dark horse /ˈdärk ˈˌhôrs/ noun 1. a candidate or competitor about whom little is known but who unexpectedly wins or succeeds. "a dark-horse candidate" Join us for a monthly tour of writers who give as good as they get. From hard science-fiction to stark, melancholic apocalypses; from Lovecraftian horror to zombies and horror comedy; from whimsical interludes to tales of unlikely compassion--whatever it is, if it's weird, it's here. So grab a seat before the starting gun fires, pour yourself a glass of strange wine, and get ready for the running of the dark horses. In this issue: GALADRA, THE SON A.Z. Burton LULLABY Steve Loiaconi PENUMBRA Danny Menter SPUDDY Corey Miller THE QUICK AND THE JURASSIC UNDEAD Wayne Kyle Spitzer THE BUG AND THE EGG Nenad Pavlovic THE TERROR AT WOODRUFF Michael Penncavage THE WATCHMAN James Crowell A POX ON THEM TS S. Fulk GHOST TOUCH Stephen Meisel

dark horse /ˈdärk ˈˌhôrs/ noun 1. a candidate or competitor about whom little is known but who unexpectedly wins or succeeds. "a dark-horse candidate" Join us for a monthly tour of writers who give as good as they get. From hard science-fiction to stark, melancholic apocalypses; from Lovecraftian horror to zombies and horror comedy; from whimsical interludes to tales of unlikely compassion--whatever it is, if it's weird, it's here. So grab a seat before the starting gun fires, pour yourself a glass of strange wine, and get ready for the running of the dark horses. In this issue: GALADRA, THE SON A.Z. Burton LULLABY Steve Loiaconi PENUMBRA Danny Menter SPUDDY Corey Miller THE QUICK AND THE JURASSIC UNDEAD Wayne Kyle Spitzer THE BUG AND THE EGG Nenad Pavlovic THE TERROR AT WOODRUFF Michael Penncavage THE WATCHMAN James Crowell A POX ON THEM TS S. Fulk GHOST TOUCH Stephen Meisel

Double, double toil and trouble... Shakespeare began the tense apprehension with his melodic yet warning phrase. Ray Bradbury continued the dark and ominous foreboding that oozes between the words. Now, it has come to the North American Old West, a world with its severe terrain and hardened residents. The rules were harsher out here, the ethics and morals changed, the fight for life and liberty quite different than anything these pioneers, these outlaws, these six-shooters and rebel rousers, these unquestionably brave men and women had bargained for. For them, something wicked certainly rode. Like a hell-broth boil and bubble... In this anthology, we explore the Old West with a skewed view, showcasing the weird western genre through stories that explore the peculiar and the fantastic, the wicked that was and could have been. You'll experience spiritual nightmares, mythical monsters, cosmic outlaws, discerning gods, and science run amok. Even the North Pole Security division isn't immune to the supernatural strangeness that stalks the late 1800s. In the tradition of the pulp and western stories of a bygone era, these are thirty tales to intrigue, amaze, and perhaps down right spook you right out of your boots. So brew up some coffee, head out to the rocking chair on the porch, and tilt your hat to shade your eyes so you can read real close. Just be sure you keep one eye on the horizon and one hand near your holster. For... With dark intentions and creatures astride, Something wicked this way rides. Enjoy stories from these talented authors Gustavo Bondoni - Marilyn "Mattie" Brahen - Kenneth Bykerk - Dwain Campbell - Gregg Chamberlain - Vonnie Winslow Crist - Stuart Croskell - Lawrence Dagstine - J.B. Dane - Kevin M. Folliard - John A. Frochio - Steve Gladwin - L.L. Hill - Adrian Ludens - Stefan Markos - Jonathon Mast - Jason J. McCuiston - Gregory L. Norris - Q Parker - Peter Prellwitz - John B. Rosenman - Alistair Rey - Darrell Schweitzer - Bradley H. Sinor - Matias Travieso-Diaz - Charles Wilkinson - Martin Zeigler

