Daniel O'Connor was one of the most remarkable people in 19th century Europe whose success in securing the passage of the Catholic Emancipation Act at Westminster in 1829 set British and Irish politics on the course it maintained until well into the 20th century. This biography concentrates on O'Connell's glory period, culminating in 1829.

Daniel O'Connell was one of the most remarkable people in 19th-century Europe. Almost uniquely he combined liberalism and Catholicism. Famous in his day as the most feared lawyer in Ireland, he was the prime organiser of Irish nationalist politics in itsmodern form. This book examines the later part of his life.

This is a book about Irish nationalism and how Irish nationalists developed their own conception of the Irish race. Bruce Nelson begins with an exploration of the discourse of race--from the nineteenth--century belief that "race is everything" to the more recent argument that there are no races. He focuses on how English observers constructed the "native" and Catholic Irish as uncivilized and savage, and on the racialization of the Irish in the nineteenth century, especially in Britain and the United States, where Irish immigrants were often portrayed in terms that had been applied mainly to enslaved Africans and their descendants. Most of the book focuses on how the Irish created their own identity--in the context of slavery and abolition, empire, and revolution. Since the Irish were a dispersed people, this process unfolded not only in Ireland, but in the United States, Britain, Australia, South Africa, and other countries. Many nationalists were determined to repudiate anything that could interfere with the goal of building a united movement aimed at achieving full independence for Ireland. But others, including men and women who are at the heart of this study, believed that the Irish struggle must create a more inclusive sense of Irish nationhood and stand for freedom everywhere. Nelson pays close attention to this argument within Irish nationalism, and to the ways it resonated with nationalists worldwide, from India to the Caribbean.

There is no doubt that Daniel O’Connell can be hailed as a towering figure of nineteenth-century Irish politics. In this book, however, a different angle is taken on O’Connell’s centrality to Irish public discourse. Thus, rather than adding to the vast body of research works on O’Connell’s politics or the history of Catholic Emancipation and Repeal, this study provides a discourse perspective on the Liberator’s oratorical skills, along with the general perception of O’Connell as shaped by the press of his age. What rhetorical strategies did O’Connell implement in order to persuade the Catholics of Ireland that he was the man to make their voice heard by the British authorities?; How were O’Connell’s figure, his followers and his ideology assessed by nationalist and unionist print media? The volume addresses these research questions by combining the study of public speaking with news discourse within an integrated approach to the Irish public sphere in the early 1840s.

“Though the story of the potato famine has been told before, it’s never been as thoroughly reported or as hauntingly told.” —New York Post It started in 1845 and before it was over more than one million men, women, and children would die and another two million would flee the country. Measured in terms of mortality, the Great Irish Potato Famine was the worst disaster in the nineteenth century—it claimed twice as many lives as the American Civil War. A perfect storm of bacterial infection, political greed, and religious intolerance sparked this catastrophe. But even more extraordinary than its scope were its political underpinnings, and The Graves Are Walking provides fresh material and analysis on the role that Britain’s nation-building policies played in exacerbating the devastation by attempting to use the famine to reshape Irish society and character. Religious dogma, anti-relief sentiment, and racial and political ideology combined to result in an almost inconceivable disaster of human suffering. This is ultimately a story of triumph over perceived destiny: for fifty million Americans of Irish heritage, the saga of a broken people fleeing crushing starvation and remaking themselves in a new land is an inspiring story of revival. Based on extensive research and written with novelistic flair, The Graves Are Walking draws a portrait that is both intimate and panoramic, that captures the drama of individual lives caught up in an unimaginable tragedy, while imparting a new understanding of the famine’s causes and consequences. “Magisterial . . . Kelly brings the horror vividly and importantly back to life with his meticulous research and muscular writing. The result is terrifying, edifying and empathetic.” —USA Today