Elizabeth and Tom Drummond are living quietly in Mill Bay, B.C., when their tranquil existence is disrupted by a singular event: out of the ashes of 9/11, borne by a person believed long dead, come riches beyond anyone's wildest dreams. But with the wealth comes danger-lies, secrets, insidious temptation and relentless pursuit by a grim figure whose motives may be a lot darker than justice. Fear, guilt and loyalty mean that Elizabeth and Tom are on their own. All they desire, finally, is to be rid of the dreadful fortune-and to survive the attentions of those who would be rid of them.

Postnuclear America has changed little since the primal leveling of the twenty-first century. Warrior survivalists Ryan Cawdor and his band live by a code that honors the kind of absolute freedom only a raw frontier can provide. Until rumors of a wider, more prosperous world than the Deathlands thriving deep in Mexico, untouched by the nukecaust, lure them into uncharted waters.… Captured by the pirate foot soldiers of the mysterious Lords of Death, Ryan Cawdor and his companions sail into a surreal world where electric lights blaze but blood terror reigns. In Veracruz, Mexico, Ryan is marked for slaughter, his effigy linked to an ancient deity. Helpless, Krysty, Dix and the others await a horrifying fate at the hands of whitecoats manipulating pre-dark plague warfare. As the Lords of Death unleash their demonic vision, hope—for Ryan, the others and nascent civilization—appears irrevocably lost.

Isaura's son has been kidnapped. His kidnappers are taking him to Huancavelica, a Peruvian mercury mine so dangerous it's known as the "Mine of Death." Her only ally is Amadi, a runaway slave haunted by guilt he refuses to explain. Her only choice is to beat the kidnappers to Huancavelica and lay a trap … assuming she can survive the mine herself. The Black Resurrection is a standalone sequel to The Red Wraith, a historical fantasy set in Early America.

A new dark romance from the USA Today bestselling author of the Rydeville Elite series. Everything changed the night my dad died. The night I met Saint, Galen, Caz, and Theo. Those manipulative a-holes set out to ruin me after our hot night together, but they didn't realize you can't destroy something that's already broken. And it only works if the victim cares. Which I don't. Because I've been in hell for years, and nothing penetrates the steel walls I've erected. Until The Sainthood decides I belong to them and cracks appear in my veneer. Their cruel games, harsh words, and rough touch awakens something inside me, and now, I'm in trouble. They draw me deeper into their dangerous world, until I'm in the middle of all the violence and gang warfare, tangled up in all the secrets and lies, and there's no turning back. Because they own me. And nothing has ever felt so right. I'm exactly where I should be. But with enemies on all sides, survival becomes a deadly game with no guarantees. And, sometimes, saints become sinners. Due to mature content, this book is recommended to readers aged eighteen and over. This is a full-length 95k-word dark romance novel with enemies-to-lovers/bullying themes. Please read the note at the start of the book. Cannot be read as a standalone and ends with a cliffhanger. Book 1 of 3.

From Silvia Moreno-Garcia, the New York Times bestselling author of Mexican Gothic, comes Certain Dark Things, a pulse-pounding neo-noir that reimagines vampire lore. Welcome to Mexico City, an oasis in a sea of vampires. Domingo, a lonely garbage-collecting street kid, is just trying to survive its heavily policed streets when a jaded vampire on the run swoops into his life. Atl, the descendant of Aztec blood drinkers, is smart, beautiful, and dangerous. Domingo is mesmerized. Atl needs to quickly escape the city, far from the rival narco-vampire clan relentlessly pursuing her. Her plan doesn’t include Domingo, but little by little, Atl finds herself warming up to the scrappy young man and his undeniable charm. As the trail of corpses stretches behind her, local cops and crime bosses both start closing in. Vampires, humans, cops, and criminals collide in the dark streets of Mexico City. Do Atl and Domingo even stand a chance of making it out alive? Or will the city devour them all? At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

Twenty-five years ago, Namco released Tekken and redefined the fighting game genre in three dimensions. Known for its deep gameplay, cutting edge graphics, and operatic lore, Tekken has become synonymous with the PlayStation brand while remaining one of the last vestiges of the arcade. The Art of Tekken: A Complete Visual History follows the series history through a visual feast of iconic games and characters, as well as in-depth interviews with the Bandai Namco developers who made it a reality and the players who made it a phenomenon on its way to becoming one of the best-selling fighting game series in history. It's a complete visual retrospective of one of the most indispensable parts of gaming history, over a quarter century in the making, including art from all seven games of the franchise and more.

In Building a Community of Interpreters Walter Dickhaut argues that the practice of reading (and, by extension, listening) is no less creative than the practice of writing (and speaking); readers and hearers, just as much as writers and speakers, are producers of meaning. Hence, the work of biblical interpretation is the work--the calling--of a community. Focused on the experience of the reader (or hearer) of biblical texts, he explores such questions as: -What happens when the author disappears? -What happens when a reader opens a book to meet the author? -What happens when a book is read? -What happens when the reader changes spectacles? Into discussion of such issues as the reader's angle of vision, when texts open and close, the reader's expectations, the reader's meeting up with the text, and the functions of filters and lenses in the practice of reading and hearing, the author introduces mystery, surprise, and expectation as hermeneutical lenses that can enlarge what may be seen in biblical texts. In addition to some homiletical samples, the author concludes with a suggested teaching plan for building a community of interpreters.