Readers everywhere were introduced to the work of Irène Némirovsky through the publication of her long-lost masterpiece, Suite Française. But Suite Française was only the coda to the brief yet remarkably prolific career of this nearly forgotten, magnificent novelist. Here in one volume are four of Némirovsky’s other novels–all of them newly translated by the award-winning Sandra Smith, and all, except DAVID GOLDER, available in English for the first time. DAVID GOLDER is the novel that established Néirovsky’s reputation in France in 1929 when she was twenty-six. It is a novel about greed and lonliness, the story of a self-made business man, once wealthy, now suffering a breakdown as he nears the lonely end of his life. THE COURILOF AFFAIR tells the story of a Russian revolutionary living out his last days–and his recollections of his first infamous assassination. Also included are two short, gemlike novels: THE BALL, a pointed exploration of adolescence and the obsession with status among the bourgeoisie; and SNOW IN AUTUMN, an evocative tale of White Russian émigrés in Paris after the Russian Revolution. Introduced by celebrated novelist Claire Messud, this collection of four spellbinding novels offers the same storytelling mastery, powerful clarity of language, and empathic grasp of human behavior that would give shape to Suite Française.

Set in Kiev and St Petersburg, this book tells the story of one man's inquisition during the Bolshevik Revolution. It is both an elegy to a world lost and an unsparing observation of human motives and behavior during a period of radical upheaval in European history.

In haunting ways, this gorgeous novel prefigures Irène Némirovsky’s masterpieceSuite Française. Set in France between 1910 and 1940 and first published in France in 1947, five years after the author’s death, All Our Worldly Goods is a gripping story of war, family life and star-crossed lovers. Pierre and Agnes marry for love against the wishes of his parents and his grandfather, the tyrannical family patriarch. Their marriage provokes a family feud that cascades down the generations. This brilliant novel is full of drama, heartbreak, and the telling observations that have made Némirovsky’s work so beloved and admired.

By the early 1940s, when Ukrainian-born Irène Némirovsky began working on what would become Suite Française—the first two parts of a planned five-part novel—she was already a highly successful writer living in Paris. But she was also a Jew, and in 1942 she was arrested and deported to Auschwitz: a month later she was dead at the age of thirty-nine. Two years earlier, living in a small village in central France—where she, her husband, and their two small daughters had fled in a vain attempt to elude the Nazis—she’d begun her novel, a luminous portrayal of a human drama in which she herself would become a victim. When she was arrested, she had completed two parts of the epic, the handwritten manuscripts of which were hidden in a suitcase that her daughters would take with them into hiding and eventually into freedom. Sixty-four years later, at long last, we can read Némirovsky’s literary masterpiece The first part, “A Storm in June,” opens in the chaos of the massive 1940 exodus from Paris on the eve of the Nazi invasion during which several families and individuals are thrown together under circumstances beyond their control. They share nothing but the harsh demands of survival—some trying to maintain lives of privilege, others struggling simply to preserve their lives—but soon, all together, they will be forced to face the awful exigencies of physical and emotional displacement, and the annihilation of the world they know. In the second part, “Dolce,” we enter the increasingly complex life of a German-occupied provincial village. Coexisting uneasily with the soldiers billeted among them, the villagers—from aristocrats to shopkeepers to peasants—cope as best they can. Some choose resistance, others collaboration, and as their community is transformed by these acts, the lives of these these men and women reveal nothing less than the very essence of humanity. Suite Française is a singularly piercing evocation—at once subtle and severe, deeply compassionate and fiercely ironic—of life and death in occupied France, and a brilliant, profoundly moving work of art.

Cover -- Half-title -- Title -- Copyright -- Dedication -- Contents -- Note on Translations and Citations -- Introduction: A Writer Reborn . . . and Debated -- PART I: IRÈNE -- 1. The "Jewish Question" -- 2. Némirovsky's Choices, 1920-1939 -- 3. Choices and Choicelessness, 1939-1942 -- PART II: FICTIONS -- 4. Foreigners and Strangers: Némirovsky's Jewish Protagonists -- 5. Portraits of the Artist as a Young Jewish Woman -- PART III: DENISE AND ELISABETH -- 6. Orphans of the Holocaust: Two Lives -- 7. Gifts of Life: A Mother and Her Daughters -- Notes

From the author of the bestselling Suite Française. Translated by Sandra Smith, with an introduction by Patrick Marnham. In 1929, 26-year-old Irène Némirovsky shot to fame in France with the publication of her second novel David Golder. At the time, only the most prescient would have predicted the events that led to her extraordinary final novel Suite Française and her death at Auschwitz. Yet the clues are there in this astonishingly mature story of an elderly Jewish businessman who has sold his soul. Golder is a superb creation. Born into poverty on the Black Sea, he has clawed his way to fabulous wealth by speculating on gold and oil. When the novel opens, he is at work in his magnificent Parisian apartment while his wife and beloved daughter, Joyce`, spend his money at their villa in Biarritz. But Golder's security is fragile. For years he has defended his business interests from cut-throat competitors. Now his health is beginning to show the strain. As his body betrays him, so too do his wife and child, leaving him to decide which to pursue: revenge or altruism? Available for the first time since 1930, David Golder is a page-turningly chilling and brilliant portrait of the frenzied capitalism of the 1920s and a universal parable about the mirage of wealth.

This panoramic exploration of French life between the wars reads like a prequel to Irène Némirovsky’s international bestseller Suite Française. At the end of the First World War, Bernard Jacquelain returns from the trenches a changed man. Broken by the unspeakable horrors he has witnessed, he becomes addicted to the lure of wealth and success. He wallows in the corruption and excess of post-war Paris, but when his lover abandons him, Bernard turns to a childhood friend for comfort. For ten years, he lives the good bourgeois life, but when the drums of war begin to sound again, everything around which he has rebuilt himself starts to crumble, and the future—of his marriage and of his country—suddenly becomes terribly uncertain. Written after Némirovsky fled Paris in 1940, just two years before her death, and first published in France in 1957, The Fires of Autumn is a coruscating, tragic novel of war and its aftermath, and of the ugly color it can turn a man's soul.