What does it mean to say that poetry is dark? How does the presence of darkness give meaning to literary works? Such questions sit at the centre of this study of Lord Byron, a man who has been characterised as intrinsically dark by generations of scholars. This is the first book to offer a comprehensive survey of Byron's darkness, producing new and innovative readings of his poetry by exploring how darkness (both literal and figurative) helps to structure his work's ideological topography and facilitates the exchange of ideas between its different ideological systems. Canvassing a variety of issues relevant to a number of different manifestations of darkness, the study explores such diverse topics as the relationship between sublime aesthetics and the gendering of desire, the connection between darkness and Byron's Scottish nationalism and the influence of blackness on his engagement with the Orient. With such a broad focus in mind, it also engages with texts that represent Byron's oeuvre in its broadest sense, engaging not only with canonical texts such as Manfred and Don Juan, but also selections from Byron's juvenilia, the Oriental Tales and his letters and journals, as well as surveying the critical reviews that helped to influence the colour of his work and its later reception.

When the Ink Dries, Someone Dies Something strange is happening to Giles Barrett. A horror writer of modest renown, he gets his inspiration from seeing ordinary people in everyday life. But when his dark imagination takes over his characters dont just die, they must first confront their most terrifying fears. Then one day Giles stumbles upon an obituary in the newspaper with the same name as one of the characters in his stories. What he dismisses as coincidence becomes all too real when it happens again, and the closer Giles comes do discovering the horrifying truth the more his inspiration takes control, threatening to destroy everything he holds dear. Eventually Giles must face his own worst fear if he is to have any hope of silencing the creative demons within.

"More than forty years ago, J. R. R. Tolkien, in his essay 'On Fairy Stories,' stated the case for the vital role of fantasy in offering us escape from the drabness of the 'real world.' Since then, his words have been borne out by the tremendous popularity and increasing influence of this fascinating genre. 'Dark Imaginings' is both an eloquent demonstration of the power of fantasy and a pioneering illumination of the Gothic style. In these sixteen tales by some of the greatest masters of fantasy fiction--some already acknowledged classics, others remarkable new discoveries--the shadowy hues of the Gothic are blended with the vivid shades of the fantastic to produce effects as uncanny and eerie as any in the realm of letters. Whether the reader is transported into the self-contained worlds of wonder, sent back into the darkest reaches of time, or faced with nightmare horror amid the chillingly familiar landscape of the contemporary scene, one element is constant: Each of these sixteen masterpieces offers an experience as inescapable and unforgettable as a dream of terror come hauntingly true."--Pg. [4] of cover.

This is a critical study of the great British man of letters G.K. Chesterton, devoted to the novels, stories and essays that explore the darker fringes of his wild imagination. "Everything is different in the dark," wrote Chesterton; "perhaps you don't know how terrible a truth that is." Chesterton's use of the theme of "gargoyles" provides the thematic structure of the book. It covers the detective stories of Father Brown and others, the locked rooms and miracle crimes in his writing, his status as a science fiction writer, and the riddles and paradoxes of three works--Job, The Man Who Was Thursday, and the play The Surprise. This volume also includes an interlude about Chesterton and Jorge Luis Borges and a robust appendix including interviews about the formation of Ignatius Press's Collected Chesterton.

This volume brings together aspects of contemporary study of cultural geography and selected passages from prophetic texts of the Hebrew Bible/ Old Testament. The aim is to identify how the image of the city helps to construct meaning inside the biblical material. In order to carry out this task relevant textual narratives are analysed and then read from the viewpoint of space, place and urban studies. This latter category includes the works of Lefebvre, Bachelard, Soja, Massey, Amin and Thrift and Pile, among others. A major finding is that urban imagination is a tool by which the texts manage the experience of political and social events in a time of radical change.

Darkness Awaits Us All. Step into its velvety shadows and explore its subtle depths. These tales will keep you company on your journey. But don't let them keep you awake at night. After all, they're just stories, aren't they? This collection of horror stories contains: IN FRONT OF THE MIRROR ALONE AFTER DARK ONCE IN A BLOOD MOON A DARK ASSORTMENT In Front of the Mirror Alone is previously unpublished. After Dark and Once in a Blood Moon were originally published in an anthology titled Ancient Enemies, then subsequently as individual titles. A Dark Assortment is a collection of seventeen short stories.

On the surface, Annie’s life in a wealthy Florida suburb is happy. Her husband, Gray, loves her fiercely; together, they dote on their beautiful young daughter, Victory. But the bubble surrounding Annie is pricked when the demons of her past resurface. These are demons she can’t fully recall because of a highly dissociative state that allowed her to forget the violence of her earlier life as Ophelia March and to start over, under Gray's protection, as Annie Powers. Disturbing events—the appearance of a familiar dark figure on the beach, the mysterious murder of her psychologist—trigger confusing memories for Annie, who realizes she must quickly piece them together before her past comes to claim her future and her daughter. "[A] hurricane of a thriller...impossible to extract yourself until the last page." —Entertainment Weekly Today show pick for Top 10 Summer Reads (2008) "Full of twists and turns. A great read for anyone craving some suspense." —John Searles, Cosmopolitan "Black Out is riveting psychological suspense of the first order. If you haven't yet experienced Lisa Unger, what are you waiting for?" —Harlan Coben