Considered one of the great masters of contemporary Japanese photography, Daido Moriyama is always on the road, a lone traveller whose black-and-white images recount visions and worlds hidden just beneath the surface of reality. This book contains 250 photographs taken over the latest five years. A constant flow of images that is often frenetic or suddenly suspended, following the rhythm of an unfettered, restless life spent travelling the roads of the world. Daido Moriyama (born 1938) is one of the most important living photographers and photobook makers.

This gorgeous, text-free, oversized collection of full-bleed color and black-and-white photographs compiles a host of previously unseen color nudes together with the collection that formed Daido Moriyama's extremely rare fourth solo book, Kagerou, published in 1972. Here, Moriyama captures bondage and nudity with a self-described "samurai tenderness"--a mood, an intimacy and yet also a distance--as if the artist might have snapped the photographs against his will. The stagings are not careful. They are rushed, immediate and mysteriously visceral. Even the knots seem to have been hastily tied. Each of the 60 photographs gathered here suggests that something has happened or something will happen--something furious, resonant or highly anticipated. There are no models smiling, no boasts of romantic conquest, rarely even a face, and certainly no hint of playfulness. Rather, this is a collection of desires, of mothers, sisters and lovers.

Inspired by the work of an earlier generation of Japanese photographers, especially by Shomei Tomatsu, and by William Klein's seminal photographic book on New York, Daido Moriyama moved from Osaka to Tokyo in the early sixties to become a photographer. He became the leading exponent of a fierce new photographic style that corresponded perfectly to the abrasive and intense climate of Tokyo during a period of great social upheaval. His black and white pictures were marked by fierce contrast and fragmentary, even scratched, frames, which concealed his virtuoso printing. Between June 1972 and July 1973 he produced his own magazine publication, Kiroku, which was then referred to as Record. It became a diaristic journal of his work as it developed. Ten years ago he was able to resume publication of Record, which gradually expanded in extent. To date he has published thirty issues, a number of them including colour. The publication of Record as a book enables work from all thirty issues to be edited into a single sequence, punctuated by Moriyama's own text as it appeared in the magazines. It used to be assumed that Moriyama's peculiarly Japanese style was tied to his Tokyo roots. The evidence of the last ten years demonstrates that Moriyama, a restless world traveller, has been able to apply his unique vision to northern Europe, southern France, the cities of Florence, London, Barcelona, Taipei, Hong Kong, New York and Los Angeles as well as to the alleys of Osaka, and the landscape of Hokkaido. The book ends in Afghanistan.

"First published 2012 by order of the Tate Trustees by Tate Publishing, a division of Tate Enterprises Ltd, Millbank, London SW1P 4RG"--Title page verso.

'Provoke' is the title of the magazine founded in 1968 by a group of Japanese photographers, graphic designers, poets, critics, and political activists. Moriyama's photography is indeed provocative, both for the form it takes (dirty, blurry, overexposed, or scratched) and for its content.

Mirage is the fourth of Japanese photographer Daido Moriyama's limited-edition publications with MMM. For this volume, Moriyama (born 1938) unearthed a selection of previously unpublished color slides from the 1970s. The slides have faded over the past four decades, and this volume reproduces them in their present fragile beauty. The works consist of several bondage photographs made on commission, and images shot for Japanese Playboy. Editor Hisako Motoo writes in his afterword: "... after several decades film takes on mildewy discolorations until we're peering at scenes through a blur of frosted glass. As if the crisp coating of reality had worn away over time, misting into hazy mirages of memory." This beautiful, slipcased hardcover volume features a tip-on front-cover image and is published in a limited edition of 1,000 copies (of which 200 are available through Artbook|D.A.P.). Each copy is signed by Moriyama on the title page, and both the book and the slipcase are numbered.