Edited by Sabine Breitwieser, Hemma Schmutz and Tanja Widmann. Essays by Dietrich Kamer, Ursula Biemann, Sigrid Adorf, Giorgio Agamben, Anja Streither and Jutta Koether.

Touch is a fundamental element of dance. The (time) forms and contact zones of touch are means of expression both of self-reflexivity and the interaction of the dancers. Liberties and limits, creative possibilities and taboos of touch convey insights into the ‘aisthesis’ of the different forms of dance: into their dynamics and communicative structure, as well as into the production and regulation of affects. Touching and Being Touched assembles seventeen interdisciplinary papers focusing on the question of how forms and practices of touch are connected with the evocation of feelings. Are these feelings evoked in different ways in tango, Contact improvisation, European and Japanese contemporary dance? The contributors to this volume (dance, literature, and film scholars as well as philosophers and neuroscientists) provide in-depth discussions of the modes of transfer between touch and being touched. Drawing on the assumptions of various theories of body, emotion, and senses, how can we interpret the processes of tactile touch and of being touched emotionally? Is there a specific spectrum of emotions activated during these processes (within both the spectator and the dancer)? How can the relationship of movement, touch, and emotion be analyzed in relation to kinesthesia and empathy?

Body as Protest highlights the photographic representation of the human body as a radical expression of protest against social, political and aesthetic norms. Centering on a series by John Coplans, it also includes works by Hannah Wilke, Ketty La Rocca, Hannah Villiger, Bruce Nauman, Robert Mapplethorpe and Tatiana Lecomte.

Edited by Laurence Kardish. Text by Laurence Kardish, Kelly Sidley, Michael T. Taussig.

One of the most important artistic movements in recent years is chronicled and showcased in this dynamic work.Born in Germany in the years following the collapse of the Communist regime, the New Leipzig School started when a group of classmates at the Leipzig Academy rediscovered figurative art. Their paintings reflected the melancholy that pervaded East Germany as it struggled with capitalism, high unemployment and depopulation. Fifteen year later, paintings by the Leipzig school and its related movement, Dresden Pop, are conquering the international art market. The authors take on this important trend one painter at a time. They examine each artist's oeuvre on its own merit and consider various factors behind the movements--the onset of the digital age, social disillusionment and individual protest. Breathtaking reproductions allow readers to form their own ideas about what constitutes and drives new German painting, and understand its significance around the world.

John Baldessari, conceptual artist and teacher, has lived and worked in California all his life. Considered a pioneer of postmodern ideas in the 1970s, he came to prominence with his early text paintings and moved on to photographic images paired with text. He has maintained his interest in the relationship of words and imagery, of delighting in the absurd, and pointing out the irony in contemporary art theory for more than 35 years. Baldessari has been active as a printmaker since 1970; The Prints of John Baldessari, A Catalogue Raison marks the first comprehensive accounting of this tremendous body of work and the influence this artist has had on the international art world. AUTHORS: Sharon Coplan Hurowitz is a New York-based art consultant and prints researcher. Wendy Weitman, until 2007, was curator in the Department of Prints and Illustrated Books at The Museum of Modern Art, New York, where she had worked since 1980. In addition to curating a number of important exhibitions, Ms. Weitman has taught and lectured widely on prints in the U.S., Europe, and Japan. SELLING POINTS: The first definitive study of print work of this prolific artist's career that has spanned nearly forty years Baldessari is a recipient of the Americans for the Arts' Lifetime Achievement Award This publication features recently completed work that has never been published 195 colour & 50 b/w illustrations