A history of a college town, Davidson, NC, told in autobiography by an African-American barber who lived a 20th century of unparalleled change. Ralph Johnson, 96, caught in the poverty-ridden rule of Jim Crow customs, tells of struggles against disadvantage, unbelievable today, to get ahead. Of frugal, intense personal discipline, correspondence courses, self-schooling and hard work. As he moved into the post world war II years and his efforts began to find some success -- his 7-chair shop was one of the largest in the south -- he suddenly became the 1967 target of desegregation picketers who demanded he sacrifice his business to try to settle the centuries old curse of segregation. After a difficult, divisive struggle of a community with itself, Mr. Johnson's peacefully became the first publicly integrated barber shop anyone knew of in the South if not the nation and its demise followed shortly thereafter. Trying to understand what happened to him and why is a very personal puzzle in this eloquent, gripping life story as well as a life changing experience for any serious reader.

This authoritative reference work investigates the roots of the Sacred Harp, the central collection of the deeply influential and long-lived southern tradition of shape-note singing. David Warren Steel and Richard H. Hulan concentrate on the regional culture that produced the Sacred Harp in the nineteenth century and delve deeply into history of its authors and composers. They trace the sources of every tune and text in the Sacred Harp, from the work of B. F. White, E. J. King, and their west Georgia contemporaries who helped compile the original collection in 1844 to the contributions by various composers to the 1936 to 1991 editions. Drawing on census reports, local histories, family Bibles and other records, rich oral interviews with descendants, and Sacred Harp Publishing Company records, this volume reveals new details and insights about the history of this enduring American musical tradition. David Waren Stel is an associate professor of music and southern culture at the University of Mississippi. Richard H. Hulan is an independent scholar of American folk hymnody.

With the exception of Alberto Gerchunoff, arguably the father of Jewish Latin American writing, all the writers are living and writing actively."--BOOK JACKET.

Everything you need to know about improvising in any style, composing your own songs, and jamming. For all instruments including voice, and for beginners or experienced players, this easy theory book covers scales and chord structures for folk, blues, rock, country and jazz.

"A masterpiece of contemporary Bible translation and commentary."—Los Angeles Times Book Review, Best Books of 1999 Acclaimed for its masterful new translation and insightful commentary, The David Story is a fresh, vivid rendition of one of the great works in Western literature. Robert Alter's brilliant translation gives us David, the beautiful, musical hero who slays Goliath and, through his struggles with Saul, advances to the kingship of Israel. But this David is also fully human: an ambitious, calculating man who navigates his life's course with a flawed moral vision. The consequences for him, his family, and his nation are tragic and bloody. Historical personage and full-blooded imagining, David is the creation of a literary artist comparable to the Shakespeare of the history plays.