Gothic Novel, dark fantasy The Red Demon, an empathic and tormened vampire, has just been converted by his Master, which leads him to lose his "sibfriend" Eva. In this third book we will see that harsh transformation process (physical, moral, social) as the rest of characters gets related in astounding and unexpected associations. Emotion, mystery, pain, suspense, humor and terror will unite in this unsettling volume of the saga to surprise and excite you without limits. Prepare yourself to laugh, cry, get horrified, to FEEL IN ALL CAPS with "I" and Wva, with Leo, the necromancers Luna and Ianire, the diabolic doll Paula, with the demon Arioch and a long cast of connected damned characters.

The supernatural thriller that will catch you A woman of the times married to a bloodthirsty Count. A strange murder in a hotel in Naples, which will be the start of a spiral of mysterious murders. Two plots, apparently unconnected, which will be revealed to be one. Mystery, surprise and supernatural fiction will join in this fast paced, black novel which will captivate you.

Explores the domain of the aesthetic in Dante

Since the days of the Spanish Conquest, the indigenous populations of Andean Bolivia have struggled to preserve their textile-based writings. This struggle continues today, both in schools and within the larger culture. The Metamorphosis of Heads explores the history and cultural significance of Andean textile writings—weavings and kipus (knotted cords), and their extreme contrasts in form and production from European alphabet-based texts. Denise Arnold examines the subjugation of native texts in favor of European ones through the imposition of homogenized curricula by the Educational Reform Law. As Arnold reveals, this struggle over language and education directly correlates to long-standing conflicts for land ownership and power in the region, since the majority of the more affluent urban population is Spanish speaking, while indigenous languages are spoken primarily among the rural poor. The Metamorphosis of Heads acknowledges the vital importance of contemporary efforts to maintain Andean history and cultural heritage in schools, and shows how indigenous Andean populations have incorporated elements of Western textual practices into their own textual activities.Based on extensive fieldwork over two decades, and historical, anthropological, and ethnographic research, Denise Arnold assembles an original and richly diverse interdisciplinary study. The textual theory she proposes has wider ramifications for studies of Latin America in general, while recognizing the specifically regional practices of indigenous struggles in the face of nation building and economic globalization.

"Witty and heartfelt essays, shaken and stirred."—Kirkus Reviews "David Mason believes in literature as a weather event—even an extreme one. He reads to be changed—drenched, burned, blown away. He has no wish to have his standing position confirmed, and is alert to the ways in which his subjects are changed, both by their writing and its reception. These essays move comfortably from the lines of a Nobel Prize-winning poet to the dwelling of a Greek peasant who could have stepped out of Homer, on to the perils of literary biography. Mason is a reader as much as he is a writer. He looks into the political in order to find the personal—not the other way round. Incarnation & Metamorphosis is engaging all the way through, not least when Mason acts on the assumption, 'The imagination is free.'”—James Campbell, author of Talking at the Gates: A Life of James Baldwin “Literary criticism,” David Mason writes, “ought to entertain as well as illuminate.” In these essays Mason tells stories about embodiment and change, incarnation and metamorphosis, drawing connections between art and life without confusing the two. Mason considers the many kinds of change we encounter in our lives, our desire for justice, and the ways great writers complicate that desire. He discusses the lives and works of writers like Montaigne, Diderot, and Neruda as well as his colorful father’s fascination with a fictional character. He takes up such contemporary figures as the daring Australian writer Helen Garner, the playwright Tom Stoppard, and the poet-critic Dana Gioia; has fresh things to say about the perils of fame in the careers of Sylvia Plath and Seamus Heaney; and mourns the loss of poet Michael Donaghy. Incarnation & Metamorphosis is a book about living with literature—Mason writes that literature “is telling us that we are seen, warts and all. Criticism, such as the essays in this book, is a way of seeing back.”