Africa: a forgotten continent that evades all attempts at control and transcends reason. Or does it? This book describes Europe's image of Africa and relates how the conception of the Dark Continent has been fabricated in European culture--with the Congo as an analytical focal point. It also demonstrates that the myth was more than a creation of colonial propaganda; the Congo reform movement--the first international human rights movement--spread horror stories that still have repercussions today. The book cross-examines a number of witness testimonies, reports and novels, from Stanley's travelogues and Conrad's Heart of Darkness to Herge's Tintin and Burroughs' Tarzan, as well as recent Danish and international Congo literature. The Dark Continent? proposes that the West's attitudes to Africa regarding free trade, emergency aid and intervention are founded on the literary historical assumptions of stories and narrative forms that have evolved since 1870.

Critically acclaimed as a master of adventure writing for Death in the Long Grass and Death in the Silent Places, former professional hunter Peter Hathaway Capstick takes us back to Africa to encounter the world’s most dangerous big-game animals. After consulting African game experts and recalling his own experiences and those of his colleagues, Capstick has written chilling, authoritative accounts of hunting the five most dangerous killers on the African continent—lion, leopard, elephant, Cape buffalo and rhinoceros. The classic big-game animals are unmatched as a test of a hunter’s skill and courage. With a command of exciting prose, Capstick brings us along on the chase. The warning snarl of a crouching lion, the swish of grass that reveals a leopard, the enraged scream of a wounded elephant, the cloud of dust that marks a herd of Cape buffalo, the earthshaking charge of a rhino are recreated in heart-stopping, nerve-racking detail. In Death in the Dark Continent, Capstick brings to life all the suspense, fear and exhilaration of stalking ferocious killers under primitive, savage conditions, with the ever present threat of death.

Maps the fin de siecle mission to open up the 'Dark Continent.' Although nineteenth-century map-makers imposed topographic definition upon a perceived geographical void, writers of Adventure fiction, and other colonial writers, continued to nourish the idea of a cartographic absence in their work. This study explores the effects of this epistemological blankness in fin de siecle literature, and its impact upon early Modernist culture, through the emerging discipline of psychoanalysis and the debt that Freud owed to African exploration. The chapters examine: representations of Black Africa in missionary writing and Rider Haggard's narratives on Africa; cartographic tradition in Conrad's Heart of Darkness and Jung's Memories, Dreams, Reflections; and mesmeric fiction, such as Richard Marsh's The Beetle, Robert Buchanan's The Charlatan and George du Maurier's Trilby. As Robbie McLaughlan demonstrates, it was the late Victorian 'best-seller' which merged an arcane Central African imagery with an interest in psychic phenomena.

Volume 2 of great explorer's classic account of explorations of lakes of Central Africa, perilous journey down unexplored Congo River. Incredible hardships, perseverance. 58 black-and-white illustrations. 7 maps.

Volume 1 of great explorer's classic account of explorations of lakes of Central Africa, perilous journey down unexplored Congo River. Incredible hardships, perseverance. 90 black-and-white illustrations. Map.

The need to dominate the planet and keep the western empire immortal has remained the driving force behind Americas policies towards some defenseless countries around the world. Notable among them are African countries whose material and human resources has for hundred of years remained their target and primary source of raw material and energy that fuel their economic engine. To dominate the planet, war was waged both on the political, economic as well as on the military front. On the military front, seven unified military commands are strategically created and located to oversee all the battle that will rage within each individual geographic regions. Among the Unified Military Command is the newly created AFRICOM whose overall mission should be of concern to Africans mainly because it will not only oversee all the battle that will rage in the dark continent but will also be a source of intimidation to any potential rival to the installed puppet governments and the resources in the region. On the financial front, the World Bank, IMF, WTO and others have been in the fore front of the economic decay that bedeviled Nigeria in particular and Africa in general. On the political front, however, the UN and their affi liated agencies are all agent of control and have all served specific purposes in dominating and controlling the world and have charted the course that favors only the chosen countries.

Secrets, Silences, and Betrayals is an invitation to readers to consider factoring in the often discarded or censored but useful information held by the dominated. The books principal claim is that the unsaid weighs in significantly on the scale of semantic construction as that which is said. Thus, it legitimates the impact of the absentee in broadening and clarifying knowledge and understanding in most disciplines. In other words, just as exogenous epistemologies have underlain and explicated the basis for understanding diverse encounterssocial, political, historical, cultural, literary, etc.Secrets, Silences, and Betrayals challenges, from a pluridisciplinary angle, such highly dominant approaches to investigating the origin, nature, ways of knowing, and limits of human knowledge. It thus yields to the deontological basis to critically reexamine our understanding of the world around us. It is in this regard that the present volume points towards the need for human history to become a cumulative record and re-recording of every human journey and endeavor in life; it brings together disparate voices illuminating topical issues that would be or have been legated to posterity as nonexistent, partial, or half-truths.