"Shreve is a master storyteller....[An] intricate portrait of the American woman and her creative centrality inside and outside the home." THE MIAMI HERALD They are four generations of women--Anna, Amanda, Sara, and Eleanor--and their remarkable story spans a hundred years, beginning when a willful beauty arrives in America in 1890, and goes on to love, passion, and scandal. She brings into the world a talented daughter whose photographs capture the soul of the twentieth century, and in turn she has a daughter, who in then has a daughter of her own--all of whom refuse to bow to the conventions of their times. Like their mothers before them, they will charter vast new territory as daughters of the new world.

"The frenzied anticipation and anxiety of a junior high audition for Annie provide the background for this lively and intelligent story. Eliza, a talented singer, is terrified to sign up for auditions although she has dreamed about starring in the musical since the third grade. But she's been friends with Lucy--who has been deaf since birth--even longer, and is amazed when her friend decides to try out. Eliza swallows her fear, however, and promises to attend the audition....The girls' characters are skillfully contrasted, and their tale is chronicled with a fresh, exuberant and up-beat style that moves the book along to its gratifying conclusion."--Publishers Weekly. "A rare book."--Booklist.

She was both guardian of the hearth and, on occasion, ruler and warrior, leading men into battle, managing the affairs of her people, sporting war paint as well as necklaces and earrings—she is the Native American woman. She built houses and ground corn, wove blankets and painted pottery, played field hockey and rode racehorses. Frequently she enjoyed an open and joyous sexuality before marriage; if her marriage didn't work out she could divorce her husband by the mere act of returning to her parents. She mourned her dead by tearing her clothes and covering herself with ashes, and when she herself died was often shrouded in her wedding dress. She was our native sister, the American Indian woman, and it is of her life and lore that Carolyn Niethammer writes in this rich tapestry of America's past and present. Here, as it unfolded, is the chronology of the Native American woman's life. Here are the birth rites of Caddo women from the Mississippi-Arkansas border, who bore their children alone by the banks of rivers and then immersed themselves and their babies in river water; here are Apache puberty ceremonies that are still carried on today, when the cost for the celebrations can run anywhere from one to six thousand dollars. Here are songs from the Night Dances of the Sioux, where girls clustered on one side of the lodge and boys congregated on the other; here is the Shawnee legend of the Corn Person and of Our Grandmother, the two female deities who ruled the earth. Far from the submissive, downtrodden “squaw” of popular myth, the Native American woman emerges as a proud, sometimes stoic, always human individual from whom those who came after can learn much. At a time when many contemporary American women are seeking alternatives to a lifestyle and role they have outgrown, Daughters of the Earth offers us an absorbing—and illuminating—legacy of dignity and purpose.

Finalist for the PEN/Robert Bingham Fellowship for Writers It is the mid-1800s. Fela, taken from Africa, is working at her second sugar plantation in colonial Puerto Rico, where her mistress is only too happy to benefit from her impressive embroidery skills. But Fela has a secret. Before she and her husband were separated and sold into slavery, they performed a tribal ceremony in which they poured the essence of their unborn child into a very special stone. Fela keeps the stone with her, waiting for the chance to finish what she started. When the plantation owner approaches her, Fela sees a better opportunity for her child, and allows the man to act out his desire. Such is the beginning of a line of daughters connected by their intense love for one another, and the stories of a lost land. Mati, a powerful healer and noted craftswoman, is grounded in a life that is disappearing in a quickly changing world. Concha, unsure of her place, doesn't realize the price she will pay for rejecting her past. Elena, modern and educated, tries to navigate between two cultures, moving to the United States, where she will struggle to keep her family together. Carisa turns to the past for wisdom and strength when her life in New York falls apart. The stone becomes meaningful to each of the women, pulling them through times of crisis and ultimately connecting them to one another. Dahlma Llanos-Figueroa shows great skill and warmth in the telling of this heartbreaking, inspirational story about mothers and daughters, and the ways in which they hurt and save one another.

"A daring debut." —New York Times Book Review A lively, spellbinding tale about the extraordinary women within a Vietnamese immigrant family—and the ancient zodiac legend that binds them together What does the future hold for those born in the years of the Dragon, Tiger, and Goat? In present day New Orleans, Xuan Trung, former beauty queen turned refugee after the Fall of Saigon, is obsessed with divining her daughters' fates through their Vietnamese zodiac signs. But Trac, Nhi and Trieu diverge completely from their immigrant parents' expectations. Successful lawyer Trac hides her sexuality from her family; Nhi competes as the only woman of color on a Bachelor-esque reality TV show; and Trieu, a budding writer, is determined to learn more about her familial and cultural past. As the three sisters begin to encounter strange glimpses of long-buried secrets from the ancestors they never knew, the story of the Trung women unfurls to reveal the dramatic events that brought them to America. Moving backwards in time, E.M. Tran takes us into the high school classrooms of New Orleans, to Saigon beauty pageants, to twentieth century rubber plantations, traversing a century as the Trungs are both estranged and united by the ghosts of their tumultuous history. A “haunted story of resilience and survival” (Meng Jin, Little Gods), Daughters of the New Year is an addictive, high-wire act of storytelling that illuminates an entire lineage of extraordinary women fighting to reclaim the power they’ve been stripped of for centuries.

Three sisters, teenage vampires, attempt to escape their world of darkness, blood, and violence in order to find new lives and loves among mortals in a small town.