"Passionately satirical and sharply observant, he is one of the most interesting of our playwrights" (Sunday Telegraph) The Dead Monkey - "Darke has something both hilarious and horrific to say about the decay of a marriage and he compels the attention while doing so." (Sunday Telegraph) The King of Prussia - "A meaty play...seethes with life, wit and ideas. Darke give shape to a Cornish identity that feels vital and real and has nothing to do with clay pipes and clotted cream. Like Cornwall's coves, it has many unexpected depths...It also raises questions about the points where justice, conscience and the law part company" (Financial Times) The Body - "The best moments in Nick Darke's play are extremely good - and not all good in the same way...the most obvious debt is to Brecht. There are other reminiscences of Auden and Isherwood's The Dog Beneath the Skin, of Tom Stoppard's After Magritte and of T.S Eliot's verse plays." Tin Tang Mine - "A lament for an industry and a way of life; but this should not suggest anything sentimental. The writing is rugged and muscular; lyrical but not ornate; vigorous but not folksy...oddball, quirkily parochial and as authentic as a slice of rough bread." (The Times)

"Passionately satirical and sharply observant, he is one of the most interesting of our playwrights" (Sunday Telegraph) The Dead Monkey - "Darke has something both hilarious and horrific to say about the decay of a marriage and he compels the attention while doing so." (Sunday Telegraph) The King of Prussia - "A meaty play...seethes with life, wit and ideas. Darke give shape to a Cornish identity that feels vital and real and has nothing to do with clay pipes and clotted cream. Like Cornwall's coves, it has many unexpected depths...It also raises questions about the points where justice, conscience and the law part company" (Financial Times) The Body - "The best moments in Nick Darke's play are extremely good - and not all good in the same way...the most obvious debt is to Brecht. There are other reminiscences of Auden and Isherwood's The Dog Beneath the Skin, of Tom Stoppard's After Magritte and of T.S Eliot's verse plays." Tin Tang Mine - "A lament for an industry and a way of life; but this should not suggest anything sentimental. The writing is rugged and muscular; lyrical but not ornate; vigorous but not folksy...oddball, quirkily parochial and as authentic as a slice of rough bread." (The Times)

This first of all is a story about mountaineering, accident and paralysis. About coming to terms with losing movement and regaining the will to live. But it's also about the borderline between body and spirit. Karen is drawn into the world of faith healing and psychic surgeons in the Brazilian jungle. In testing these improbable claims she explores her own inner world and self. An incredible story that will inspire and empower anyone striving to get to the other side of a sudden change in their lives.

A warlock king on a mission to defeat an ancient enemy, supernatural beings who can't seem to straighten out their love lives, and the secrets that bond them all... Earth, the distant future. Mistreated all his life and forced to climb the ranks under a ruthless dictator, the warlock Daniel Darke believes a brighter tomorrow lies beyond his world. So when he's visited by a beautiful woman in a vision, he follows her through a portal to a supernatural land. London, 1800s. Lady Rosemary sees the good in all. Training with the witches of Earth to hone her healing skills, the naïve woman selflessly gives everyone the beauty in her open heart. But her purity is tainted when she’s brutally assaulted by a despicable villain. The Realm. Despite being one of Earth's most dreaded warlocks, when Daniel arrives in the City by the Sea, he is welcomed as a trusted friend and protector. But as soon as he comes face to face with Rosemary at last, memories of other lifetimes come rushing back to him as his powers begin to multiply. With all the memories and visions of things to come laid out before him like the pages of a book, the Darke King readies for the return of an ancient enemy. However, it is a man from Rosemary’s past that he needs to be on alert for The Darke King is the captivating first book in The Broken Immortals romantic fantasy series. If you like star-crossed couples, fights for supremacy, and unraveling mysteries, then you’ll love Jessica White’s magical tale.

A feel-good romance by the author of Star-crossed, perfect for anyone who loves David Nicholls, Marian Keyes and Jojo Moyes. Arie and Diana were destined to be together. Arie falls for Diana in a heartbeat. Their love creates a life for them, a marriage and a home. Pianist Diana wants to capture this in a song for Arie. But that’s not where the story ends... After Diana debuts their song to a room full of strangers, tragedy strikes and Arie never gets to hear it. There’s still a verse to come. Diana’s melody lives beyond her and the lost love song begins to find its way back home. Can it help Arie to find new hope, and a new love? Readers love Minnie Darke 'Witty, mischievous and intelligent... if you enjoy Marian Keyes or Mhairi McFarlane, you'll enjoy this. 'A clever and witty comedy' 'Warm, funny, addictive, I couldn’t put it down.' 'A smart and funny novel' 'Beautifully written with warmth and wit... a truly delightful read.' 'Uplifting, romantic and fabulous... I loved this charming book.'

The ongoing conflict in Syria has made clear just how limited the general knowledge of Syrian society and history is in the West. For those watching the headlines and wondering what led the nation to this point, and what might come next, this book is a perfect place to start developing a deeper understanding. Based on decades of living and working in Syria, My House in Damascus offers an inside view of Syria’s cultural and complex religious and ethnic communities. Diana Darke, a fluent Arabic speaker who moved to Damascus in 2004 after decades of regular visits, details the ways that the Assad regime, and its relationship to the people, differs from the regimes in Egypt, Tunisia, and Libya—and why it was thus always less likely to collapse quickly, even in the face of widespread unrest and violence. Through the author’s firsthand experiences of buying and restoring a house in the old city of Damascus, which she later offered as a sanctuary to friends, Darke presents a clear picture of the realities of life on the ground and what hope there is for Syria’s future.

This book contains two one act Christmas plays by Drake Budde