Il volume è il catalogo della mostra di Trento (Galleria Civica, 27 gennaio 25 marzo 2001). I testi, in italiano e in inglese, sono di Vittoria Coen e Nicoletta Pallini.

Sur un mode chronologique et en ayant recours à une abondante iconographie, Prototypes 1990-2003 retrace treize années de soutien à la création et de diffusion du Fonds régional d'art contemporain de Picardie. De page en page, on revisite le dialogue permanent instauré entre un lieu, des territoires, une collection et les artistes qui y sont représentés. La topographie du projet artistique du Frac Picardie y est restituée au travers des œuvres qui l'animent, et de leur permanente itinérance. Cet ouvrage n'est pas un catalogue de collection, mais un livre sur la valeur d'usage d'une collection et la lente affirmation d'une spécificité dans le domaine du dessin contemporain.

Based on rare archival material and numerous interviews with practitioners, Art in the North of England 1979-2008 analyses the relation between political and economic changes stemming from the 1980s and artistic developments in the principal cities of the North of England in the late 20th century. Looking in particular at the art scenes of Liverpool, Manchester, Leeds, Sheffield and Newcastle, Gabriel Gee unveils a set of powerful aesthetic reactions to industrial change and urban reconstruction during this period on the part of artists including John Davies, Pete Clarke, the Amber collective, Richard Wilson, Karen Watson, Nick Crowe & Ian Rawlinson, John Kippin, and the contribution of organisations such as Projects UK/Locus +, East Street Arts, the Henry Moore Sculpture Trust and the Bluecoat Gallery in Liverpool. While the geographical focus of this study is highly specific, a key concern throughout is the relationship between regional, national and international artistic practices and identities. Of interest to all scholars and students concerned with the developments of British art in the second half of the 20th century, the study is also of direct pertinence to observers of global narratives, which are here described and analysed through the concept of trans-industriality.

"A review of ten years of British artists' bookmaking activity"--p.2.