"His instrumental role in the creation of Liberation magazine in 1956 launched him onto the national stage. Writing regular essays for the influential radical monthly on the arms race and the Civil Rights movement, he became, in Abbie Hoffman's words, the father of the antiwar movement and the architect of the 1968 demonstrations in Chicago. He remained active in anti-war causes until his death on May 25, 2004 at age 88.".

Spiritual journey, as moving as it is inspiring.

Direct Action tells the story of how a small group of "radical pacifists"—nonviolent activists such as David Dellinger, Staughton Lynd, A.J. Muste, and Bayard Rustin—played a major role in the rebirth of American radicalism and social protest in the 1950s and 1960s. Coming together in the camps and prisons where conscientious objectors were placed during World War II, radical pacifists developed an experimental protest style that emphasized media-savvy, symbolic confrontation with institutions deemed oppressive. Due to their tactical commitment to nonviolent direct action, they became the principal interpreters of Gandhism on the American Left, and indelibly stamped postwar America with their methods and ethos. Genealogies of the Civil Rights, antiwar, and antinuclear movements in this period are incomplete without understanding the history of radical pacifism. Taking us through the Vietnam war protests, this detailed treatment of radical pacifism reveals the strengths and limitations of American individualism in the modern era.

Definitive Devo--Deviants in a Post-Modern World.

The brilliant screenplay of the Academy Award–nominated film The Trial of the Chicago 7 by Academy and Emmy Award–winning screenwriter and director Aaron Sorkin. Sorkin’s film dramatizes the 1969 trial of seven prominent anti-Vietnam War activists in Chicago. Originally there were eight defendants, but one, Bobby Seale, was severed from the trial by Judge Julius Hoffman—after Hoffman had ordered Seale bound and gagged in court. The defendants were a mix of counterculture revolutionaries such as Abbie Hoffman and Jerry Rubin, and political activists such as Tom Hayden, Rennie Davis, and David Dellinger, the last a longtime pacifist who was a generation older than the others. Their lawyers argued that the right to free speech was on trial, whether that speech concerned lifestyles or politics. The Trial of the Chicago 7 stars Sacha Baron Cohen, Eddie Redmayne, Frank Langella, and Mark Rylance, among others, directed by Aaron Sorkin. This book is Sorkin’s screenplay, the first of his movie screenplays ever published.

The photograph of three men spattered with red paint, their arms linked, marching to protest the Vietnam War, is an icon of the 1960s movement for social justice. David Dellinger is on one side, Robert Moses on the other. In the middle is Staughton Lynd, chairperson of the first march on Washington against the war, and former director of the Mississippi Freedom Schools. Thirty years later, Staughton Lynd here reaffirms ideas central to the New Left of the sixties: nonviolence, participatory democracy, an experiential approach to education, and anti-capitalism. In essays written between 1970 and 1995, he passionately defends the intellectual contribution of a movement often dismissed as mindlessly activist. In addition, he advocates direct, sustained involvement in meeting the needs of the working class and the poor. Each section of the book identifies major influences on Lynd's life as teacher, historian, lawyer, and organizer. In the section entitled "Accompaniment", Lynd suggests the relevance to the United States of the concepts of liberation theology which have revolutionized Central America. In "Socialism with a Human Face", he expresses continued allegiance to the socialist ideals exemplified by Simone Weft and E. P. Thompson. The final section, "Solidarity Unionism", deals with the self-activity of rank-and-file workers. Living Inside Our Hope will reach out to everyone who remembers the Meals of the sixties with nostalgia and to those, too young to remember, who are seeking a foundation on which to build their own social activism.

Entertaining and scrupulously researched, Chicago '68 reconstructs the 1968 Democratic Convention in Chicago—an epochal moment in American cultural and political history. By drawing on a wide range of sources, Farber tells and retells the story of the protests in three different voices, from the perspectives of the major protagonists—the Yippies, the National Mobilization to End the War, and Mayor Richard J. Daley and his police. He brilliantly recreates all the excitement and drama, the violently charged action and language of this period of crisis, giving life to the whole set of cultural experiences we call "the sixties." "Chicago '68 was a watershed summer. Chicago '68 is a watershed book. Farber succeeds in presenting a sensitive, fairminded composite portrait that is at once a model of fine narrative history and an example of how one can walk the intellectual tightrope between 'reporting one's findings' and offering judgements about them."—Peter I. Rose, Contemporary Sociology