Achille Mbembe is one of the world’s most profound critics of colonialism and its consequences, a major figure in the emergence of a new wave of French critical theory. His writings examine the complexities of decolonization for African subjectivities and the possibilities emerging in its wake. In Out of the Dark Night, he offers a rich analysis of the paradoxes of the postcolonial moment that points toward new liberatory models of community, humanity, and planetarity. In a nuanced consideration of the African experience, Mbembe makes sweeping interventions into debates about citizenship, identity, democracy, and modernity. He eruditely ranges across European and African thought to provide a powerful assessment of common ways of writing and thinking about the world. Mbembe criticizes the blinders of European intellectuals, analyzing France’s failure to heed postcolonial critiques of ongoing exclusions masked by pretenses of universalism. He develops a new reading of African modernity that further develops the notion of Afropolitanism, a novel way of being in the world that has arisen in decolonized Africa in the midst of both destruction and the birth of new societies. Out of the Dark Night reconstructs critical theory’s historical and philosophical framework for understanding colonial and postcolonial events and expands our sense of the futures made possible by decolonization.

Ned the hedgehog is looking for a home in the cold, dark forest. He needs somewhere warm and cosy to sleep, but all he keeps finding are other creatures' homes: rabbits', foxes', owls', bats'. Will he ever find a snug safe bed of his own? This beautiful book is written and illustrated by award-winning author and illustrator Tim Hopgood.

Reading St. John of the Cross’s Dark Night can be daunting; living the dark experience of purification it describes can be much more so. The description of the dark nights (yes, there is more than one!) which St. John presents seems so stark and painful that one might be tempted to just close the book and stop reading. On top of that, both the process St. John describes and the language he uses can be confusing and intimidating. The language of 16th-century scholasticism is not easily understood by 21st-century readers living in a completely different culture and context. Perhaps even more challenging is that fact that our modern lives, filled with the non-stop clutter of social media and technology, as well as comfort and ease, do not prepare most of us well to honestly look into our own depths to see who we are and who we are intended to become as fully alive human beings. Fortunately we now have this helpful book to guide us to that full life which St. John invites us to in The Dark Night. Father Marc Foley here combines his own theological and psychological background, as well as his experience as a spiritual guide, to help modern readers understand the experiences, challenges, and graced events of the purifying nights of sense and spirit. In addition to exploring certain key terms that John uses in Spanish and their meaning in the saint’s time and today, Father Marc includes pertinent selections from a wide range of writers, ancient to modern, that illustrate the themes he covers. Each chapter concludes with insightful questions for personal reflection or group discussion. The book has a comprehensive index.

The poignant story of Blind Willie Johnson--the legendary Texas musician whose song "Dark Was the Night" was included on the Voyager I space probe's Golden Record Willie Johnson was born in 1897, and from the beginning he loved to sing--and play his cigar box guitar. But his childhood was interrupted when he lost his mother and his sight. How does a blind boy make his way in the world? Fortunately for Willie, the music saved him and brought him back into the light. His powerful voice, combined with the wailing of his slide guitar, moved people. Willie made a name for himself performing on street corners all over Texas. And one day he hit it big when he got a record deal and his songs were played on the radio. Then in 1977, his song--"Dark Was the Night"--was chosen to light up the darkness when it was launched into space on the Voyager I space probe's famous Golden Record. His immortal song was selected for the way it expresses the loneliness humans all feel, while reminding us we're not alone.

From the mediums of Spiritualism's golden age to the ghost hunters of the modern era, Taylor shines a light on the phantasms and frauds of the past, the first researchers who dared to investigate the unknown, and the stories and events that galvanized the pubic and created the paranormal field that we know today.

Summer vacation becomes a season in hell for an ordinary family who unwittingly stir something invisible, insidious, and insatiable from its secret slumber–unleashing a wave of horror only the darkest evil could create, that only a master of spine-tingling terror like John Saul could orchestrate. For deep in the shadows in the dark of the night lurks something as big as life . . . and as real as death. It has waited seven years for someone to come back to the rambling lakeside house called Pinecrest, which has stood empty since its last owner went missing. For upscale Chicago couple Dan and Merrill Brewster, the old midwestern manse is an ideal retreat, and for their kids, Eric and Marci, it’s the perfect place to spend a lazy summer exploring. Which is how Eric and his teenage friends discover the curious cache of discarded objects stowed in a hidden room of Pinecrest’s carriage house. The bladeless hacksaws, shadeless lamps, tables with missing legs, headless axe handle, and other unremarkable items add up to a pile of junk. Yet someone took the trouble to inventory each worthless relic in a cryptic ledger. It has all the makings of a great mystery–whispering, coaxing, demanding to be solved. But the more the boys devote themselves to restoring the forgotten possessions and piecing together the puzzle behind them, the more their fascination deepens into obsession. Soon their days are consumed with tending the strange, secret collection–while their nights become plagued by ever more ghastly dreams, nightmares that soon seep into reality. And when a horrifying discovery surfaces, so does the chilling truth–about the terrifying events that rocked the town seven years before, the mysterious disappearance of Pinecrest’s last resident, and a twisted legacy with a malevolent life of its own . . . and a bottomless hunger for new victims.

“Don’t miss it. This is a great one!” — Stephen King Soon to be an Amazon TV series I am the legion of the night ... He appears in the darkness like a ghost, made of shadows and fear—the Midnight Man. He comes for the parents but leaves the children alive, tiny witnesses to unspeakable horror. The bedroom communities of Los Angeles are gripped with dread, and the attacks are escalating. Still reeling from her best friend’s close call in a bombing six months ago, FBI behavioral analyst Caitlin Hendrix has come to Los Angeles to assist in the Midnight Man investigation and do what she does best—hunt a serial killer. Her work is what keeps her going, but something about this UNSUB—unknown subject—doesn’t sit right. She soon realizes that this case will test not only her skills but also her dedication, for within the heart of a killer lives a secret that mirrors Caitlin’s own past. Hesitancy is not an option, but will she be able to do what must be done if the time comes? Tense and impactful, Edgar Award winner Meg Gardiner’s latest UNSUB thriller will leave you on the edge of your seat until its riveting conclusion.