A witty, insightful, and delightfully snarky blend of pop culture meets memoir meets real-life Devil Wears Prada as readers learn the stories behind twenty-five years at Vanity Fair from the magazine’s former deputy editor “Dilettante offers the best seat in the house into the workings of one of the great cultural institutions of our time.”—Buzz Bissinger, New York Times bestselling author of Friday Night Lights Dana Brown was a twenty-one-year-old college dropout playing in punk bands and partying his way through downtown New York’s early-nineties milieu when he first encountered Graydon Carter, the legendary editor of Vanity Fair. After the two had a handful of brief interactions (mostly with Brown in the role of cater waiter at Carter’s famous cultural salons he hosted at his home), Carter saw what he believed to be Brown’s untapped potential, and on a whim, hired him as his assistant. Brown instantly became a trusted confidante and witness to all of the biggest parties, blowups, and takedowns. From inside the famed Vanity Fair Oscar parties to the emerging world of the tech elite, Brown’s job offered him access to some of the most exclusive gatherings and powerful people in the world, and the chance to learn in real time what exactly a magazine editor does—all while trying to stay sober enough from the required party scene attendance to get the job done. Against all odds, he rose up the ranks to eventually become the magazine’s deputy editor, spending a quarter century curating tastes at one of the most storied cultural shops ever assembled. Dilettante reveals Brown’s most memorable moments from the halcyon days of the magazine business, explores his own journey as an unpedigreed outsider to established editor, and shares glimpses of some of the famous and infamous stories (and people) that tracked the magazine’s extraordinary run all keenly observed by Brown. He recounts tales from the trenches, including encounters with everyone from Anna Wintour, Lee Radziwill, and Condé Nast owner Si Newhouse, to Seth Rogen, Caitlyn Jenner, and acclaimed journalists Dominick Dunne and Christopher Hitchens. Written with equal parts affection, cultural exploration, and nostalgia, Dilettante is a defining story within that most magical time and place in the culture of media. It is also a highly readable memoir that skillfully delivers a universal coming-of-age story about growing up and finding your place in the world.

From Lovecraft to Borges to Gaiman, a century of intrepid literary experimentation has created a corpus of dark and strange stories that transcend all known genre boundaries. Together these stories form The Weird, and its practitioners include some of the greatest names in twentieth and twenty-first century literature. Exotic and esoteric, The Weird plunges you into dark domains and brings you face to face with surreal monstrosities. You won't find any elves or wizards here...but you will find the biggest, boldest, and downright most peculiar stories from the last hundred years bound together in the biggest Weird collection ever assembled. The Weird features 110 stories by an all-star cast, from literary legends to international bestsellers to Booker Prize winners: including William Gibson, George R. R. Martin, Stephen King, Angela Carter, Kelly Link, Franz Kafka, China Miéville, Clive Barker, Haruki Murakami, M. R. James, Neil Gaiman, Mervyn Peake, and Michael Chabon. The Weird is the winner of the 2012 World Fantasy Award for Best Anthology At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

When Ricardo Delgado—a prolific development and storyboard artist who has worked on such hit films as Men in Black, The Incredibles, WALL-E, X—Men Origins: Wolverine, and the Matrix series—first set his sights on creating comics, he crafted an epic tale about the most unlikely cast of characters: dinosaurs. Since that first foray into the world of sequential art—which earned him an Eisner win for Talent Deserving of Wider Recognition—he has returned to his critically acclaimed Age of Reptiles again and again, each time crafting a captivating saga about his saurian subjects. * This volume collects the long—out—of—print Age of Reptiles and Age of Reptiles: The Hunt, and the never—before—collected third series, Age of Reptiles: The Journey. "Delgado once more proves that the age of great illustration is alive and well." —John Landis, Filmmaker, An American Werewolf in London, Michael Jackson's Thriller