doom, confrontational or divisive issues of any kind, or the advocating of any sort of "causes". This book is for sheer time-out enjoyment.

First Published in 2005. In 19th century plantation literature, the runaway slave in the swamp was a recurring bogey-man whose presence challenged myths of the plantation system. By escaping to the swamps with its wild and threatening connotations, the runaway gained an invisibility that was more threatening to the institution than open rebellion. In part, the proslavery plantation novel served to transform that image of the free slave in the swamp from its untouchable, abstract state to a form that could be possessed, understood, and controlled. Essentially, writers defending the institution would conjure forth the rebellious image in order to dispel it safely.