" ... Documents the history and development of [Post-colonial literatures in English, together with English and American literature] and includes original research relating to the literatures of some 50 countries and territories. In more than 1,600 entries written by more than 600 internationally recognized scholars, it explores the effect of the colonial and post-colonial experience on literatures in English worldwide.

When King Charles Ii Of England Married Princess Catherine De Braganza Of Portugal In 1661, He Received As Part Of His Dowry The Isles Of Bom Bahia, The Good Bay. Reclaimed From The Sea, These Would Become The Modern City Of Bombay. A Marriage Of Affluence And Abject Poverty, Where A Grey Concrete Jungle Is The Backdrop To A Heady Potpourri Of Ethnic, Linguistic And Religious Subcultures, Bombay, Renamed Mumbai After The Goddess Mumbadevi, Defies Definition. Bombay, Meri Jaan, Comprising Poems And Prose Pieces By Some Of The Biggest Names In Literature, In Addition To Cartoons, Photographs, A Song And A Bombay Duck Recipe, Tries To Capture The Spirit Of This Great Metropolis. Salman Rushdie, Pico Iyer, Dilip Chitre, Saadat Hasan Manto, V.S. Naipaul, Khushwant Singh And Busybee, Among Others, Write About Aspects Of The City: The High-Rise Apartments And The Slums; Camaraderie And Isolation In The Crowded Chawls; Bhelpuri On The Beach And Cricket In The Gully; The Women'S Compartment Of A Local Train; Encounter Cops Who Battle The Underworld; The Jazz Culture Of The Sixties; The Monsoon Floods; The Shiv Sena; The Cinema Halls; The Sea. Vibrant, Engaging And Provocative, This Is An Anthology As Rich And Varied As The City It Celebrates.

Collection of non-fiction published by Penguin Books, India commemorating its twentieth year in the publishing industry.

For some years now, it s been happy season for books and publishing in India. But the most enduring success story in English-language trade publishing in the country indeed in all of Asia began long before this. The present gold rush owes a great deal to the foresight of Penguin, easily the most prestigious global publisher, which made a home here when the world wasn t yet in thrall to the Indian market. Penguin India began operating at a time when trade publishing in English was virtually unknown in the country. The company launched its local programme in 1987 with seven titles: two novels in English and one in translation from Bengali, two biographies, a travelogue and a book of poems. Two decades on, it publishes 200 new books annually across a wide range of genres. Along the way, it has published authors from every country in the Subcontinent. In 2005, with the launch of its Hindi list, Penguin became the first global publisher to publish in an Indian language other than English, and now releases over sixty titles every year in Hindi, Marathi, Malayalam and Urdu. When it was set up in a two-bedroom flat in New Delhi, Penguin India s most valuable asset was a boardroom table made of teak, at which strategies were devised, contracts signed and commitments made. Today, the table is no longer listed among the company s assets. Instead, it can boast the finest list of Indian authors (or authors of Indian origin) anywhere in the world. And the list keeps growing: among the long-admired names we ll publish in the coming months are Kamala Markandaya, with her posthumous novel Bombay Tiger, and Amitav Ghosh, with his stunning new novel Sea of Poppies, the first in a trilogy. Penguin India s publishing remains as vibrant and confidently eclectic as our first clutch of titles promised. Our best authors, our true wealth, have stayed with us through the years, and helped us bring the best in contemporary Indian and international literature to readers everywhere. These commemorative volumes of the finest writing we ve published up to our twentieth year are dedicated to each one of them. Showcased here are authors who have topped best-seller charts in India and abroad, and won virtually every major literary prize, including the Nobel Prize, the Jnanpith Award, the Man Booker Prize, the Sahitya Akademi Award and the Commonwealth Writers Prize. It is unlikely you will find a richer, more representative collection of writing from or about South Asia. Now, when virtually every major international trade publisher is present in India, the fastest-growing English-language publishing market in the world, Penguin India remains committed to the vision laid out on that teak table twenty years ago. It is a vision that has ensured that Penguin in India, as in the rest of the world, is the publisher of choice for the best writers and the most discerning readers. And this is exactly how things will be twenty years from now.

Today, Indian writing in English is a fi eld of study that cannot be overlooked. Whereas at the turn of the 20th century, writers from India who chose to write in English were either unheeded or underrated, with time the literary world has been forced to recognize and accept their contribution to the corpus of world literatures in English. Showcasing the burgeoning field of Indian English writing, this encyclopedia documents the poets, novelists, essayists, and dramatists of Indian origin since the pre-independence era and their dedicated works. Written by internationally recognized scholars, this comprehensive reference book explores the history and development of Indian writers, their major contributions, and the critical reception accorded to them. The Routledge Encyclopedia of Indian Writing in English will be a valuable resource to students, teachers, and academics navigating the vast area of contemporary world literature.

Writing about poetry follows models provided either by academic scholarship or literary journalism, each with its pitfalls. The former distances the reader from the poem and effaces the critic’s personality. In literary journalism, the critic is front and center, but the discussion is introductory and prioritizes value judgments. In either case, entrenched practices and patterns of privilege limit one’s perspective. The situation worsens when it comes to minoritized poets and poets from the Global South, where the focus is on restrictive notions of identity: the stylistic innovations of literary works get ousted by prefabricated historical narratives. In Worlds Woven Together, the critic, poet, and scholar Vidyan Ravinthiran searches for alternatives, pursuing close, imaginative readings of a variety of writers. His essays are open-ended, attentive, and curious, unabashedly passionate and subjective yet keenly analytical and investigative. Discussing neglected authors and those well-known in the West, Ravinthiran sees politics as inseparable from literary form and is fascinated by the relation of the creative consciousness to the violences of history. The book features essays on writers including Mir Taqi Mir, Ana Blandiana, A. K. Ramanujan, Marianne Moore, Eunice de Souza, Czeslaw Milosz, Ted Hughes, Rae Armantrout, Arvind Krishna Mehrotra, Galway Kinnell, Dawn Lundy Martin, and Vahni Capildeo. Revealing serendipitous connections—between poems and cultures, between lines of verse and the lives we lead—Worlds Woven Together is for all readers fascinated by the mechanics and politics of poetry.