"Poignant memoir of a not-so-typical New York Jewish family’s experiences in the midcentury Hollywood demimonde ... Equal parts emotional tissue-party and shrewd cultural history." - Kirkus Reviews In 1958, young Sheila Weller was living a charmed life with her family in Beverly Hills. Her father was a brilliant brain surgeon. Her mother was a movie-magazine writer whose brother owned Hollywood's most dazzling nightclub, Ciro's. Then her world exploded after she witnessed her uncle's brutal attempt to kill her father. In Dancing at Ciro's, Weller has written a deeply felt memoir of her family's life contrasted with those most glamorous days of Hollywood's forties and fifties. While vividly describing Lana Turner's, Frank Sinatra's, and Sammy Davis Jr.'s evenings--and breakdowns--at Ciro's, Weller casts a keen eye on her own family's turmoil and loss.

Sheila Weller writes of her family's secrets coming to light in Hollywood in the 50's.

Many entertainers launched their careers at Ciro's Nightclub, often referred as "The Nightclub of the Stars." Ciro's was patronized by both famous and non-famous guests who enjoyed dancing, dining, and comedy routines featuring top-name entertainers such as Jerry Lewis, Dean Martin, Sophie Tucker, Judy Garland, Peggy Lee, Liberace, Nat King Cole, Joe E. Lewis, and Sammy Davis Jr.--just to name a few. The nightclub's house band was led by Dick Stabile, although bandleader Xavier Cugat, best known for popularizing the rumba in the United States, was a regular headliner at the club. The elite Hollywood regulars at Ciro's included some of the most popular names in entertainment at the time, such as Marilyn Monroe, Frank Sinatra, Cary Grant, Humphrey Bogart, and many more.

Illuminates the expatriate African American community of jazz musicians that thrived in the Montmartre district of Paris in the '20s and '30s and helped turn the "city of lights" into the major jazz capital it remains today.

A unique tribute to Jimi Hendrix on the 50th anniversary of his untimely death, featuring contributions by those who knew and worked with him, enhanced with images by the most renowned rock photographers of the era. In September 1970, the legendary Jimi Hendrix died at only 27 years of age. On the 50th anniversary of this tragic event, acclaimed r

The account of the murder of Diane Whitmore Pikul describes how her wealthy and violent Wall Street husband murdered her and then won custody of her children while under indictment for her murder. “A young mother, so full of promise, is killed by the ‘perfect’ husband. Sheila Weller takes a domestic tragedy and reveals every nuance so that we see the compelling anatomy of a murder in slow motion, from the dynamics of a marriage to the crime itself, to its chilling aftermath. Powerful reporting of an unforgettable story.”—Vincent Bugliosi

Jody Blake demonstrates in this book that although the impact of African-American music and dance in France was constant from 1900 to 1930, it was not unchanging. This was due in part to the stylistic development and diversity of African-American music and dance, from the prewar cakewalk and ragtime to the postwar Charleston and jazz. Successive groups of modernists, beginning with the Matisse and Picasso circle in the 1900s and concluding with the Surrealists and Purists in the 1920s, constructed different versions of la musique and la danse negre. Manifested in creative and critical works, these responses to African-American music and dance reflected the modernists' varying artistic agendas and historical climates.