"Proude Cedarfair is a ceremonial bear. He dreams in sudden moods and soars through stone windows on the solstice sunrise. The clown crows trail his luminous breath and thunder voice ha ha ha haaaa from his magical directions into the fourth world."--Back cover.

Hovedsageligt om de moderne, amerikanske, indianske forfattere N. Scott Momaday, LeslieMarmon Silko, D'Arcy McNickle, Louise Erdrich, og: Gerald Vizenor.

Bearheart, Gerald Vizenors first novel, overturns OC terminal creedsOCO and violence in a decadent material culture. American civilization has collapsed and Proude Cedarfair, his wife, Rosina, and a bizarre collection of disciples, are forced on a pilgrimage when government agents descend on the reservation to claim their sacred cedar trees for fuel. The tribal pilgrims reverse the sentiments of Manifest Destiny and travel south through the ruins of a white world that ran out of gas."

Weaving connections between indigenous modes of oral storytelling, visual depiction, and contemporary American Indian literature, Deep Waters demonstrates the continuing relationship between traditional and contemporary Native American systems of creative representation and signification. Christopher B. Teuton begins with a study of Mesoamerican writings, Diné sand paintings, and Haudenosaunee wampum belts. He proposes a theory of how and why indigenous oral and graphic means of recording thought are interdependent, their functions and purposes determined by social, political, and cultural contexts. The center of this book examines four key works of contemporary American Indian literature by N. Scott Momaday, Gerald Vizenor, Ray A. Young Bear, and Robert J. Conley. Through a textually grounded exploration of what Teuton calls the oral impulse, the graphic impulse, and the critical impulse, we see how and why various types of contemporary Native literary production are interrelated and draw from long-standing indigenous methods of creative representation. Teuton breaks down the disabling binary of orality and literacy, offering readers a cogent, historically informed theory of indigenous textuality that allows for deeper readings of Native American cultural and literary expression.

A collection of critical essays by European scholars on contemporary Native North American literatures. Devoted to the primary genres of Native literature - fiction, nonfiction, drama, poetry - these essays chart the course of theories of Native literature, and delineate the crosscurrents in the history of Native literature studies.

Almost thirty years after its initial publication, Paula Gunn Allen’s celebrated study of women’s roles in Native American culture, history, and traditions continues to influence writers and scholars in Native American studies, women’s studies, queer studies, religion and spirituality, and beyond This groundbreaking collection of seventeen essays investigates and celebrates Native American traditions, with special focus on the position of the American Indian woman within those customs. Divided into three sections, the book discusses literature and authors, history and historians, sovereignty and revolution, and social welfare and public policy, especially as those subjects interact with the topic of Native American women. Poet, academic, biographer, critic, activist, and novelist Paula Gunn Allen was a leader and trailblazer in the field of women’s and Native American spirituality. Her work is both universal and deeply personal, examining heritage, anger, racism, homophobia, Eurocentrism, and the enduring spirit of the American Indian.

"Humanists and social scientists alike will profit from reflection on the efforts of the contributors to reimagine anthropology in terms, not only of methodology, but also of politics, ethics, and historical relevance. Every discipline in the human and social sciences could use such a book."--Hayden White, author of Metahistory