After a thorough survey of the fundamentals of Greek palaeograpy, the author discusses many of the distinctive features of biblical manuscripts, such as musical neumes, lectionaries, glosses, commentaries and illuminations.

This book, first published in 2000, is the main bibliographical listing of Greek New Testament manuscripts.

This interdisciplinary handbook provides extensive information about research in medieval studies and its most important results over the last decades. The handbook is a reference work which enables the readers to quickly and purposely gain insight into the important research discussions and to inform themselves about the current status of research in the field. The handbook consists of four parts. The first, large section offers articles on all of the main disciplines and discussions of the field. The second section presents articles on the key concepts of modern medieval studies and the debates therein. The third section is a lexicon of the most important text genres of the Middle Ages. The fourth section provides an international bio-bibliographical lexicon of the most prominent medievalists in all disciplines. A comprehensive bibliography rounds off the compendium. The result is a reference work which exhaustively documents the current status of research in medieval studies and brings the disciplines and experts of the field together.

The Introduction, which gives information about the life and work of Procopius and also about previous editions and studies of the text, is followed by Chapter 1 which contains an analytical codicological and palaeological description of codex Ath, which was written in the late 13th century and is thus the earliest extant ms of Procopius' Wars. Section 2 examines the position of the codex in the stemma codicum, proposed by the latest editor of the text, Jacob Haury, Procopius Caesariensis Opera Omnia (Teubner: Leipzig, 1905-12, revised by G.Wirth, 1963). A collation of the text with the principal manuscripts (K and L) of the two families, z and y, shows that Ath belongs to the y family. A further collation of Ath with all other extant manuscripts of this family of the fifteenth and sixteenth centuries, illustrates the importance of Ath in the tradition of the text, despite its minor phonetic, grammatical, syntactical and linguistic errors. Section 3 gives a description and updated information of all manuscripts of family y, which were briefly described by previous editors, and some of them were not examined at all, before their relation is examined and the stemma codicum is revised on the basis of a series of propositions. It is concluded that Ath has been the exemplar for some of the later manuscripts, either directly or through intermediaries. The study concludes with a more theoretical chapter, Section 4, which places the production of Ath and other manuscripts, containing Procopius' works and other early Byzantine historiographical texts, in the general context of the intellectual milieu of the Palaeologan period.

Although perceived since the sixteenth century as the most impressive literary achievement of Byzantine culture, historical writing nevertheless remains little studied as literature. Historical texts are still read first and foremost for nuggets of information, as main sources for the reconstruction of the events of Byzantine history. Whatever can be called literary in these works has been considered as external and detachable from the facts. The 'classical tradition' inherited by Byzantine writers, the features that Byzantine authors imitated and absorbed, are regarded as standing in the way of understanding the true meaning of the text and, furthermore, of contaminating the reliability of the history. Chronicles, whose language and style are anything but classicizing, have been held in low esteem, for they are seen as providing a mere chronological exposition of events. This book presents a set of articles by an international cast of contributors, deriving from papers delivered at the 40th annual Spring Symposium of Byzantine Studies. They are concerned with historical and visual narratives that date from the sixth to the fourteenth century, and aim to show that literary analyses and the study of pictorial devices, far from being tangential to the study of historical texts, are preliminary to their further study, exposing the deeper structures and purposes of these texts.