Gary Panter began imagining Dal Tokyo, a future Mars that is terraformed by Texan and Japanese workers, as far back as 1972, appropriating a friend’s idea about “cultural and temporal collision” (The “Dal” is short for Dallas).Why Texan and Japanese? Panter says, “Because they are trapped in Texas, Texans are self-mythologizing. Because I was trapped in Texas at the time, I needed to believe that the broken tractor out back was a car of the future. Japanese, I’ll say, because of the exotic far-awayness of Japan from Texas, and because of the Japanese monster movies and woodblock prints that reached out to me in Texas. Japanese monster movies are part of the fabric of Texas.”In 1983, Panter finally got a chance to fully explore this world, and share it with an audience, when the L.A. Reader published the first 63 strips. A few years later, the Japanese reggae magazine Riddim picked up the strip, and Panter continued the saga of Dal Tokyo in monthly installments for over a decade.But none of these conceptual descriptions will prepare the reader for the confounding visual and verbal richness of Dal Tokyo, as Panter’s famous “ratty line” collides and colludes with near-Joycean wordplay, veering from more or less intelligible jokes to dizzying non-sequiturs to surreal eruptions that can engulf the entire panel in scribbles. One doesn't read Dal Tokyo; one is absorbed into it and spit out the other side.

DK Eyewitness Travel Guide: Tokyo will lead you straight to the best attractions this city has to offer. The guide includes unique illustrated cutaways, floor plans, and reconstructions of Tokyo's stunning architecture, along with 3-D aerial views of the key districts to explore on foot. You'll find detailed listings of the best hotels, restaurants, bars, and shops for all budgets in this fully updated guide, plus insider tips on everything from where to find the best markets and nightspots to which attractions appeal most to children. DK Eyewitness Travel Guide: Tokyo shows you what other guidebooks only tell you.

Critical studies of the graphic novel have often employed methodologies taken from film theory and art criticism. Yet, as graphic novels from Maus to Watchmen have entered the literary canon, perhaps the time has come to develop theories for interpreting and evaluating graphic novels that are drawn from classic models of literary theory and criticism. Using the methodology of Georg Lukács and his detailed defense of literary realism as a socially embedded practice, Litcomix tackles difficult questions about reading graphic novels as literature. What critical standards should we use to measure the quality of a graphic novel? How does the genre contribute to our understanding of ourselves and the world? What qualities distinguish it from other forms of literature? LitComix hones its theoretical approach through case studies taken from across the diverse world of comics, from Yoshihiro Tatsumi’s groundbreaking manga to the Hernandez Brothers’ influential alt-comix. Whether looking at graphic novel adaptations of Proust or considering how Jack Kirby’s use of intertextuality makes him the Balzac of comics, this study offers fresh perspectives on how we might appreciate graphic novels as literature.

The Blighted Eye is the most copious, the most diverse, and the most lavish compilation of original comic art ever published ― all from the mind-boggling collection of Glenn Bray. Bray was an enthusiast of marginal or outsider American pop culture when he started to collect original comic art in 1965 ― a time when very few people, including the artists themselves, truly valued the original art. Bray has, over the last nearly 50 years, amassed the most eclectic collection of original comic art in private hands. The book features work by a pantheon of cartooning masters, including Charles Addams, Carl Barks, Charles Burns, Al Capp, Dan Clowes, Jack Cole, R. Crumb, Jack Davis, Kim Deitch, Will Elder, Al Feldstein, Virgil Finlay, Drew Friedman, Chester Gould, Justin Green, Rick Griffin, Bill Griffith, Matt Groening, George Grosz, V.T. Hamlin, Jaime Hernandez, George Herriman, Al Hirshfeld, Graham Ingels, Bernard Krigstein, Harvey Kurtzman, Gary Panter, Virgil Partch, Savage Pencil, Peter Pontiac, Charles Rodrigues, Spain Rodriguez, Charles Schulz, Gilbert Shelton, Joost Swarte, Stanislav Szukalski, Irving Tripp, Chris Ware, S. Clay Wilson, Basil Wolverton, Wallace Wood, Jim Woodring, Art Young, and ― it should go without saying ― many more.

Koreans in Japan are a barely known minority, not only in the West but also within Japan itself. This pioneering study analyzes these relations in the context of the particular conditions and constraints that Koreans face in Japanese society. The contributors cover a wide range of topics, including: * the legal and social status of Koreans in Japan * the history of Korean colonial displacement and postcolonial division during the Cold War * ethnic education * women's self-expression. These studies serve to reveal the highly resilient and diverse reality of this minority group, whilst simultaneously highlighting the fact that - despite recent improvement - legal, social and economic constraints continue to exist in their lives.

Japan's Foreign Relations in Asia has been specifically designed to introduce students to Japan’s foreign relations in Asia since 1990, a period in which there have been dramatic developments in Japan, including the reinterpretation of the Constitution and expanded US–Japan defence cooperation. The geopolitical dynamics and implications of these new developments are profound and underscore the need for a new textbook on this subject. Covering not only the key regional players of China and the Koreas, this textbook also encompasses chapters on Japan’s relations with India, Myanmar, Indonesia, Vietnam, the Philippines and Thailand, along with its multilateral engagement and initiatives. Combined with transnational chapters on critical issues, key themes covered by this book include: An historical overview of key post-war developments. Japan’s evolving security policy. Analysis of the region’s escalating maritime disputes. An evaluation of Japanese soft power in Asia. Written by leading experts in accessible, jargon-free style, this new textbook will appeal to undergraduate and postgraduate students of Japanese politics, international relations and foreign policy and Asian affairs in general.