Björn Kurtén's compelling novel gives the reader a detailed picture of life 35,000 years ago in Western Europe. One of the world's leading scholars of Ice Age fauna, Kurtén fuses extraordinary knowledge and imagination in this vivid evocation of our deepest past. This novel illuminates the lives of the humans who left us magnificent paintings in the caves of France and Spain.

This magical, tender tale about a girl, a tiger and a great-grandmother is a joyous dance through the changing seasons. From the moment the book is opened, we are invited into woodland suffused with moonlight and, as the tiger's story is revealed in all its beautiful simplicity, we are left pondering the power of the imagination, the importance of self-expression and the special nature of a relationship across the generations.

NAMED AS AN EDGAR AWARDS FINALIST 2017: BEST FIRST NOVEL The death mask of Montezuma. A priceless artefact. Lost. Looted. Sold. Stolen. Traded. Hunted. Wanted. Needed. Anna has just discovered her father’s credibility as a renowned art collector is in ruins and her own reputation as a fact checker is in tatters. But she has a chance to redeem herself, to restore both her and her father. She needs to go to Mexico, find the mask, and bring it to America where it will form the focal point of a new exhibition. But other people want that mask – and they will stop at nothing to get it. Lili Wright's exuberant, energetic, exciting debut takes us into a world of heat, colour and danger, where to survive Anna must negotiate with criminals, flatter the powerful and take her life in her hands.

The Reese Witherspoon x Hello Sunshine Book Club Pick INSTANT NEW YORK TIMES BESTSELLER “A sumptuous garden maze of a novel that immerses readers in a complex, vanished world.” —Kirkus (starred review) An utterly transporting novel set in 1930s colonial Malaysia, perfect for fans of Isabel Allende and Min Jin Lee Quick-witted, ambitious Ji Lin is stuck as an apprentice dressmaker, moonlighting as a dancehall girl to help pay off her mother’s Mahjong debts. But when one of her dance partners accidentally leaves behind a gruesome souvenir, Ji Lin may finally get the adventure she has been longing for. Eleven-year-old houseboy Ren is also on a mission, racing to fulfill his former master’s dying wish: that Ren find the man’s finger, lost years ago in an accident, and bury it with his body. Ren has 49 days to do so, or his master’s soul will wander the earth forever. As the days tick relentlessly by, a series of unexplained deaths racks the district, along with whispers of men who turn into tigers. Ji Lin and Ren’s increasingly dangerous paths crisscross through lush plantations, hospital storage rooms, and ghostly dreamscapes. Yangsze Choo's The Night Tiger pulls us into a world of servants and masters, age-old superstition and modern idealism, sibling rivalry and forbidden love. But anchoring this dazzling, propulsive novel is the intimate coming-of-age of a child and a young woman, each searching for their place in a society that would rather they stay invisible. "A work of incredible beauty... Astoundingly captivating and striking... A transcendent story of courage and connection." —Booklist (starred review)

"Noted paleontologist Kurten is the author of the well-received Dance of the Tiger, a novel of the prehistoric Ice Age. This book continues the fateful encounter between the peaceful Neanderthal and newly emergent Homo sapiens cultures, enlivened by Kurten's artful sociological and historical conjecture and his intriguing speculations on the reason Neanderthal man mysteriously disappeared. The Homo sapiens hunter, Tiger, has married into a Neanderthal community. When his brother is critically injured, Tiger is forced to send his favorite son, Whitespear, on a quest to bring back a healer. Whitespear travels through unknown territory, encountering bigotry in the alien settlements he passes through, and falling in love with two women with whom his fate becomes entwined. His sister Avens follows her own destiny, becoming estranged from Whitespear, and when brother and sister meet again, tragedy ensues. Kurten combines his scholarly understanding with the vivid imagination of a novelistto produce a story that is convincing, authoritative and entertaining. (Publishers Weekly)--www.amazon.com.

A new generation of children love Daniel Tiger’s Neighborhood, inspired by the classic series Mister Rogers’ Neighborhood! Daniel learns to dance in this Ready-to-Go! Ready-to-Read starring Daniel Tiger! Perfect for kids at the beginning of their reading journeys, Daniel Can Dance was written for children who have learned the alphabet and are ready to start reading! And what better way to get kids excited than with a fun story featuring words they can actually read and starring their favorite tiger star? Each Ready-to-Go! Ready-to-Read includes a note to parents explaining what their child can expect, a guide at the beginning for readers to become familiar with the words they will encounter in the story, and reading comprehension questions at the end. Each Ready-to-Go! story contains about 100 words and features sight words, rhyming words, and repetition to help children reinforce their new reading skills. In this book, readers will learn eleven sight words, and three words from one word family. So come on and get reading with Daniel! © 2018 The Fred Rogers Company

Indian cinema is the only body of world cinema that depicts courtesans as important characters. In early films courtesan characters transmitted Indian classical dance, music and aesthetics to large audiences. They represent the nation's past, tracing their heritage to the fourth-century Kamasutra and to nineteenth-century courtly cultures, but they are also the first group of modern women in Hindi films. They are working professionals living on their own or in matrilineal families. Like male protagonists, they travel widely and develop networks of friends and chosen kin. They have relations with men outside marriage and become single mothers. Courtesan films are heroine-oriented and almost every major female actor has played this role. Challenging received wisdom, Vanita demonstrates that a larger number of courtesans in Bombay cinema are Hindu and indeterminate than are Muslim, and that films depict their culture as hybrid Hindu-Muslim, not Islamicate. Courtesans speak in the ambiguous voice of the modern nation, inviting spectators to seize pleasure here and now but also to search for the meaning of life. Vanita's groundbreaking study of courtesans and courtesan imagery in 235 films brings fresh evidence to show that the courtesan figure shapes the modern Indian erotic, political and religious imagination.