Boldrini examines how Dante's literary and linguistic theories helped shape Joyce's radical narrative techniques.

Mary Reynolds studies the rhetorical and linguistic maneuvers by which Joyce related his work to Dante's and shows how Joyce created in his own fiction a Dantean allegory of art. Dr. Reynolds argues that Joyce read Dante as a poet rather than as a Catholic; that Joyce was interested in Dante's criticism of society and, above all, in his great powers of innovation. Originally published in 1981. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

This collection is the first book-length study to re-evaluate all of James Joyce's major fictional works through the lens of cognitive studies. Cognitive Joyce presents Joyce's relationship to the scientific knowledge and practices of his time and examines his texts in light of contemporary developments in cognitive and neuro-sciences. The chapters pursue a threefold investigation—into the author's "extended mind" at work, into his characters' complex and at times pathological perceptive and mental processes, and into the elaborate responses the work elicits as we perform the act of reading. This volume not only offers comprehensive overviews of the oeuvre, but also detailed close-readings that unveil the linguistic focus of Joyce's drama of cognition.

First published in 1996. This volume includes a collection of essays that where collected after the inspiration of finding positive interactions between African-American and Irish Writers during the Harlem Renaissance, a time when these two groups were hardly on good terms. The essays look at theories and realities of literary influence that especially affect African-American writers.

In this, his most comprehensive and accessible study of influence, Bloom leads readers through the labyrinthine paths which link the writers and critics who have informed and inspired him for so many years.

This group of fifteen brief narratives connected by a place and a time—the city of Dublin at the beginning of the twentieth century—was written when James Joyce was a precocious young graduate of University College. With great subtlety and artistic restraint, Joyce suggests what lies beneath the pieties of Dublin society and its surface drive for respectability, suggesting the difficulties and despairs that were being endured on a daily basis in the homes, pubs, streets, and offices of the city: underemployment, domestic violence, alcoholism, poverty, hunger, emotional and sexual repression. No writer ever took more seriously the details, history, and culture of a particular place than Joyce did with his home city, and these stories combine dark humor with compassion and a searching eye for the causes of suffering. This new edition’s historical appendices include contemporary reviews (among them one by Ezra Pound) and materials on religion, the struggle for Irish independence, and Dublin’s musical and performance culture.