This collection of Büchner's three theatrical works includes Danton's Death, his great play about the French Revolution, Leonce and Lena, his "black" romantic comedy and Woyzeck, the unfinished work on which Alban Berg based his famous opera. All three works remained virtually unknown for half a century but today have found an important place in the modern repertory.

This is your rhetoric translated. These wretches, these executioners, the guillotine are your speeches come to life. You have built your doctrines out of human heads... Why should an event that transforms the whole of humanity not advance through blood? 1794: the French Revolution reaches its climax. After a series of bloody purges the life-loving, volatile Danton is tormented by his part in the killing. His political rival, the driven, ascetic Robespierre, decides Danton's fate. A titanic struggle begins. Once friends who wanted to change the world, now one stands for compromise the other for ideological purity as the guillotine awaits. A revolutionary himself, George Büchner was 21 when he wrote the play in 1835, while hiding from the police. With its hair-raising on-rush of scenes and vivid dramatisation of complex, visionary characters, Danton's Death has a claim to be the greatest political tragedy ever written. In his newly-revised translation, Howard Brenton captures Büchner's exhilarating energy as Danton struggles to avoid his inexorable fall.

Collected in this volume are dramas and psychological fiction by the nineteenth-century iconoclast. Also included are selections from Buchner's letters and philosophical writings.

The works of Georg Buchner consists of only a few hundred pages written by a man who died in 1837 at the age of twenty-three, yet its influence on 20th-century literature can hardly be exaggerated. Particularly his drama, a century before Brecht, is considered an important precursor of the major trends in drama today. This edition includes the plays Danton's Death, Leonce and Lena, a reconstruction and synopsis of Woyzeck, the novella Lenz, the political essay The Hessian Messenger, and all the surviving letters.

From a groundbreaking Slovenian-Austrian poet comes an evocative, captivating collection on searching for home in a landscape burdened with violent history. At its core, Distant Transit is an ode to survival, building a monument to traditions and lives lost. Infused with movement, Maja Haderlap’s Distant Transit traverses Slovenia’s scenic landscape and violent history, searching for a sense of place within its ever-shifting boundaries. Avoiding traditional forms and pronounced rhythms, Haderlap unleashes a flow of evocative, captivating passages whose power lies in their associative richness and precision of expression, vividly conjuring Slovenia’s natural world––its rolling meadows, snow-capped alps, and sparkling Adriatic coast. Belonging to the Slovene ethnic minority and its inherited, transgenerational trauma, Haderlap explores the burden of history and the prolonged aftershock of conflict––warm, lavish pastoral passages conceal dark memories, and musings on the way language can create and dissolve borders reveal a deep longing for a sense of home.

Leonce and Lena: There are two imaginary countries: the Kingdom of Popo and the Kingdom of Pipi. Prince Leonce of the Kingdom of Popo and Princess Lena of the Kingdom of Pipi have had their political marriage arranged.

Few writers have transformed literature and theatre so dramatically as Georg Bèuchner. Each text is accompanied by explanatory annotations. The introduction examines the complexities of Bèuchner's short life.