Worrying that she will have to move again when her parents want her to return to Los Angeles, Anya fears an imminent separation from her new Dance Divas friends as they prepare for a Vegas dance competition. By the author of the Cupcake Club series. Simultaneous.

Drama ensues for the Dancing Divas, a team of 8- to 12-year-old girls who live to dance, as they rehearse in the studio and travel all around competing for titles. By the author of the popular Cupcake Club series.

Dances Minnelli, a famous professional dance troupe in New Jersey, is looking for a few girls to star in their annual holiday production of The Nutcracker. Anya, Liberty, and Scarlett all think they'll be a shoe-in for the lead role of Clara. But it's actually Gracie with her big smile and bubbly energy that catches Mr. Minnelli's eye at the auditions. With so much responsibility resting on her shoulders, will she be able to handle the pressure? Will Liberty learn to love playing a gingerbread man? Can Anya make the most of being a mouse? And can Scarlett handle the fact that her sister is growing into a beautiful dancer . . . and possibly leaving her in the dust?

With her love of sweaters, goofy hair, and awkward manners—-not to mention her family curse—-Treasure Blume knows love is not in her future. That is, until she matches wits with Dennis Cameron, a divorced chef with a six-year-old daughter. Full of mischief, mayhem, and laugh-out-loud humor, this is an unlikely love story you'll want to read over and over again!

Though Meredith Willson is best remembered for The Music Man, there is a great deal more to his career as a composer and lyricist. In The Big Parade, author Dominic McHugh uses newly uncovered letters, manuscripts, and production files to reveal Willson's unusual combination of experiences in his pre-Broadway career that led him to compose The Music Man.

In Hairspray, it's 1962--the fifties are out and change is in the air. Baltimore's Tracy Turnblad, a big girl with big hair and an even bigger heart, has only one passion: to dance. She wins a spot on the local TV dance program, The Corny Collins Show, and overnight is transformed from an awkward overweight outsider into an irrespressible teen celebrity. But can a trendsetter in dance and fashion vanquish the program's reigning blond princess, win the heart of heartthrob Link Larkin, and integrate a television show without denting her 'do? Only in Hairspray! Based on John Waters's 1988 film, the musical comedy Hairspray opened on Broadway in August 2002 to rave reviews. Hairspray: The Roots includes the libretto of the show--along with hilarious anecdotes from the authors, to say nothing of dance step diagrams and full-color bouffant wigs to copy and cut out--along with all the creative energy, brilliant color, and full-out emotion that have made the musical "a great big, gorgeous hit . . . [that] is a triumph on all levels" (Clive Barnes, The New York Post).

In Place for Us, D. A. Miller probes what all the jokes laugh off: the embarrassingly mutual affinity between a "general" cultural form and the despised "minority" that was in fact that form's implicit audience.