An extraordinary talent bursts on the fantasy scene with a remarkably engaging novel. Lady Angarred Hashan was raised in exile far from Pergodi, the capital city. Angarred never knew what had caused her father's exile; she only knew that at the age of four, she was brought to Hashan House, an isolated and crumbling manor, and raised by servants. Her mother, she was told, had died. Angarred spent hours in her mother's rooms, handling the fine dresses of Emindal cloth---when she wasn't running wild through the forests and fields. Her father was distant and obsessed with regaining his place at court. The only visitors they ever saw were secretive men and women who brought news of the events at court---news of wars and alliances, of the queen's failure to conceive an heir, of the Princess Roharren's madness and Prince Norue's growing power, and of the disappearance of the magicians. The visitors came and went, plotting revenge for mysterious slights, eating and drinking their way through the storerooms while Hashan House fell down around them. But one day, while hunting in the forest, Lord Hashan was murdered. And Angarred, in her outrage, determined to go to the capital and seek justice from the king---for, surely, the murderer of a lord, even an exiled lord, should be punished! But the naïve young woman finds a swirling world of palace intrigue, a dying queen, and an ensorcelled king. With the help of Mathewar, a handsome but very troubled, magician, she journeys from the crowded streets of Pergodi to the Enchanted Forest, from the deadly land of the Others to the arches of the Giant's Bridge, as she begins to unravel the secrets of the kingdom and her own history.

The story of two refugee families--one Vietnamese, one Cambodian--"adopted" by an American family living in Tuscany.

When a girl is found dead with a signed copy of Rudian Stefa’s latest book in her possession, the author finds himself summoned for an interview by the Party Committee. Unable to guess what transgression he has committed Rudian goes fearfully to meet his interrogators. He has never met the girl in question but he remembers signing the book. As the influence of a paranoid regime steals up on him, Rudian finds himself swept along on a surreal quest to discover what really happened to the mysterious girl to whom he wrote the dedication – to Linda B. ‘Powerful, empathetic, at times harrowing... executed with an elegant combination of horror, absurdity, indignation, and other-worldliness... A chilling, humane and strangely beautiful work’ Independent

Kiandra has to use her wits and tech-savvy ways to help rescue Edwy, Enu, and the others from the clutches of the Enforcers in the thrilling final novel of the Children of Exile series from New York Times bestselling author, Margaret Peterson Haddix. Since the Enforcers raided Refuge City, Rosi, Edwy, and the others are captured and forced to work as slave labor on an alien planet, digging up strange pearls. Weak and hungry, none of them are certain they will make it out of this alive. But Edwy’s tech-savvy sister, Kiandra, has always been the one with all the answers, and so they turn to her. But Kiandra realizes that she can’t find her way out of this one on her own, and they all might need to rely on young Cana and her alien friend if they are going to survive.

And their home is nothing like she'd expected, like nothing the Freds had prepared them for."--Back cover

Mavis Gallant is the modern master of what Henry James called the international story, the fine-grained evocation of the quandaries of people who must make their way in the world without any place to call their own. The irreducible complexity of the very idea of home is especially at issue in the stories Gallant has written about Montreal, where she was born, although she has lived in Paris for more than half a century. Varieties of Exile, Russell Banks's extensive new selection from Gallant's work, demonstrates anew the remarkable reach of this writer's singular art. Among its contents are three previously uncollected stories, as well as the celebrated semi-autobiographical sequence about Linnet Muir—stories that are wise, funny, and full of insight into the perils and promise of growing up and breaking loose.

The swooning Victorian ladies and the 1950s housewives genuinely needed to be liberated. That much is indisputable. So, First-Wave feminists held rallies for women's suffrage. Second-Wave feminists marched for Prohibition, jobs, and abortion. Today, Third-Wave feminists stand firmly for nobody's quite sure what. But modern women--who use psychotherapeutic antidepressants at a rate never before seen in history--need liberating now more than ever. The truth is, feminists don't know what liberation is. They have led us into a very boring dead end. Eve in Exile sets aside all stereotypes of mid-century housewives, of China-doll femininity, of Victorians fainting, of women not allowed to think for themselves or talk to the men about anything interesting or important. It dismisses the pencil-skirted and stiletto-heeled executives of TV, the outspoken feminists freed from all that hinders them, the brave career women in charge of their own destinies. Once those fictionalized stereotypes are out of the way--whether they're things that make you gag or things you think look pretty fun--Christians can focus on real women. What did God make real women for?