In this timely tale of immigration, two cousins learn the importance of family and friendship. A year of discoveries culminates in a performance full of surprises, as two girls find their own way to belong. Mexico may be her parents’ home, but it’s certainly not Margie’s. She has finally convinced the other kids at school she is one-hundred percent American—just like them. But when her Mexican cousin Lupe visits, the image she’s created for herself crumbles. Things aren’t easy for Lupe, either. Mexico hadn’t felt like home since her father went North to find work. Lupe’s hope of seeing him in the United States comforts her some, but learning a new language in a new school is tough. Lupe, as much as Margie, is in need of a friend. Little by little, the girls’ individual steps find the rhythm of one shared dance, and they learn what “home” really means. In the tradition of My Name is Maria Isabel—and simultaneously published in English and in Spanish—Alma Flor Ada and her son Gabriel M. Zubizarreta offer an honest story of family, friendship, and the classic immigrant experience: becoming part of something new, while straying true to who you are.

Serena, the central figure in these linked stories and a born New Yorker, is outrageous, stubborn, mystical and deeply engaged with love of all kinds: emotional, physical, intellectual, and with intimacy that extends into the wider realms beyond the visible world. The stories begin with her birth and follow her life and the lives of her friends and lovers. We meet Ingrid, artist and wild woman; Rose, sensible and intelligent, with a dry wit; Leo, architect and musician, a compassionate, soulful and endearing man and many others, whose origins and connected lives reveal the paradoxes, struggles, bliss and complexities of love. The stories embrace the sensual world and the capacity to hold it with an open heart. They explore the grace of loving in a variety of ways. As Dancing Home unfolds, Serena's intuition leads her to an enhanced relationship with a larger reality and the challenges of integrating that world with ordinary life. Ultimately, this puzzle of who the characters are and the nature of their intertwined lives plays itself out and comes to a fluid conclusion. Dancing Home is a love affair with New York and to the affairs of love.

‘When he was in gaol, he’d begun to prepare himself for the fight of his life, a showdown with the policeman, McWilliams ... he’d face life with death, and see who blinked first.’ Blackie and Rips are fresh out of prison when they set off on a road trip back to Wiradjuri country with their mate Carlos. Blackie is out for revenge against the cop who put him in prison on false grounds. He is also craving to reconnect with his grandmother’s country. Driven by his hunger for drugs and payback, Blackie reaches dark places of both mystery and beauty as he searches for peace. He is willing to pay for that peace with his own life. Part road-movie, part ‘Koori-noir’, Dancing Home announces an original and darkly funny new voice.

Enter the intoxicating world of performing in community with a step-by-step guide that combines practical exercises and improvisational forms. Proven methods reach out to classes, children in after-school programs, youth at risk and culturally and socio-economically diverse groups in any setting. Create collaborative choreography based on participants' stories, histories, and the unique issues of their community. Provide enriching opportunities to give to others, to share their talents and to be seen and heard in artistic collaboration .

Sara, the cautious, quietly observant twin, narrates this reminiscence of sisters whose dreams were intermittently encouraged or dashed by their ambitious, stout-hearted Norwegian-American mother and their alternatively abusive and loving Danish-American father, who felt enslaved by his land and cattle. The twins' emotionally fragile older sister, mischevious younger brother, and sturdy baby sister each found ways to cope. This is a personal portrayal of parents, siblings, family and neighbours who painted the rural landscape in sombre tones of duty and self-sacrifice, yet touched it with hope and grace.

Holly and Heather share their story and help to walk the reader through the painful yet necessary healing process for when life deals us its harshest blows. Dancing on my ashes soothes and empathizes with the broken heart, while sharing the truth of scripture, and the hope that comes from the heart of God.

Wil Wheaton--blogger, geek, and Star Trek: The Next Generation's Wesley Crusher--gives us five short-but-true tales of life in the so-called Space Age in Dancing Barefoot. With a true geek's unflinching honesty, Wil examines life, love, the web, and the absurdities of Hollywood in these compelling autobiographical narratives. Based on pieces first published in Wil's hugely popular blog, www.wilwheaton.net, the stories in Dancing Barefoot chronicle a teen TV star's journey to maturity and self-acceptance. Far from the usual celebrity tell-all, Dancing Barefoot is a vivid account of one man's version of that universal story, the search for self. If you've ever fallen in love, wondered what goes on behind the scenes at a Star Trek convention, or thought hard about the meaning of life, you'll find a kindred soul in the pages of Dancing Barefoot. In the process of uncovering his true geeky self, Wil Wheaton speaks to the inner geek in all of us. The stories: Houses in Motion - Memories fill the emptiness left within a childhood home, and saying goodbye brings them to life. Ready Or Not Here I Come - A game of hide-n-seek with the kids works as a time machine, taking Wil on a tour of the hiding and seeking of years gone by. Inferno - Two 15-year-olds pass in the night leaving behind pleasant memories and a perfumed Car Wars Deluxe Edition Box Set. We Close Our Eyes - A few beautiful moments spent dancing in the rain. The Saga of SpongeBob VegasPants - A story of love, hate, laughter and the acceptance of all things Trek.