Vividly capturing the heady times in the waning months of World War II, Ronald Weber follows the exploits of Allied reporters as they flooded into liberated Paris after four dark years of Nazi occupation. He traces the remarkable adventures of the men and women who lived, worked, and played in the legendary Hôtel Scribe, set in a highly fashionable part of the largely undamaged city. Press jeeps and trailers packed the street outside, while inside the hotel was completely booked with hundreds of correspondents. The busiest spot was the dining area, where the clatter of typewriters combined with shouts of correspondents needing hot water to brew coffee from military powder. But the basement-level bar was the hotel’s top attraction, where famed war correspondents like Ernie Pyle, Walter Cronkite, A. J. Liebling, Ernest Hemingway, Martha Gellhorn, Janet Flanner, Lee Miller, Marguerite Higgins, Irwin Shaw, Edward Kennedy, Charles Collingwood, Robert Capa, and many others held court while in the company of military censors and top brass. Weber uncovers the struggles between correspondents and Allied officials over censorship and the release of information, the heated press chaos surrounding the war’s end, and the drama of the second German surrender orchestrated by the Russians in shattered Berlin. The elation of total victory was mixed with the abrupt emptiness of a task finished. While work on the Continent remained for journalists, it now dealt with the slog of the occupation of Germany rather than the blood and glory of war. Yet Weber shows there were many reasons to carry on after VE Day in this delightfully entertaining account of the hotel where correspondents were regularly briefed on the war and its aftermath, wrote their stories, had them transmitted to international media outlets, and rarely neglected the pleasures of a Paris reborn until December 1, 1945, when the Hôtel Scribe was officially vacated by the American military.

A beautiful reckoning with the life and work of the legendary journalist Ernie Pyle, who gave World War II a human face for millions of Americans even as he wrestled with his own demons At the height of his fame and influence during World War II, Ernie Pyle’s nationally syndicated dispatches from combat zones shaped America’s understanding of what the war felt like to ordinary soldiers, as no writer’s work had before or has since. From North Africa to Sicily, from the beaches of Anzio to the beaches of Normandy, and on to the war in the Pacific, where he would meet his end, Ernie Pyle had a genius for connecting with his beloved dogfaced grunts. A humble man, himself plagued by melancholy and tortured by marriage to a partner whose mental health struggles were much more acute than his own, Pyle was in touch with suffering in a way that left an indelible mark on his readers. While never defeatist, his stories left no doubt as to the heavy weight of the burden soldiers carried. He wrote about post-traumatic stress long before that was a diagnosis. In The Soldier's Truth, acclaimed writer David Chrisinger brings Pyle’s journey to vivid life in all its heroism and pathos. Drawing on access to all of Pyle’s personal correspondence, his book captures every dramatic turn of Pyle’s war with sensory immediacy and a powerful feel for both the outer and the inner landscape. With a background in helping veterans and other survivors of trauma come to terms with their experiences through storytelling, Chrisinger brings enormous reservoirs of empathy and insight to bear on Pyle’s trials. Woven in and out of his chronicle is the golden thread of his own travels across these same landscapes, many of them still battle-scarred, searching for the landmarks Pyle wrote about. A moving tribute to an ordinary American hero whose impact on the war is still too little understood, and a powerful account of that war’s impact and how it is remembered, The Soldier's Truth takes its place among the essential contributions to our perception of war and how we make sense of it.

Following the Front is a compilation of WWII dispatches written by Sidney A. Olson for TIME and LIFE magazines, 1944-1945. Olson, who joined Time Inc. in 1939 and served as a senior editor there, asked to be assigned overseas as a war correspondent. In mid-December, 1944, he received his accreditation from the War Department and sailed for London. Attached to the European Theater of Operations (ETO), Olson followed the Allied Forces as they pushed the Nazis back into Germany. He typed up his reports and cabled them to his editors in New York. Following the front meant being on the move constantly. In late January, Olson made his way to Paris, flew to Brussels, then drove to the battlefront in Holland. From that time forward, he never really stopped moving. He would race ahead and circle back, hopping from one military division to the next, gradually making his way across Germany and into Austria. His dispatches illustrate--line by line, battle by battle--the extraordinary Allied effort to defeat Hitler.

