Traces a father and son journey around South America in a tiny boat they built together

From the #1 New York Times bestselling author of Killers of the Flower Moon, a mesmerizing collection of true-crime stories that includes "The Old Man and the Gun"—the inspiration for the movie starring Robert Redford and Sissy Spacek, along with two other riveting tales. "The Old Man and the Gun" is the incredible story of a bank robber and prison escape artist who modeled himself after figures like Pretty Boy Floyd and who, even in his seventies, refuses to retire. "True Crime" follows the twisting investigation of a Polish detective who suspects that a novelist planted clues in his fiction to an actual murder. And "The Chameleon" recounts how a French imposter assumes the identity of a missing boy from Texas and infiltrates the boy's family, only to soon wonder whether he is the one being conned. In this mesmerizing collection, David Grann shows why he has been called a "worthy heir to Truman Capote" and "simply the best narrative nonfiction writer working today," as he takes the reader on a journey through some of the most intriguing and gripping real-life tales from around the world. Look for David Grann’s latest bestselling book, The Wager!

David and the Old Man is a true life story about a father and his oldest son. The father a rugged, independent, stubborn and selfserving man who grew up on a farm where growing food became the only way to survive. He carries this farm mentality into his own family situation and has an enormous garden which primarily provides for his wife and four children. He grows and stores enough food for his family, all the neighbors and friends. Beyond his own belief, the Old Man’s first son is not the rugged individualist he pictured his first son to be. David, as a youth, appears to have all the normal tendecies of any other kid, but does not fully develop physically and has a dislike of certain foods. The psychological battle between father and son is further nututred by the Old Man’s dislike for David’s passive and unfatherlike personality. David develops anorexia nervosa patterns in the early 1960’s and becomes a full blown anorexic case by his late teens. What is unusual about this-- David is a male, completely rare for this disease and exceptionally rare for that time period in which it occurred. The family battles the Old Man’s will and lives with a son or brother who displays no regard for himself or those close to him.

Bill and Sam played so many tricks on Old Man Hanson when he was alive, that it was only right that he should play a few on them after he was dead.

Just when an ex-con who goes by the name of Outlaw, finally decides its time to straighten out his life and possibly become the father he never was, he gets an urgent phone call from Sean, his long lost L.A.P.D. half brother who is desperate for his help. Sean, the vice cop, knowing full well the ramifications, begs for his brother Outlaw to assist in a drug heist that goes horrible wrong and Sean winds up dead. Although innocent, Outlaw still gets the rap for his brother's murder and is sentenced to 20 years in the legendary Old Folsom State Prison. Once inside the prison, Outlaw and his new cellmate, a double lifer who was a decorated Vietnam War hero and Christian who strayed from the flock, along with an unlikely new friend, who was a splitting image of Outlaw's half brother, come up with the most unbelievable way to escape. It's nothing short of suicide at best, but they're willing to chance it all for one more shot at freedom, and this is just the beginning of the roller coaster ride from hell.

Finalist for the 2016 Man Booker Prize Winner of the 2016 Paris Review Plimpton Prize for Fiction A magnificent and ambitiously conceived portrait of contemporary life, by a genius of realism Nine men. Each of them at a different stage in life, each of them away from home, and each of them striving--in the suburbs of Prague, in an overdeveloped Alpine village, beside a Belgian motorway, in a dingy Cyprus hotel--to understand what it means to be alive, here and now. Tracing a dramatic arc from the spring of youth to the winter of old age, the ostensibly separate narratives of All That Man Is aggregate into a picture of a single shared existence, a picture that interrogates the state of modern manhood while bringing to life, unforgettably, the physical and emotional terrain of an increasingly globalized Europe. And so these nine lives form an ingenious and new kind of novel, in which David Szalay expertly plots a dark predicament for the twenty-first-century man. Dark and disturbing, but also often wickedly and uproariously comic, All That Man Is is notable for the acute psychological penetration Szalay brings to bear on his characters, from the working-class ex-grunt to the pompous college student, the middle-aged loser to the Russian oligarch. Steadily and mercilessly, as this brilliantly conceived book progresses, the protagonist at the center of each chapter is older than the last one, it gets colder out, and All That Man Is gathers exquisite power. Szalay is a writer of supreme gifts--a master of a new kind of realism that vibrates with detail, intelligence, relevance, and devastating pathos.