A Brooklyn stickup artist, his taxi-dancing wife, a murderous newspaperman, a risk-taking warden, and a wife with a dark past converge in 1930s Sing Sing heading toward death, redemption-and Ebbets Field. *** "DANCE HALL: A NOVEL OF SING SING" unveils a grand and riveting tale of a violent and desperate past, unforgettably narrated in a gripping, often wry, fashion--recorded in tears and punctuated in--rarely innocent--blood. Dance Hall flawlessly transports readers to a seedy, volatile 1930s underworld where love and honor and redemption jostle for mere survival with greed and lust and betrayal. Dance Hall reveals the story of a Brooklyn stickup artist, his taxi-dancing Filipina spouse, a murderous newspaperman, a risk-taking warden, and a wife with a dark past converging in Sing Sing, destined for love, death, forgiveness, redemption--and Ebbets Field. Dance Hall reveals a page-turning web of perfectly-balanced back stories: of a young parish priest gone wrong and then right again, of a brutal Bowery killer with escape on his mind, a con man with the vestige of a conscience, a thuggish Garment District goon with a devout sister, a tell-all Broadway gossip columnist who can make or break you, a rat of an accomplice, a once-disgraced private detective who now surprisingly elevates a principle above a paycheck. Read Dance Hall and you live and breathe life inside cold and desperate prison halls and cells; sweaty and often violent Brooklyn dime-a-dance dance halls; threadbare tenements, back-alley speakeasies where anything you wanted badly enough was for sale; the offices of the rich and powerful and still conflicted; and of a waiting area for Sing Sing's "Death Row" called "The Dance Hall"--all while returning you to Depression days when hope reigned supreme. Because hope was all you had.

A groundbreaking and visionary call to action on educating and supporting girls of color, from the highly acclaimed author of Pushout, with a foreword by award-winning educational abolitionist Bettina Love Wise Black women have known for centuries that the blues have been a platform for truth-telling, an underground musical railroad to survival, and an essential form of resistance, healing, and learning. In this “powerful call to action” (Rethinking Schools), leading advocate Monique W. Morris invokes the spirit of the blues to articulate a radically healing and empowering pedagogy for Black and Brown girls. Morris describes with candor and love what it looks like to meet the complex needs of girls on the margins. Sing a Rhythm, Dance a Blues is a “vital, generous, and sensitively reasoned argument for how we might transform American schools to better educate Black and Brown girls” (San Francisco Chronicle). Morris brings together research and real life in this chorus of interviews, case studies, and the testimonies of remarkable people who work successfully with girls of color. The result is this radiant guide to moving away from punishment, trauma, and discrimination toward safety, justice, and genuine community in our schools.

Another playful and winning story by the author of Pete the Cat: I Love My White Shoes! Hazel Nut wants her family to sing and dance along with her, but they are just too busy! Who can she call? Why... her super-hip, disco-dancing Grandma Nut! In the second book of the Nuts series, Eric Litwin's playful call-and-response rhymes and Scott Magoon's hilarious illustrations invite readers young and old to join in on the fun.

Ten years of infertility issues culminate in the destruction of music therapist Zoe Baxter's marriage, after which she falls in love with another woman and wants to start a family, but her ex-husband, Max, stands in the way.

Texas, the 1930s—the years of the Great Depression. It was the Texas of great men: Dobie, Bedichek, Webb, the young Américo Paredes. And it was the Texas of May McCord and "Cocky" Thompson, the Reverend I. B. Loud, the Cajun Marcelle Comeaux, the black man they called "Grey Ghost," and all the other extraordinary "ordinary" people whom William A. Owens met in his travels. "Up and down and sideways" across Texas, Owens traveled. His goal: to learn for himself what the diverse peoples of the state "believed in, yearned for, laughed at, fought over, as revealed in story and song." Tell me a story, sing me a song brings together both the songs he gathered—many accompanied by music—and Owens' warm reminiscences of his travels in the Texas of the Thirties and early Forties.

Fifteen-year-old Diamond stopped going to school the day she was expelled for lashing out at peers who constantly harassed and teased her for something everyone on the staff had missed: she was being trafficked for sex. After months on the run, she was arrested and sent to a detention center for violating a court order to attend school. Just 16 percent of female students, Black girls make up more than one-third of all girls with a school-related arrest. The first trade book to tell these untold stories, Pushout exposes a world of confined potential and supports the growing movement to address the policies, practices, and cultural illiteracy that push countless students out of school and into unhealthy, unstable, and often unsafe futures. For four years Monique W. Morris, author of Black Stats, chronicled the experiences of black girls across the country whose intricate lives are misunderstood, highly judged—by teachers, administrators, and the justice system—and degraded by the very institutions charged with helping them flourish. Morris shows how, despite obstacles, stigmas, stereotypes, and despair, black girls still find ways to breathe remarkable dignity into their lives in classrooms, juvenile facilities, and beyond.