Jairaj Parekh and his wife Ratna, ageing Bharatanatyam dancers, are engaged in finding a substitute mridangam player to accompany their daughter Lata at her performance at a high-profile dance festival. Lata, in the meantime, nervously awaits the meeting between her parents and Viswas, the young man she wishes to marry. When the four meet, and in the conversations and discussions that follow, the fissures in the relationship between Jairaj and Ratna begin to explode into high-strung battles which lead back to their own youth and the tragedy that lies at the heart of their discord. The younger couple have their own issues to contend with: the obvious mismatch between the two sets of parents, the arguments over Lata's career as a dancer after marriage and, most unsettling of all, Lata's attempt to balance her parents' ambition with her own needs and desires. A brilliant study of human relationships and weaknesses framed by the age-old battle between tradition and youthful rebellion, Dance Like a Man has been hailed as one of the best works of the dramatic imagination in recent times.

Essay from the year 2018 in the subject Didactics for the subject English - Literature, Works, University of Burdwan, language: English, abstract: Dattani’s drama "Dance Like a Man", first staged in 1989, dramatizes "dance" with its many implicit implications – dance as profession, dance as pain, dance as suffering, dance as shelter, dance as ego-formation, dance as rhythm of life, dance as passion, dance as mission, dance as vision and finally, dance as strong maker of gender identity; in addition, it is a reflector of the cultural location of India, more precisely, culturally rich Indianness. The play can be read as a configuration of the characteristic grip of human identity that strongly interfaces the elements of identical autonomy and autonomous identity.

Tony and Olivier Award–winning Bob Avian’s dazzling life story, Dancing Man: A Broadway Choreographer’s Journey, is a memoir in three acts. Act I reveals the origins of one of Broadway’s legendary choreographers who appeared onstage with stars like Barbra Streisand and Mary Martin all before he was thirty. Act II includes teaching Katharine Hepburn how to sing and dance in Coco and working with Stephen Sondheim and Michael Bennett while helping to choreograph the original productions of Company and Follies. During this time, Avian won a Tony Award as the cochoreographer of A Chorus Line and produced the spectacular Tony Award–winning Dreamgirls. For a triumphant third act, Avian choreographed Julie Andrews’s return to the New York stage, devised all of the musical staging for Miss Saigon and Sunset Boulevard, and directed A Chorus Line on Broadway. He worked with the biggest names on Broadway, including Andrew Lloyd Webber, Carol Burnett, Jennifer Holliday, Patti LuPone, Elaine Stritch, and Glenn Close. Candid, witty, sometimes shocking, and always entertaining, here at last is the ultimate up-close and personal insider’s view from a front row seat at the creation of the biggest, brightest, and best Broadway musicals of the past fifty years.

One of the most important works of gay literature, this haunting, brilliant novel is a seriocomic remembrance of things past -- and still poignantly present. It depicts the adventures of Malone, a beautiful young man searching for love amid New York's emerging gay scene. From Manhattan's Everard Baths and after-hours discos to Fire Island's deserted parks and lavish orgies, Malone looks high and low for meaningful companionship. The person he finds is Sutherland, a campy quintessential queen -- and one of the most memorable literary creations of contemporary fiction. Hilarious, witty, and ultimately heartbreaking, Dancer from the Dance is truthful, provocative, outrageous fiction told in a voice as close to laughter as to tears.

Title story plus three others featuring the peerless sleuth and his faithful sidekick: "The Adventure of the Dying Detective," "The Musgrave Ritual" and "The Adventure of the Bruce-Partington Plans."

Dancing Feat is the story of one Englishman's attempt to deal with his appalling dance ability - by dancing his way round Colombia. Join inveterate dance coward Neil Bennion as he romps through this land of swashbuckling peaks and luscious coastlines, learning new dances as he goes. When he's not doing everything in his power to avoid them, that is. - Get an insight into Colombian dance: from the urban forms found in nightclubs, to folkloric dances steeped in historical significance.- Learn about the truth and legend of this famously troubled country.- Meet a people who are amongst the kindest and warmest anywhere on the planet, unless you're trying to get away with not dancing. Some six months after he began, he's honour-bound to put on a show of the dances he's learnt. But can such a bad dancer really make the necessary transformation? Is it even possible to remember so many dances? And is there a window backstage big enough for an adult male to fit through?