In The Price of Truth, Richard Fine recounts the intense drama surrounding the German surrender at the end of World War II and the veteran Associated Press journalist Edward Kennedy's controversial scoop. On May 7, 1945, Kennedy bypassed military censorship to be the first to break the news of the Nazi surrender executed in Reims, France. Both the practice and the public perception of wartime reporting would never be the same. While, at the behest of Soviet leaders, Allied authorities prohibited release of the story, Kennedy stuck to his journalistic principles and refused to manage information he believed the world had a right to know. No action by an American correspondent during the war proved more controversial. The Paris press corps was furious at what it took to be Kennedy's unethical betrayal; military authorities threatened court-martial before expelling him from Europe. Kennedy defended himself, insisting the news was being withheld for suspect political reasons unrelated to military security. After prolonged national debate, when the dust settled, Kennedy's career was in ruins. This story of Kennedy's surrender dispatch and the meddling by Allied Command, which was already being called a fiasco in May 1945, revises what we know about media-military relations. Discarding "Good War" nostalgia, Fine challenges the accepted view that relations between the media and the military were amicable during World War II and only later ran off the rails during the Vietnam War. The Price of Truth reveals one of the earliest chapters of tension between reporters committed to informing the public and generals tasked with managing a war.

Prize-winning and bestselling historian Jean Edward Smith tells the “rousing” (Jay Winik, author of 1944) story of the liberation of Paris during World War II—a triumph achieved only through the remarkable efforts of Americans, French, and Germans, racing to save the city from destruction. Following their breakout from Normandy in late June 1944, the Allies swept across northern France in pursuit of the German army. The Allies intended to bypass Paris and cross the Rhine into Germany, ending the war before winter set in. But as they advanced, local forces in Paris began their own liberation, defying the occupying German troops. Charles de Gaulle, the leading figure of the Free French government, urged General Dwight Eisenhower to divert forces to liberate Paris. Eisenhower’s advisers recommended otherwise, but Ike wanted to help position de Gaulle to lead France after the war. And both men were concerned about partisan conflict in Paris that could leave the communists in control of the city and the national government. Neither man knew that the German commandant, Dietrich von Choltitz, convinced that the war was lost, schemed to surrender the city to the Allies intact, defying Hitler’s orders to leave it a burning ruin. In The Liberation of Paris, Jean Edward Smith puts “one of the most moving moments in the history of the Second World War” (Michael Korda) in context, showing how the decision to free the city came at a heavy price: it slowed the Allied momentum and allowed the Germans to regroup. After the war German generals argued that Eisenhower’s decision to enter Paris prolonged the war for another six months. Was Paris worth this price? Smith answers this question in a “brisk new recounting” that is “terse, authoritative, [and] unsentimental” (The Washington Post).

"News of Paris recaptures the colorful, often zany world of Paris-American journalists during the glory days of the expatriate period. It does so by concentrating on the lives of such figures as Ernest Hemingway, James Thurber, Henry Miller, Elliot Paul, William L. Shirer, Dorothy Thompson, Janet Flanner, and Eric Sevareid, and on the life of the major newspapers, including the Paris Herald (the New York Herald Tribuen's European edition) and the Tribune, the lively and innovative offspring of the Chicago Tribune. Others populating the pages of News of Paris include Harold Stearns, Paul Scott Mowrer, Bill Bird, Vincent Sheean, Waverley Root, Eugene Jolas, Martha Foley, Whit Burnett, Ned Calmer, and A. J. Liebling."--BOOK JACKET.

Offers a retelling of the story of the Trojan War illustrated with collages featuring newspaper clippings of modern events from World War I through the Iraq War.