In this spectacular follow-up to their beloved Book of Norse Myths, the husband-and-wife team of Ingri and Edgar Parin d’Aulaire explore the uncanny reaches of Norse mythology, an enchanted night-world populated by trolls of all kinds—mountain trolls, forest trolls, trolls who live underwater and trolls who live under bridges, uncouth, unkempt, unbreakable, unforgettable, and invariably unbelievably ugly trolls—who work their wiles and carry on in the most bizarre and entertaining fashions. With their matchless talent as storytellers and illustrators, the d’Aulaires bring to life the weird and wonderful world of Norse mythology.

THE CELEBRATED HUSBAND-AND-WIFE TEAM OF INGRI AND EDGAR PARIN D’AULAIRE prepared this exceptionally beautiful volume for their own son Ola, and it is as fresh and enchanting today as it was when it first sprung from their imaginations. D’Aulaires’ Book of Animals introduces young children to the creatures of every continent. Here more than fifty animals lithographed in full color form one side of a book that can be read page by page or unfolded to form a continuous panorama; the flipside of the panorama reveals the nighttime world of the animals in the very same settings. Each tableau presents the subjects in their native environments—from the tropical to the arctic—and is rendered with the exemplary richness of color and delightful understanding of the children’s world that distinguish the d’Aulaires’ much-loved retellings of the Norse and Greek myths and their wildly playful Book of Trolls. Young children, meeting animals from all over the world for the first time, will be delighted not only with the animals themselves but with the simple and engaging text which provides information about the way they act, the world they live in, and—best of all—the sounds they make. D’Aulaires’ Book of Animals is not only a perfect picture book for preschoolers, but a work of art that can be enjoyed by all.

"I doubt I would have grown up to be the writer and artist I became had I not fallen in love with D’Aulaire’s Book of Greek Myths at the age of seven."—R. J. Palacio, author of Wonder Kids can lose themselves in a world of myth and magic while learning important cultural history in this beloved classic collection of Greek mythology. Now updated with a new cover and an afterword featuring never-before-published drawings from the sketchbook of Ingri and Edgar D'Aulaire, plus an essay about their life and work and photos from the family achive. In print for over fifty years, D'Aulaires Book of Greek Myths has introduced generations to Greek mythology—and continues to enthrall young readers. Here are the greats of ancient Greece—gods and goddesses, heroes and monsters—as freshly described in words and pictures as if they were alive today. No other volume of Greek mythology has inspired as many young readers as this timeless classic. Both adults and children alike will find this book a treasure for years to come.

Whether bringing to life the legends of the mightiest Greek and Norse gods in their widely beloved collections of myths, or retelling Chekhov’s tale of a little lost dog as they do in Foxie, the d’Aulaires excelled at the arts of storytelling and illustration. Foxie’s tale, wonderful to look at and delightful to read, is certain to charm both young children and early readers. Poor Foxie! With her “head like a fox and her tail like a cinnamon roll” she is adorable enough to charm anyone. But all her young master wants to do is tease her—and he isn’t very good at remembering mealtime either. One day his pranks go too far when he lures his dog out onto the busy city streets with a tasty bone and loses her. Foxie is soon rescued by a roly-poly circus-animal trainer who spots her fl air for singing and adds her to his act, alongside a piano-playing cat and a strutting rooster. Opening night is full of surprises, though, and Foxie is overjoyed when she hears a familiar voice in the audience, calling out her name.

The little hero of this tale has a shock of blond hair, a devoted dog, and a frisky cat, but today he has a problem, a big problem, in fact: he’s just too big to do the things he wants to do. He’s too big to put on his little hat and coat, too big for his mother to pick up, and too big to ride around on the dog’s back. Luckily he’s not too big to dream of the time when he’ll be big enough to relish the challenges ahead and to set out on bold new adventures of his own. In glowing primary colors, Ingri and Edgar Parin d’Aulaire, famous for their luminous retellings of the Norse and Greek myths, paint a charming portrait of a typical toddler feeling his way into the world. Based on a story that enchanted the d’Aulaires’ own little boy, Too Big is a wise and winning tale of growing up and discovering that though there are some things you just can’t do, that still leaves everything you can.

“Once upon a time there was a little mouse house. It was like a doll’s house, but not for dolls, for mice.” Not proper mice, but a flannel He-Mouse and She-Mouse with beady eyes and bristle whiskers who stand quite still, propped on their hind legs in the sitting room. Mary knows real mice run and scamper, and disappointed with her new gift, she puts the mouse house away in her room. Meanwhile, down in the basement, a real mouse named Bonnie has been jostled out of her woefully inadequate flowerpot home by her older brothers and sisters. Overlooked by her harried parents and desperate for shelter, Bonnie ventures upstairs and finds the mouse house. And before too long what was a miniature make-believe house becomes a marvelously messy home for proper mice who know how to play, much to everyone’s delight.

Our story opens with a cat stuck in a tree, an ordinary-enough occurrence. Fletcher the cat, having run up the tree in a moment of thoughtless abandon, cannot get back down. Then strange things begin to happen: Fletcher finds in his tree a steamer trunk full of hats, and among the hats a papier-mâché egg that opens to reveal Zenobia, a worldly talking doll who was locked in the egg by an unfeeling child named Mabel. To cheer each other up, Fletcher and Zenobia decide to throw a party, complete with cake, peach ice cream, and punch from a silver punch bowl. The hats come in handy, and a moth, drawn to the festivities, soon becomes the vehicle of an unexpected escape plan. A story of metamorphosis and friendship, like The Owl and the Pussycat crossed with Alice in Wonderland, Fletcher and Zenobia is a wildly imaginative tale of wish fulfillment and freedom. At once silly and zany, it is not without a certain delicacy of feeling that older children, and adults, will also appreciate.