The rise of commercialized leisure coincided with the arrival of millions of immigrants to America's cities. Conflict was inevitable as older generations attempted to preserve their traditions, values, and ethnic identities, while the young sought out the cheap amusements and sexual freedom which the urban landscape offered. At immigrant picnics, social clubs, and urban dance halls, Randy McBee discovers distinct and highly contested gender lines, proving that the battle between the ages was also one between the sexes. Free from their parents and their strict rules governing sexual conduct, working women took advantage of their time in dance halls to challenge conventional gender norms. They routinely passed certain men over for dances, refused escorts home, and embraced the sensual and physical side of dance to further accentuate their superior skills and ability on the dance floor. Most men felt threatened by women's displays of empowerment and took steps to thwart the changes taking place. Accustomed to street corners, poolrooms, saloons, and other all-male get-togethers, working men tried to transform the dance hall into something that resembled these familiar hangouts. McBee also finds that men frequently abandoned the commercial dance hall for their own clubs, set up in the basements of tenement flats. In these hangouts, working men established rules governing intimacy and leisure that allowed them to regulate the behavior of the women who attended club events. The collective manner in which they behaved not only affected the organization of commercial leisure but also men and women's struggles with and against one another to define the meaning of leisure, sexuality, intimacy, and even masculinity.

At immigrant picnics, social clubs, and urban dance halls, Randy McBee discovers distinct and highly contested gender lines, proving that the battle between the ages was also one between the sexes."--BOOK JACKET.

The best of Irish Soccer. The kickstart the country needed. The men, the excitement, the places, the stories, the goals and above all, the journey. They were the best days of our lives. This is how so many of the Irish remember Italia 90 and all that came with it – the atmosphere of wild celebration, the scenes of chaos, the fine madness. Declan Lynch recalls the great moments – Packie's save and his leap into immortality; Pavarotti's Nessun Dorma and U2's Put 'Em Under Pressure; Kevin Sheedy's sweet strike; and all that drinking. Days of Heaven is full of hilarious accounts of how the Irish abandoned reality in that glorious time called Italia 90.

A tragic fire at the Stardust nightclub on Valentine's Day, 1981 in a working-class suburb of Dublin caused the deaths of 48 young people, with an average age of just 19 years. After years of families and survivors fighting to find out what really happened, new inquests held in 2024 finally revealed the full story. In 1981, the Stardust nightclub in Dublin was a beacon for the city's nightlife - until it became a nightmare. On that fateful Valentine's Day the dance floor became a scene of horror, as flames engulfed the venue, claiming the lives of 48 young people and leaving the survivors scarred forever. In this gripping account the harrowing true story is revealed, citing new evidence brought forward during recent inquests in the relentless pursuit of justice. Through the eyes of the survivors, the families and investigators, compiled with meticulous research and compassionate portrayals of their voices, this poignant book honours the memories of those who were lost, while shedding light on the tragedy that still shocks the nation to this day.

Reggae music is more than just steel drum bands on white sand beaches. Its history is rich with culture and evolution, helping to tell the story of Jamaica's past. Due to its depth and extensive coverage, this book is the most complete and up to date encyclopedia about reggae, mento, ska, rocksteady, and dancehall music on the market today. Ideal for reggae lovers and college students studying music, this encyclopedia is comprehensive for high school students and non-music students as well. From Bob Marley to Wayne Wonder, this easy to use encyclopedia contains over 700 entries. Indices in both the front and back of the book make navigating through entries extremely user-friendly. Entries cover singers and songwriters, producers, record labels, and different styles of music that evolved from reggae. Moskowitz truly captures the history and evolution of Jamaican music in this extensive, illuminating encyclopedia, while all the while making it accessible to both high school and college students.

First published in 2001. This is the first substantial reference work in English on the various forms that constitute "life writing." As this term suggests, the Encyclopedia explores not only autobiography and biography proper, but also letters, diaries, memoirs, family histories, case histories, and other ways in which individual lives have been recorded and structured. It includes entries on genres and subgenres, national and regional traditions from around the world, and important auto-biographical writers, as well as articles on related areas such as oral history, anthropology, testimonies, and the representation of life stories in non-verbal art forms.