Born into the beautiful bedlam of downtown New York in the eighties, iO Tillett Wright came of age at the intersection of punk, poverty, heroin, and art. This was a world of self-invented characters, glamorous superstars, and strung-out sufferers, ground zero of drag and performance art. Still, no personality was more vibrant and formidable than iO’s mother’s. Rhonna, a showgirl and young widow, was a mercurial, erratic glamazon. She was iO’s fiercest defender and only authority in a world with few boundaries and even fewer indicators of normal life. At the center of Darling Days is the remarkable relationship between a fiery kid and a domineering ma—a bond defined by freedom and control, excess and sacrifice; by heartbreaking deprivation, agonizing rupture, and, ultimately, forgiveness. Darling Days is also a provocative examination of culture and identity, of the instincts that shape us and the norms that deform us, and of the courage and resilience it takes to listen closely to your deepest self. When a group of boys refuse to let six-year-old, female-born iO play ball, iO instantly adopts a new persona, becoming a boy named Ricky—a choice iO’s parents support and celebrate. It is the start of a profound exploration of gender and identity through the tenderest years, and the beginning of a life invented and reinvented at every step. Alternating between the harrowing and the hilarious, Darling Days is the candid, tough, and stirring memoir of a young person in search of an authentic self as family and home life devolve into chaos.

Alistair Darling's long-awaited book will be one of the most reviewed, widely discussed, and saleable political memoirs of recent years. In the late summer of 2007, shares of Northern Rock went into free-fall, causing a run on the bank - the first in over 150 years. Northern Rock proved to be only the first. Twelve months later, as the world was engulfed in the worst banking crisis for more than a century, one of its largest banks, RBS, came within hours of collapse. Back from the Brink tells the gripping story of Alistair Darling's one thousand days in Number 11 Downing Street. As Chancellor, he had to avert the collapse of RBS hours before the cash machines would have ceased to function; at the eleventh hour, he stopped Barclays from acquiring Lehman Brothers in order to protect UK taxpayers; he used anti-terror legislation to stop Icelandic banks from withdrawing funds from Britain. From crisis talks in Washington, to dramatic meetings with the titans of international banking, to dealing with the massive political and economic fallout in the UK, Darling places the reader in the rooms where the destinies of millions weighed heavily on the shoulders of a few. His book is also a candid account of life in the Downing Street pressure cooker and his relationship with Gordon Brown during the last years of New Labor. Back from the Brink is a vivid and immediate depiction of the British government's handling of an unprecedented global financial catastrophe. Alistair Darling's knowledge and understanding provide a unique perspective on the events that rocked international capitalism. It is also a vital historical document.

An award–winning writer delivers a major reckoning with religion, place, and sexuality in the aftermath of 9/11 Hailed in The Washington Post as “one of the most eloquent and probing public intellectuals in America,” Richard Rodriguez now considers religious violence worldwide, growing public atheism in the West, and his own mortality. Rodriguez’s stylish new memoir—the first book in a decade from the Pulitzer Prize finalist—moves from Jerusalem to Silicon Valley, from Moses to Liberace, from Lance Armstrong to Mother Teresa. Rodriguez is a homosexual who writes with love of the religions of the desert that exclude him. He is a passionate, unorthodox Christian who is always mindful of his relationship to Judaism and Islam because of a shared belief in the God who revealed himself within an ecology of emptiness. And at the center of this book is a consideration of women—their importance to Rodriguez’s spiritual formation and their centrality to the future of the desert religions. Only a mind as elastic and refined as Rodriguez’s could bind these threads together into this wonderfully complex tapestry.

New Orleans' most eligible bachelor insists he's not on the market . . . but he couldn't be more wrong. Jilted in front of all New York, Theodore Day decides to lose himself in his family's luxury riverboat business in New Orleans and compete against his brother to become the next company head. The brother with the most sales by summer's end will win the position. Thanks to Theodore's fame as a suitor in a socialite's outlandish competition to find a husband, he has become very desirable royalty in Southern society and thus has an advantage. It took Flora Wingfield's best work to convince her family to summer in New Orleans, but with Teddy Day a bachelor once again, she's leaving nothing to chance. Desperate to stand out from all the clamoring belles, Flora attempts a bold move that goes completely awry, only to find it's her interior design skills that finally catch his notice. But when Flora's father's matchmaking schemes come in the way of her plans, Teddy will have to decide where his happiness truly lies and what he is willing to sacrifice for it. "Her Darling Mr. Day is a delightful and charming romantic romp. I know my readers will find this novel as endearing as I did and highly recommend it."--TRACIE PETERSON, bestselling author of the Ladies of the Lake series "Grace Hitchcock kept me reading when other things needed doing."--LAURAINE SNELLING, bestselling author of the Red River of the North series

