Insulting the president is an American tradition. From Washington to Trump, presidents have been called "lazy," "feeble," "pusillanimous," and more. Our leaders have been derided as "ignoramuses," "idiots," "morons," and "fatheads," and have been compared to all manner of animals--worms and whales and hyenas, sad jellyfish, strutting crows, lap dogs, reptiles, and monkeys. Political insults tell us what we value in our leaders by showing how we devalue them. In Dangerous Crooked Scoundrels, linguist Edwin Battistella collects over five hundred insults aimed at American presidents. Covering the broad sweep of American history, he puts insults in their place-the political and cultural context of their times. Along the way, Battistella illustrates the recurring themes of political insults: too little intellect or too much, inconsistency or obstinacy, worthlessness, weakness, dishonesty, sexual impropriety, appearance, and more. The kinds of insults we use suggest what our culture finds most hurtful, and reveal society's changing prejudices as well as its most enduring ones. How we insult presidents and how they react tells us about the presidents, but it also tells us about our nation's politics. Readers discover how the style of insults evolves in different historical periods: gone are "apostate," "mountebank," "flathead," and "doughface." Say hello to "moron," "jerk," "asshole," and "flip-flopper." Dangerous Crooked Scoundrels covers the broad sweep of American history, from the founder's debates over the nature of government to world wars and culture wars and social media. Whatever your politics, you'll find Dangerous Crooked Scoundrels an invaluable source of invigorating invective-and a healthy perspective on today's political climate.

History of insults aimed at United States presidents, from George Washington to Donald Trump.

"[The] weird, beautiful, unapologetically apocalyptic Last Policeman trilogy is one of my favorite mystery series."—John Green, author of The Fault in Our Stars and Paper Towns Winner of the 2013 Edgar® Award Winner for Best Paperback Original! What’s the point in solving murders if we’re all going to die soon, anyway? Detective Hank Palace has faced this question ever since asteroid 2011GV1 hovered into view. There’s no chance left. No hope. Just six precious months until impact. The Last Policeman presents a fascinating portrait of a pre-apocalyptic United States. The economy spirals downward while crops rot in the fields. Churches and synagogues are packed. People all over the world are walking off the job—but not Hank Palace. He’s investigating a death by hanging in a city that sees a dozen suicides every week—except this one feels suspicious, and Palace is the only cop who cares. The first in a trilogy, The Last Policeman offers a mystery set on the brink of an apocalypse. As Palace’s investigation plays out under the shadow of 2011GV1, we’re confronted by hard questions way beyond “whodunit.” What basis does civilization rest upon? What is life worth? What would any of us do, what would we really do, if our days were numbered? Ebook contains an excerpt from the anticipated second book in the trilogy, Countdown City.

Is today's language at an all-time low? Are pronunciations like cawfee and chawklit bad English? Is slang like my bad or hook up improper? Is it incorrect to mix English and Spanish, as in Yo quiero Taco Bell? Can you write Who do you trust? rather than Whom do you trust? Linguist Edwin Battistella takes a hard look at traditional notions of bad language, arguing that they are often based in sterile conventionality. Examining grammar and style, cursing, slang, and political correctness, regional and ethnic dialects, and foreign accents and language mixing, Battistella discusses the strong feelings evoked by language variation, from objections to the pronunciation NU-cu-lar to complaints about bilingual education. He explains the natural desire for uniformity in writing and speaking and traces the association of mainstream norms to ideas about refinement, intelligence, education, character, national unity and political values. Battistella argues that none of these qualities is inherently connected to language. It is tempting but wrong, Battistella argues, to think of slang, dialects and nonstandard grammar as simply breaking the rules of good English. Instead, we should view language as made up of alternative forms of orderliness adopted by speakers depending on their purpose. Thus we can study the structure and context of nonstandard language in order to illuminate and enrich traditional forms of language, and make policy decisions based on an informed engagement. Re-examining longstanding and heated debates, Bad Language will appeal to a wide spectrum of readers engaged and interested in the debate over what constitutes proper language.

A New York Times Notable Book of 2021 “The kind of book for which the word “rollicking” was invented.”—New York Times Book Review A prim and proper lady thief must save her aunt from a crazed pirate and his dangerously charming henchman in this fantastical historical romance. Cecilia Bassingwaite is the ideal Victorian lady. She's also a thief. Like the other members of the Wisteria Society crime sorority, she flies around England drinking tea, blackmailing friends, and acquiring treasure by interesting means. Sure, she has a dark and traumatic past and an overbearing aunt, but all things considered, it's a pleasant existence. Until the men show up. Ned Lightbourne is a sometimes assassin who is smitten with Cecilia from the moment they meet. Unfortunately, that happens to be while he's under direct orders to kill her. His employer, Captain Morvath, who possesses a gothic abbey bristling with cannons and an unbridled hate for the world, intends to rid England of all its presumptuous women, starting with the Wisteria Society. Ned has plans of his own. But both men have made one grave mistake. Never underestimate a woman. When Morvath imperils the Wisteria Society, Cecilia is forced to team up with her handsome would-be assassin to save the women who raised her--hopefully proving, once and for all, that she's as much of a scoundrel as the rest of them.