Two sexy, suspenseful bestsellers? together in one volume! Two stories of dangerous women entangled in the arms of deliciously treacherous men? Trouble in High Heels When Brandi Michaels discovers her fiancé hopping a flight to Vegas to marry his other girlfriend, she pawns her ring, buys herself a fabulous outfit, and spends one sultry night in the arms of a gorgeous Italian stranger named Roberto Bartolini. And when Brandi becomes the mark for a killer, she has no choice but to turn to Roberto?a man who?s destined to be either her savior or her downfall? Tongue in Chic Devlin Fitzwilliam catches Meadow Szarvas breaking into his mansion to steal a priceless painting. In sheer desperation she tells him she has amnesia. But then he claims she?s his wife?and Meadow finds herself locked in a match of high-stakes deception. She doesn?t dare take her eyes off him?and doesn?t want to?yet the danger is just beginning?

Hired by a wealthy banker to undermine an extortionist who has threatened to reveal personal secrets unless he receives multiple grand sums, John Quincannon and Sabina Carpenter find the case turning deadly when a courier is found dead in a locked room.

What does it mean for the Sun to call Shami Chakrabarti ‘the most dangerous woman in Britain’ or the Daily Mail to label Nicola Sturgeon ‘the most dangerous wee woman in the world’? What, really, does it mean to be a dangerous woman? This powerful anthology presents fifty answers to that question, reaching past media hyperbole to explore serious considerations about the conflicts and power dynamics with which women live today. In Dangerous Women, writers, artists, politicians, journalists, performers and opinion-formers from a variety of backgrounds – including Irenosen Okojie, Jo Clifford, Bidisha, Nada Awar Jarrar, Nicola Sturgeon and many more – reflect on the long-standing idea that women, individually or collectively, constitute a threat. In doing so, they celebrate and give agency to the women who have been dismissed or trivialised for their power, talent and success – the women who have been condemned for challenging the status quo. They reclaim the right to be dangerous.

For the awesomely daring women in our lives comes the perfect gift: a jewel of a book that collects vintage candid snapshots of women enjoying unconventional activities. For the last two decades, Peter Cohen has been combing estate sales and flea markets collecting vernacular, or "found," photography taken in the middle part of the twentieth century. In his collection are countless images of women of all ages in various unconventional activities for the time: there are women swigging booze out of a bottle, boxing, playing pick-up football, smoking, or shooting arrows or guns—incongruous and playful behavior, all the while often performed in lovely dresses. Snapshots of Dangerous Women collects many of these period photographs, showcasing women from the thirties, forties, and fifties who are equal parts badass and rebellious, and, above all, clearly having a lot of fun. This charming book makes the ideal gift for the bold and free-spirited women in our lives.

Broadside ballads-folio-sized publications containing verse, a tune indication, and woodcut imagery-related cautionary tales, current events, and simplified myth and history to a wide range of social classes across seventeenth century England. Ballads straddled, and destabilized, the categories of public and private performance spaces, the material and the ephemeral, music and text, and oral and written traditions. Sung by balladmongers in the streets and referenced in theatrical works, they were also pasted to the walls of local taverns and domestic spaces. They titillated and entertained, but also educated audiences on morality and gender hierarchies. Although contemporaneous writers published volumes on the early modern controversy over women and the English witch craze, broadside ballads were perhaps more instrumental in disseminating information about dangerous women and their acoustic qualities. Recent scholarship has explored the representations of witchcraft and malfeasance in English street literature; until now, however, the role of music and embodied performance in communicating female transgression has yet to be investigated. Sarah Williams carefully considers the broadside ballad as a dynamic performative work situated in a unique cultural context. Employing techniques drawn from musical analysis, gender studies, performance studies, and the histories of print and theater, she contends that broadside ballads and their music made connections between various degrees of female crime, the supernatural, and cautionary tales for and about women.

The definitive biography of a trailblazing actress who entertained—and shocked—the nation and the world Marilyn Monroe might never have become the legend she did without America’s original tragic starlet: actress and poet Adah Isaacs Menken (1835–68). In a century remembered for Victorian restraint, Menken’s modern flair for action, scandal, and unpopular causes—especially that of the Jewish people—revolutionized show business. On stage, she was the first actress to bare all. Off stage, she originated the front-page scandal and became the world’s most highly paid actress—celebrated on Broadway, as well as in San Francisco, London, and Paris. At thirty-three, she mysteriously died. A Dangerous Woman is the first book to tell Menken’s fascinating story. Born in New Orleans to a “kept woman of color” and to a father whose identity is debated, Menken eventually moved to the Midwest, where she became an outspoken protégé of the rabbi who founded Reform Judaism. In New York City, she became Walt Whitman’s disciple. During the Civil War she was arrested as a Confederate agent—and became America’s first pin-up superstar. Menken married and left five husbands. Ultimately, she paid dearly for success. A major biography of a remarkable woman, A Dangerous Woman is must reading for those interested in women’s history, the roots of modern-day American Judaism, and African-American history. Praise for a previous book by Barbara and Michael Foster, Forbidden Journey: The Life of Alexandra David-Neel “Hers was a great human life, very well written up in Forbidden Journey. . . . Surely this biography will provoke even more interest.” —New York Times Book Review

Iconoclastic, courageous, feisty and enraged at the Constitution-busting actions of the G.W. Bush administration, a group of parody-singing old women, the Santa Cruz gaggle of Raging Grannies, plays a dirty little trick on a fanatically right-wing pundit on local TV. His ghastly death by poison the very next day sets them off to find his murderer--or was it, as the police believe, suicide?--and brings them very close to lethal danger themselves.