Daughters of Mother Earth is nothing less than a new way of looking at history—or more correctly, the reestablishment of a very old way. It holds that for too long, elements unnatural to Native American ways of knowing have been imposed on the study of Native America. Euro-American discourse styles, emphasizing elite male privilege and conceptual linearity, have drowned out the democratic and woman-centered Native approaches. Even when the damage of western linearity is understood to occur, analysis of Native American history, society, and culture has still been relentlessly placed in male custody, following the western assumption that Euro-American men speak ably for all. This book seeks to redress that balance, allowing, as editor Barbara Alice Mann writes, the Daughters of Mother Earth to reclaim their ancient responsibility to speak in council, to tell the truth, to guide the rising generations through spirit-spoken wisdom. The recovery of women's traditions is an important theme in this collection of essays that helps reframe Native issues as properly gendered. Thus, Paula Gunn Allen looks at Indian lifeways through the many stitches of Indian clothes and the many steps of their powwow fancy-dances. Lee Maracle calls for reconstitution of traditional social structures, based on Native American ways of knowing. Kay McGowan identifies the exact sites where woman-power was weakened historically through the heavy impositions of European culture, the better to repair them. Finally, Barbara Mann examines how communication between Natives east and west of the Mississippi came to be so deranged as to be dysfunctional, and outlines how to reestablish good east-west relations for the benefit of all.

She was both guardian of the hearth and, on occasion, ruler and warrior, leading men into battle, managing the affairs of her people, sporting war paint as well as necklaces and earrings—she is the Native American woman. She built houses and ground corn, wove blankets and painted pottery, played field hockey and rode racehorses. Frequently she enjoyed an open and joyous sexuality before marriage; if her marriage didn't work out she could divorce her husband by the mere act of returning to her parents. She mourned her dead by tearing her clothes and covering herself with ashes, and when she herself died was often shrouded in her wedding dress. She was our native sister, the American Indian woman, and it is of her life and lore that Carolyn Niethammer writes in this rich tapestry of America's past and present. Here, as it unfolded, is the chronology of the Native American woman's life. Here are the birth rites of Caddo women from the Mississippi-Arkansas border, who bore their children alone by the banks of rivers and then immersed themselves and their babies in river water; here are Apache puberty ceremonies that are still carried on today, when the cost for the celebrations can run anywhere from one to six thousand dollars. Here are songs from the Night Dances of the Sioux, where girls clustered on one side of the lodge and boys congregated on the other; here is the Shawnee legend of the Corn Person and of Our Grandmother, the two female deities who ruled the earth. Far from the submissive, downtrodden “squaw” of popular myth, the Native American woman emerges as a proud, sometimes stoic, always human individual from whom those who came after can learn much. At a time when many contemporary American women are seeking alternatives to a lifestyle and role they have outgrown, Daughters of the Earth offers us an absorbing—and illuminating—legacy of dignity and purpose.

Illustrated children's book focusing on the relationship between Mother Earth and humans. Poetic verse of love and good deeds. Follow a child's discovery of how people and the planet can exist in harmony. Rich, beautiful illustrations. The story promotes peace and love between people across the globe.

A rich and luminous novel about three generations of women in one family: the love they share, the dreams they refuse to surrender, and the secrets they hold Samantha is lost in the joys of new motherhood—the softness of her eight-month-old daughter's skin, the lovely weight of her child in her arms—but in trading her artistic dreams to care for her child, Sam worries she's lost something of herself. And she is still mourning another loss: her mother, Iris, died just one year ago. When a box of Iris's belongings arrives on Sam's doorstep, she discovers links to pieces of her family history but is puzzled by much of the information the box contains. She learns that her grandmother Violet left New York City as an eleven-year-old girl, traveling by herself to the Midwest in search of a better life. But what was Violet's real reason for leaving? And how could she have made that trip alone at such a tender age? In confronting secrets from her family's past, Sam comes to terms with deep secrets from her own. Moving back and forth in time between the stories of Sam, Violet, and Iris, Mothers and Daughters is the spellbinding tale of three remarkable women connected across a century by the complex wonder of motherhood. This book was later published under the title Mercy Train.

A "who's who" of women in classical mythology.

African animals go through the times of a day.