In 2001, Dan Martensen began taking road trips. He immediately fell under the spell of the Southwest United States. During these years he began spending time documenting everything he saw as he passed through the landscape from West Texas to the California desert.

Current fashion is a complex phenomenon. In a constant state of constant flux, contemporary fashion combines a mix of the different cultural aspects that inform the modern individual. Atlas of Fashion Designers is born out of this proposition, and features a compilation of the most important fashion designers and their work in the past five years, selected from a multi-disciplinary perspective that display the heterogeneous mix of today’s fashion world. Featured designers all have one trait in common: they were singled out, not only for the quality of their work, but also because they illustrate different perspectives in their approach to fashion. This book includes designers with a wide array of visions, from classical haute couture to those who experiment with developing fields such as anthropology, new textiles, high technology, architecture, art, or recycling. From Ricardo Tiscci, Nicholas Ghesquière to Sybilla, to artists who are primarily concerned with pure fashion such as Lucy Orta, or to those investigators who concern themselves with innovation in the fields of textile research and technology, such as Issey Miyake or Hussein Chalayan. Atlas of Fashion Designers is a very relevant and useful reference in a hybrid society, which is composed of ever increasing heterogeneous elements. By offering a synthetic, fluid and diverse approach to the subject, the “Atlas� draws a map of the complex world of fashion at present time, and looks forward to what it may be tomorrow.

Reflections on America and the American experience as he has lived and observed it by the bestselling author of The Greatest Generation, whose iconic career in journalism has spanned more than fifty years From his parents’ life in the Thirties, on to his boyhood along the Missouri River and on the prairies of South Dakota in the Forties, into his early journalism career in the Fifties and the tumultuous Sixties, up to the present, this personal story is a reflection on America in our time. Tom Brokaw writes about growing up and coming of age in the heartland, and of the family, the people, the culture and the values that shaped him then and still do today. His father, Red Brokaw, a genius with machines, followed the instincts of Tom’s mother Jean, and took the risk of moving his small family from an Army base to Pickstown, South Dakota, where Red got a job as a heavy equipment operator in the Army Corps of Engineers’ project building the Ft. Randall dam along the Missouri River. Tom Brokaw describes how this move became the pivotal decision in their lives, as the Brokaw family, along with others after World War II, began to live out the American Dream: community, relative prosperity, middle class pleasures and good educations for their children. “Along the river and in the surrounding hills, I had a Tom Sawyer boyhood,” Brokaw writes; and as he describes his own pilgrimage as it unfolded—from childhood to love, marriage, the early days in broadcast journalism, and beyond—he also reflects on what brought him and so many Americans of his generation to lead lives a long way from home, yet forever affected by it. Praise for A Long Way from Home “[A] love letter to the . . . people and places that enriched a ‘Tom Sawyer boyhood.’ Brokaw . . . has a knack for delivering quirky observations on small-town life. . . . Bottom line: Tom’s terrific.”—People “Breezy and straightforward . . . much like the assertive TV newsman himself.”—Los Angeles Times “Brokaw writes with disarming honesty.”—The Atlanta Journal-Constitution “Brokaw evokes a sense of community, a pride of citizenship, and a confidence in American ideals that will impress his readers.”—Richmond Times-Dispatch

From the concert stage to the dressing room, from the recording studio to the digital realm, SPIN surveys the modern musical landscape and the culture around it with authoritative reporting, provocative interviews, and a discerning critical ear. With dynamic photography, bold graphic design, and informed irreverence, the pages of SPIN pulsate with the energy of today's most innovative sounds. Whether covering what's new or what's next, SPIN is your monthly VIP pass to all that rocks.

"The Society of Publication Designers annual celebrating the most outstanding editorial design from 2011, created for publications across print, web and tablet platforms"--Page 4 of cover

From the concert stage to the dressing room, from the recording studio to the digital realm, SPIN surveys the modern musical landscape and the culture around it with authoritative reporting, provocative interviews, and a discerning critical ear. With dynamic photography, bold graphic design, and informed irreverence, the pages of SPIN pulsate with the energy of today's most innovative sounds. Whether covering what's new or what's next, SPIN is your monthly VIP pass to all that rocks.

A New York Times Book Review Editors' Choice "A radiant first novel. . . . [Neon in Daylight] has antecedents in the great novels of the 1970s: Renata Adler’s Speedboat, Elizabeth Hardwick’s Sleepless Nights, Joan Didion’s Play It as It Lays. . . . Precision—of observation, of language—is Hoby’s gift. Her sentences are sleek and tailored. Language molds snugly to thought." —Parul Sehgal, The New York Times "What do you get when a writer of extreme intelligence, insight, style and beauty chronicles the lives of self–absorbed hedonists—The Great Gatsby, Bright Lights, Big City, and now Neon in Daylight. Hermione Hoby paints a garish world that drew me in and held me spellbound. She is a marvel."" —Ann Patchett, author of Commonwealth New York City in 2012, the sweltering summer before Hurricane Sandy hits. Kate, a young woman newly arrived from England, is staying in a Manhattan apartment while she tries to figure out her future. She has two unfortunate responsibilities during her time in America: to make regular Skype calls to her miserable boyfriend back home, and to cat–sit an indifferent feline named Joni Mitchell. The city has other plans for her. In New York's parks and bodegas, its galleries and performance spaces, its bars and clubs crowded with bodies, Kate encounters two strangers who will transform her stay: Bill, a charismatic but embittered writer made famous by the movie version of his only novel; and Inez, his daughter, a recent high school graduate who supplements her Bushwick cafe salary by enacting the fantasies of men she meets on Craigslist. Unmoored from her old life, Kate falls into an infatuation with both of them. Set in a heatwave that feels like it will never break, Neon In Daylight marries deep intelligence with captivating characters to offer us a joyful, unflinching exploration of desire, solitude, and the thin line between life and art.