In award-winning author Patricia Potter’s sparkling Regency-era romance, an actress and a privateer fall passionately in love, unaware that they’re both after revenge against the same group of aristocrats Englishman Gabriel Manning has waited more than two decades to avenge his father’s death. The years he has spent in America seizing British ships haven’t diminished his hatred or made him forget his blood vow. And when a capricious fate makes him a peer of the realm, he returns to England armed with an ingenious scheme to befriend and destroy three of the most powerful men in London. Everyone in Paris knows her as the radiant actress Monique Fremont. But beneath the costumes and makeup, Merry Anders lives only for revenge. When an important role takes her to London, she has her chance to take down “the Group.” But she finds the seductive Marquess of Manchester a distraction. How could she be so irresistibly attracted to her enemies’ friend? Playing a dangerous game, Merry must decide whether to risk it all for love.

"Don't expect just tulle and toe shoes. In this fascinating insider's tale, NYCB dancer Pazcoguin reveals her world. . . . A striking debut." —People Award-winning New York City Ballet soloist Georgina Pazcoguin, aka the Rogue Ballerina, gives readers a backstage tour of the real world of elite ballet—the gritty, hilarious, sometimes shocking truth you don’t see from the orchestra circle. In this love letter to the art of dance and the sport that has been her livelihood, NYCB’s first Asian American female soloist Georgina Pazcoguin lays bare her unfiltered story of leaving small-town Pennsylvania for New York City and training amid the unique demands of being a hybrid professional athlete/artist, all before finishing high school. She pitches us into the fascinating, whirling shoes of dancers in one of the most revered ballet companies in the world with an unapologetic sense of humor about the cutthroat, survival-of-the-fittest mentality at NYCB. Some swan dives are literal: even in the ballet, there are plenty of face-plants, backstage fights, late-night parties, and raucous company bonding sessions. Rocked by scandal in the wake of the #MeToo movement, NYCB sits at an inflection point, inching toward progress in a strictly traditional culture, and Pazcoguin doesn’t shy away from ballet’s dark side. She continues to be one of the few dancers openly speaking up against the sexual harassment, mental abuse, and racism that in the past went unrecognized or was tacitly accepted as par for the course—all of which she has painfully experienced firsthand. Tying together Pazcoguin’s fight for equality in the ballet with her infectious and deeply moving passion for her craft, Swan Dive is a page-turning, one-of-a-kind account that guarantees you'll never view a ballerina or a ballet the same way again.

The world has seldom been as dangerous as it is now. Rogue regimes—governments and groups that eschew diplomatic normality, sponsor terrorism, and proliferate nuclear weapons—threaten the United States around the globe. Because sanctions and military action are so costly, the American strategy of first resort is dialogue, on the theory that “it never hurts to talk to enemies.” Seldom is conventional wisdom so wrong. Engagement with rogue regimes is not cost-free, as Michael Rubin demonstrates by tracing the history of American diplomacy with North Korea, Iran, Iraq, Libya, the Taliban’s Afghanistan, and Pakistan. Further challenges to traditional diplomacy have come from terrorist groups, such as the PLO in the 1970s and 1980s, or Hamas and Hezbollah in the last two decades. The argument in favor of negotiation with terrorists is suffused with moral equivalence, the idea that one man’s terrorist is another man’s freedom fighter. Rarely does the actual record of talking to terrorists come under serious examination. While soldiers spend weeks developing lessons learned after every exercise, diplomats generally do not reflect on why their strategy toward rogues has failed, or consider whether their basic assumptions have been faulty. Rubin’s analysis finds that rogue regimes all have one thing in common: they pretend to be aggrieved in order to put Western diplomats on the defensive. Whether in Pyongyang, Tehran, or Islamabad, rogue leaders understand that the West rewards bluster with incentives and that the U.S. State Department too often values process more than results.

As Champion of Balance, young Gord must enter the demon-ridden Abyss and the divine Celestial Sphere to encounter powers beyond good and evil in a battle to gain possession of a magical key

Inspired by the tales of Cinderella, as well as Psyche and Eros, A Dance with the Fae Prince is perfect for fans of A Court of Silver Flames and An Enchantment of Ravens, featuring a a slow-burn romance and sizzling steaminess.[Bokinfo].

Freddie Sullivan, having failed to persuade his cousin Julia to marry him, goes to Bath in desperate search of a rich wife so that he can pay off his debts. Clara Danforth, plain and wheelchair-bound, seems the ideal choice, and Freddie sets about wooing her with his good looks, flattery, and considerable charm. Clara is not deceived for a moment, but she encourages him anyway as for once she wants to possess something beautiful in her life. The path to love between these two after they marry is a rocky one. Freddie struggles to overcome his gambling addiction and his shame over the deception he perpetrated against Clara, and she struggles to overcome her physical handicaps and low self-esteem. Can Freddie ever be forgiven? Can he ever forgive himself? Can Clara ever trust his fragile love?