It's her story. Darcel, lead dancer of the hit television show, "Solid Gold". As dynamic, powerful and captivating as she was on screen, this is her real life story: A triangle of love, that has cutting sides; one side describes her marriage to one of the lead singers of the legendary R & B Group, "THE TEMPTATIONS".

Darcel Disappoints, a semi-autobiographical creation by Craig Redman, is a humorous and optimistically dour character whose life has been chronicled weekly for nearly a decade on his blog, DarcelDisappoints.com. In One Year In New York, Darcel recounts the highs and lows of life in the BigApple; sharing his adventures around the city in his usual amusing and endearing way. The book will follow his activities every few days in the form of a visual diary, with themed posts around holidays, special events, and New York's iconic experiences.

A shocking betrayal. When photographer Star Evans returns to her hometown of Liberty Creek, Texas, to attend her grandmother's funeral, she has no idea of the drama that awaits her. Star receives a letter written by her grandmother informing her that eight years ago she crafted a shattering lie in order to separate her from the young man she loved. Now, in order to fulfill her grandmother's dying wish, Star must come face to face with her past by enlisting the help of her first love. The One That Got Away. Case Matthews once loved Star with all his heart and soul. Until the day she left town without a word of goodbye and shattered him, body and soul. Now, years later, Case is a successful rancher who's moved on from heartbreak and loss. When Star comes knocking at his door asking for his help, he has no intention of having anything to do with the pampered princess. But when danger comes calling at her family's ranch, Case steps in to protect the woman he still loves. And as they work together to unravel the mysteries of the past and present, an explosive passion re-ignites.

LONGLISTED FOR THE 2021 BROOKLYN PUBLIC LIBRARY LITERARY PRIZE From one of the most lyrically gifted, socially conscious rappers of the past twenty years, Vibrate Higher is a firsthand account of hip-hop as a political force Before Talib Kweli became a world-renowned hip-hop artist, he was a Brooklyn kid who liked to cut class, spit rhymes, and wander the streets of Greenwich Village with a motley crew of artists, rappers, and DJs who found hip-hop more inspiring than their textbooks (much to the chagrin of the educator parents who had given their son an Afrocentric name in hope of securing for him a more traditional sense of pride and purpose). Kweli’s was the first generation to grow up with hip-hop as established culture—a genre of music that has expanded to include its own pantheon of heroes, rich history and politics, and distinct worldview. Eventually, childhood friendships turned into collaborations, and Kweli gained notoriety as a rapper in his own right. From collaborating with some of hip-hop’s greatest—including Mos Def, Common, Kanye West, Pharrell Williams, and Kendrick Lamar—to selling books out of the oldest African-American bookstore in Brooklyn, ultimately leaving his record label, and taking control of his own recording career, Kweli tells the winding, always compelling story of the people and events that shaped his own life as well as the culture of hip-hop that informs American culture at large. Vibrate Higher illuminates Talib Kweli’s upbringing and artistic success, but so too does it give life to hip-hop as a political force—one that galvanized the Movement for Black Lives and serves a continual channel for resistance against the rising tide of white nationalism.

A housemaid with a dangerous family secret conspires with a wealthy young abolitionist to help an enslaved girl escape, in volatile pre-Civil War Philadelphia. The rebel . . . the socialite . . . and the fugitive. Together, they will risk everything for one another in this “beguiling story of friendship, deception, and women crossing boundaries in the name of freedom” (Lisa Wingate, #1 New York Times bestselling author of The Book of Lost Friends). Philadelphia, 1837. After Charlotte escaped from the crumbling White Oaks plantation down South, she’d expected freedom to feel different from her former life as an enslaved housemaid. After all, Philadelphia is supposed to be the birthplace of American liberty. Instead, she’s locked away playing servant to her white-passing father, as they both attempt to hide their identities from slavecatchers who would destroy their new lives. Longing to break away, Charlotte befriends Nell, a budding abolitionist from one of Philadelphia’s wealthiest Black families. Just as Charlotte starts to envision a future, a familiar face from her past reappears: Evie, her friend from White Oaks, has been brought to the city by the plantation mistress, and she’s desperate to escape. But as Charlotte and Nell conspire to rescue her, in a city engulfed by race riots and attacks on abolitionists, they soon discover that fighting for Evie’s freedom may cost them their own.

Dana Dances on Paper is a coming of age story mainly about Darcel Turner as a young girl growing up in the Bronx, NY during the beginning of theHipHop era. She goes through struggles and obstacles to reach her dreams and goals. She loses her mother to a fatal virus but finds her way though self discovery, self recovery, self renewal & self love.

The apocalypse had come and gone, and even though there were still plenty of walkers stumbling around Montanaor what Billy called GOB (Good Ol Boy) landthe worst thing on two legs was the survivors. At least with the dead you knew where you stoodas a potential meal! Billy was a young black man who worked for Zombie Express, the main trucking company that ran supply routes between the remaining towns and strongholds spread across the Big Sky state. He was originally from the harsh environs of L.A., and he now had to show the ropes to Ted, the erudite Old White Dude the company had saddled him with. He knew nothing about the elderly grandpa, other than Zombie Express had hired him at the last minute to ride shotgun in his truck. Everyones story of their Z Day . . . or week . . . or month, was different of course, but damn, didnt the old dude ever shut up? And just minutes into their first run the old man was already napping! He was going to get Billy killed . . . or worse! And Billy did not want to end up a dead head!