One of them was a young medicine girl, her blood was strange, but it was a piece of white paper that hadn't been smeared on yet. One was the boss of the Alliance, the elite of the shopping mall, but an emotional idiot. He had saved her and brought her out of the sea of suffering. However, he had also brought her into the mortal world and experienced all sorts of bitter and bitter situations ...

On the seventh day of marriage, Ji Yan was still locked up in the basement. She was forcibly sent to Shang family by her parents to replace her sister and marry the monster man, Shang Jinshen, who is rumored to be unable to walk. During these seven days, only one hot man comes to the basement every day to see her and provoke her. That time, she decides to fight back and bites the man, but she pays the price by having her first time taken away by the hot man. Finally, after ten days of captivity, she was released. When the Madam of the Shang family humiliates her for her poverty, her so-called husband shows up to defend her. She saw Shang Jinshen sitting in a wheelchair with many scars on his face. But what she doesn't know is that this image of weakness is a pretence by Shang Jinshen. The man who took away her virginity is the real Shang Jinshen.

Her marriage was to stay by herself in a large, empty house. Her marriage lasted from hope until despair. Her marriage was a monthly routine of the 8th. If it's a lie, then just lie for the rest of your life, okay? At least this way, they could continue all the way to the end of their lives.

Betrayed by a boyfriend and best friend, the stranger becomes the superior CEO. However, her best friend wanted to repeat the same old trick, which was intolerable. This time, she was going to strike first and gain the upper hand.

During the making of Mother India, Nargis is trapped in a circle of flames and Sunil risks his life to save her. They recuperate together, and fall in love. Nargis has been in a long but futile relationship with the mercurial Raj Kapoor, and in Sunil she finally finds an anchor. Their relationship is stormy and secretive to start with, but it survives every crisis to culminate in a quite wedding on 11 March 1958. What follows are years of togetherness, including the joys of caring three children, Sanjay, Namrata and Priya but also days of pain and heartbreak: financuial trouble, Nargis's illness, Sanjay's addiction to drugs. Based on the diaries and letters of Nargis, Sunil and their daughter Priya, as well as on conversations and interviews with family and friends, Darlingji - as they often addressed each other - is a probing yet affectionate biography of two extraordinary people and their love for each other. Travelling as it does from the nineteenth century to the present, the book tells the larger story of the evolution of Hindi cinema, and of a society and a nation in the throes of change.