“We aren’t home yet,” Major Paul Darling reminds his team at the end of a sixteen-hour day. “Two more miles and we are done. We have pissed off a lot of Taliban today, and they are going to want payback.” Shortly, the major will find himself sitting on a concrete basketball court next to the bunker where the day started so long ago, talking by satellite phone to his wife on the other side of the world. When she asks, “What happened?” there is too much to say. But one day, he promises himself, he will put into words what it was like—one day in the life of a combat soldier in Afghanistan in 2009. This is the story of that day. In crisp prose and sharp detail Darling offers a moment-by-moment account of a one-day mission to track down and kill Taliban insurgents in the Zabul Province of southeastern Afghanistan. A rare day-in-the-life narrative that is also a page-turner, his story captures the mundane realities of deployment—the waiting, the heat, the heavy gear, the 0345 wake-up—along with the high-octane experience of crossing foreign terrain where every turn, every decision might have life or death consequences. The living accommodations, reporting up the chain of command, the bureaucracy, and the almost insurmountable challenges of functioning effectively in two cultures—all become intimately real in Darling’s telling as he balances the imperatives of his mission and the skills of his men against the ever-multiplying unknowns, the unpredictable and dangerous Afghan “allies,” and the elusive enemy: the unseen IED and the possibility of fatal miscalculation. In the midst of the soldier’s everyday drama of never quite knowing what comes next, Darling’s moments of humor and reflection put the chaos and uncertainties of combat into a larger perspective. The story is about one man and the ethical choices and compromises he has to make as a leader—a man who has promises to keep: to family; to country; to his soldiers, both Afghan and American; and, ultimately, to himself.

A virtuosic epic applauded by Stanley Crouch as “an adventurous masterwork that provides our literature with a signal moment,” back in print in a definitive new edition “I have an awful memory for faces, but an excellent one for voices,” muses Joubert Jones, the aspiring playwright at the center of Divine Days. A kaleidoscopic whorl of characters, language, music, and Black experience, this saga follows Jones for one week in 1966 as he pursues the lore and legends of fictional Forest County, a place resembling Chicago’s South Side. Joubert is a veteran, recently returned to the city, who works for his aunt Eloise’s newspaper and pours drinks at her Night Light Lounge. He wants to write a play about Sugar-Groove, a drifter, “eternal wunderkind,” and local folk hero who seems to have passed away. Sugar-Groove’s disappearance recalls the subject of one of Joubert’s earlier writing attempts—W. A. D. Ford, a protean, diabolical preacher who led a religious sect known as “Divine Days.” Joubert takes notes as he learns about both tricksters, trying to understand their significance. Divine Days introduces readers to a score of indelible characters: Imani, Joubert’s girlfriend, an artist and social worker searching for her lost siblings and struggling to reconcile middle class life with her values and Black identity; Eloise, who raised Joubert and whose influence is at odds with his writerly ambitions; (Oscar) Williemain, a local barber, storyteller, and founder of the Royal Rites and Righteous Ramblings Club; and the Night Light’s many patrons. With a structure inspired by James Joyce and jazz, Leon Forrest folds references to African American literature and cinema, Shakespeare, the Bible, and classical mythology into a heady quest that embraces life in all its tumult and adventure. This edition brings Forrest’s masterpiece back into print, incorporating hundreds of editorial changes that the author had requested from W. W. Norton, but were not made for their editions in 1993 and 1994. Much of the inventory from the original printing of the book by Another Chicago Press in 1992 had been destroyed in a disastrous warehouse fire.

SOON TO BE CLAIRE DARLING—A MAJOR MOTION PICTURE STARRING CATHERINE DENEUVE! When a wealthy woman decides to sell all of her worldly possessions, she unearths the secrets of her family’s past in this charming debut. On the last day of the millennium, sassy Faith Bass Darling, the richest old lady in Bass, Texas, decides to have a garage sale. With help from a couple of neighborhood boys, Faith lugs her priceless Louis XV elephant clock, countless Tiffany lamps, and everything else in her nineteenth-century mansion out onto her long, sloping lawn. Why is a recluse of twenty years suddenly selling off her dearest possessions? Because God told her to. As the townspeople grab up five generations of heirlooms, everyone drawn to the sale—including Faith’s long-lost daughter—finds that the antiques not only hold family secrets but also inspire some of life’s most important questions: Do our possessions possess us? What are we without our memories? Is there life after death or second chances here on earth? And is Faith really selling that Tiffany lamp for $1? READERS GUIDE INCLUDED