Thomas Daniell was thirty-six years old when he and his nephew William, barely sixteen, sailed out from Gravesend in April 1785, headed for the East. They arrived in Calcutta via China the next year. This book presents a selection of their work in India, bringing alive the scenery and architecture of that age. Thomas Daniell was thirty-six years old when he and his nephew William, barely sixteen, sailed out from Gravesend in April 1785, headed for the East. They arrived in Calcutta via China the next year. The Daniells travelled across India, painting Oriental Scenery wherever they

Exploring the politics of representation and the cultural changes that occurred in the city, this post colonial study addresses the questions of modernity and space that haunt our perception of Calcutta.

The role of the visual arts in the assertion of European colonial power has been the subject of much recent investigation and redefinition. This book takes as a ground for discussion the representation of Indian scenery and architecture by British artists in the late eighteenth and early nineteenth centuries. It includes the work of a diversity of