History’s final chapter will be written in Jerusalem. When an Iranian president thunders a murderous threat or an obscure Turkish drunkard has a dream in Mecca or a Jewish couple from Brooklyn lands at Tel Aviv’s Ben Gurion airport, these events might seem disconnected. But they’re not. In Dateline Jerusalem, CBN News correspondent Chris Mitchell connects the dots and unveils Jerusalem as the epicenter and crossroads of the spiritual, political, and, yes, supernatural worlds. For thousands of years, Jerusalem’s powerful draw has always transcended simple economics, military strategy, and religious affiliation. In our own time, as the Arab Spring threatens to become an Islamic Winter, one commentator warns: “The Arab Spring doesn’t lead to democracy, it leads to Jerusalem.” Indeed, the fragile peace of Israel is in new peril as violent Islamic factions vie for control of surrounding nations. Yet Muslims are converting to Christianity in record numbers. Dateline Jerusalem untangles and chronicles all this through the riveting narrative of a Christian reporter in the upheaval of the modern Fertile Crescent. We live in a world where we cannot afford to be ill informed. What happens in the strategic Middle East, Israel, and Jerusalem is critical. It matters to you. Today’s news might focus on Washington, New York, London, or Moscow, but history’s final chapter will be written in Jerusalem. Chris Mitchell’s firsthand experiences and reporting uniquely qualify him to expound on and explain the major trends and developments sweeping the Middle East and affecting the world. Mitchell has served as the bureau chief for CBN News since August 2000.

Expertly researched and deftly reported, Dateline Havana is a probing exposé of U.S. policy and the future of Cuba on the occasion of the 50th anniversary of the Cuban Revolution. Covering art, music, and Cuban politics, Reese Erlich creates a tableau that is at once moving and informative.

Dateline Soweto documents the working lives of black South African reporters caught between the mistrust of militant blacks, police harrassment, and white editors who—fearing government disapproval—may not print the stories these reporters risk their lives to get. William Finnegan revisited several of these reporters during the May 1994 election and describes their post-apartheid working experience in a new preface and epilogue.

Dateline: Toronto collects all 172 pieces that Hemingway published in the Star, including those under pseudonyms. Hemingway readers will discern his unique voice already present in many of these pieces, particularly his knack for dialogue. It is also fascinating to discover early reportorial accounts of events and subjects that figure in his later fiction. As William White points out in his introduction to this work, “Much of it, over sixty years later, can still be read both as a record of the early twenties and as evidence of how Ernest Hemingway learned the craft of writing.” The enthusiasm, wit, and skill with which these pieces were written guarantee that Dateline: Toronto will be read for pleasure, as excellent journalism, and for the insights it gives to Hemingway's works.

A guide for Hamilton wristwatch collectors to identify watches made between 1917 and 1969.