Daughters of the Union casts a spotlight on some of the most overlooked and least understood participants in the American Civil War: the women of the North. Unlike their Confederate counterparts, who were often caught in the midst of the conflict, most Northern women remained far from the dangers of battle. Nonetheless, they enlisted in the Union cause on their home ground, and the experience transformed their lives. Nina Silber traces the emergence of a new sense of self and citizenship among the women left behind by Union soldiers. She offers a complex account, bolstered by women's own words from diaries and letters, of the changes in activity and attitude wrought by the war. Women became wage-earners, participants in partisan politics, and active contributors to the war effort. But even as their political and civic identities expanded, they were expected to subordinate themselves to male-dominated government and military bureaucracies. Silber's arresting tale fills an important gap in women's history. She shows the women of the North--many for the first time--discovering their patriotism as well as their ability to confront new economic and political challenges, even as they encountered the obstacles of wartime rule. The Civil War required many women to act with greater independence in running their households and in expressing their political views. It brought women more firmly into the civic sphere and ultimately gave them new public roles, which would prove crucial starting points for the late-nineteenth-century feminist struggle for social and political equality.

"The story of the fascinating and fateful "daughter diplomacy" of Anna Roosevelt, Sarah Churchill, and Kathleen Harriman, three glamorous young women who accompanied their famous fathers to the Yalta Conference with Stalin in the waning days of World War II"--

Book Description A Generation at War explores the intersection of gender, age, and Confederate identity through the lives of teenage daughters from slaveholding, secessionist families throughout the South. These young women, who came of age in a time of secession and war, clung tenaciously to the gender ideals that lauded motherhood and marriage as the fulfillment of female duty and the racial order of the slaveholding South that defined their status and afforded them numerous material privileges. When differences between the North and South proved irreconcilable, southern daughters demonstrated extraordinary agency in protecting their future as wives, mothers, and slaveholders. Centered in the culture of their youth, gender, and class group, they threw their support behind the movement to create a Confederate identity. Their loyalty to the nascent nation, born out of a conservative movement to uphold the status quo, ultimately brought them into new areas of work, civic activism, and courtship rituals. After the war, young women drew from their wartime experiences as youths in constructing their own female imagery in the Lost Cause mythology that stood apart from the typical older, maternal figure. What emerges from their experiences is the creation of a transformative female identity that bridged the cultural gap between the antebellum and postbellum periods, paving the way for the emergence of a new understanding of southern womanhood in the New South era. A generational approach allows readers to take a more in-depth look at the transitional nature of wartime and its long-term effects on women's self-perceptions. While many studies of southern women tend to lump teenage daughters with the older generation of women, this examination singles them out as a unique group whose experiences made a significant contribution to the new woman in the New South. This study therefore will serve as a useful tool to students and teachers of southern women's history, providing a new perspective on the female experience and the changing ideas of womanhood that war produces. The detailed account of teenage daughters and their wartime activities and relationships will also appeal to a more general readership interested in Civil War history.

Immediately after the Civil War, white women across the South organized to retrieve the remains of Confederate soldiers. In Virginia alone, these Ladies' Memorial Associations (LMAs) relocated and reinterred the remains of more than 72,000 soldiers. Challenging the notion that southern white women were peripheral to the Lost Cause movement until the 1890s, Caroline Janney restores these women as the earliest creators and purveyors of Confederate tradition. Long before national groups such as the Woman's Christian Temperance Union and the United Daughters of the Confederacy were established, Janney shows, local LMAs were earning sympathy for defeated Confederates. Her exploration introduces new ways in which gender played a vital role in shaping the politics, culture, and society of the late nineteenth-century South.

An Atlantis-like city from Celtic legend is the setting of The Daughters of Ys, a mythical graphic novel fantasy from National Book Award winner M. T. Anderson and artist Jo Rioux. Ys, city of wealth and wonder, has a history of dark secrets. Queen Malgven used magic to raise the great walls that keep Ys safe from the tumultuous sea. But after the queen's inexplicable death, her daughters drift apart. Rozenn, the heir to the throne, spends her time on the moors communing with wild animals, while Dahut, the youngest, enjoys the splendors of royal life and is eager to take part in palace intrigue. When Rozenn and Dahut's bond is irrevocably changed, the fate of Ys is sealed, exposing the monsters that lurk in plain view. M. T. Anderson and Jo Rioux reimagine this classic Breton folktale of love, loss, and rebirth, revealing the secrets that lie beneath the surface.

Daughter of the Forest is a testimony to an incredible author's talent, a first novel and the beginning of a trilogy like no other: a mixture of history and fantasy, myth and magic, legend and love. Lord Colum of Sevenwaters is blessed with six sons: Liam, a natural leader; Diarmid, with his passion for adventure; twins Cormack and Conor, each with a different calling; rebellious Finbar, grown old before his time by his gift of the Sight; and the young, compassionate Padriac. But it is Sorcha, the seventh child and only daughter, who alone is destined to defend her family and protect her land from the Britons and the clan known as Northwoods. For her father has been bewitched, and her brothers bound by a spell that only Sorcha can lift. To reclaim the lives of her brothers, Sorcha leaves the only safe place she has ever known, and embarks on a journey filled with pain, loss, and terror. When she is kidnapped by enemy forces and taken to a foreign land, it seems that there will be no way for her to break the spell that condemns all that she loves. But magic knows no boundaries, and Sorcha will have to choose between the life she has always known and a love that comes only once. Juliet Marillier is a rare talent, a writer who can imbue her characters and her story with such warmth, such heart, that no reader can come away from her work untouched. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

*AN INSTANT NEW YORK TIMES BESTSELLER* *A PUBLISHERS WEEKLY BESTSELLER* Shady Baby keeps it real in this picture book collaboration by New York Times bestselling duo actress and producer Gabrielle Union and NBA superstar and businessman Dwyane Wade. Based on their famous baby girl, Kaavia James: After a long morning of being fabulous, Shady Baby heads to the park for a relaxing play session. But what does she find?! Some not-so-nice kids picking on others. Shady flashes them a look—her famous side eye—and teaches them that it’s better to play nice. But when her feelings are hurt, will anyone stand (or crawl) by her side? Find out in this upbeat picture book that teaches kids to speak their minds and stand up for what they believe in. Perfect for fans of The Boss Baby and Feminist Baby!