Poems by and biographies of inmates of the Dachau Concentration Camp, testimonies to the persistence of the humanity and creativity of the individual in the face of extreme suffering.

This is a story of the triumph of human will and spirit. During World War II, Herbert Zipper, Vienesse-born conductor-composer, was imprisoned at Dachau (where he organized clandestine concerts), Buchenwald and later in Manila, after journeying there to conduct the Manila Symphony Orchestra. After the war he came to America, founded community arts schools and was an internationally effective educator.

The town of Dachau in Upper Bavaria is a town of great historical shame and of many recent scandals. In other words, Dachau is an offenders`town. Despite all this, Dachau has experienced in recent decades perceptible demographic and economic growth. Now, however, there are first signs, that this undeservedly positive development might come to an end. In all probability, in retrospect, 2014 will have been the year of Dachau`s Gettysburg. The year, in which the hand of fate turned the tide of Dachau`s fortunes, and in which Dachau`s downfall began. This ebook outlines the reasons for this development.

Dachau and the SS studies the concentration camp guards at Dachau, the first SS concentration camp and a national 'school' of violence for its concentration camp personnel. Set up in the first months of Adolf Hitler's rule, Dachau was a bastion of the Nazi 'revolution' and a key springboard for the ascent of Heinrich Himmler and the SS to control of the Third Reich's terror and policing apparatus. Throughout the pre-war era of Nazi Germany, Dachau functioned as an academy of violence where concentration camp personnel were schooled in steely resolution and the techniques of terror. An international symbol of Nazi depredation, Dachau was the cradle of a new and terrible spirit of destruction. Combining extensive new research into the pre-war history of Dachau with theoretical insights from studies of perpetrator violence, this book offers the first systematic study of the 'Dachau School'. It explores the backgrounds and socialization of thousands of often very young SS men in the camp and critiques the assumption that violence was an outcome of personal or ideological pathologies. Christopher Dillon analyses recruitment to the Dachau SS and evaluates the contribution of ideology, training, social psychology and masculine ideals to the conduct and subsequent careers of concentration camp guards. Graduates of the Dachau School would go on to play a central role in the wartime criminality of the Third Reich, particularly at Auschwitz. Dachau and the SS makes an original contribution to scholarship on the pre-history of the Holocaust and the institutional organisation of violence.

Harald Weinrich's epilogue considers forgetting in the present age of information overflow, particularly in the area of the natural sciences."--Jacket.

Since ancient times, music has demonstrated the incomparable ability to touch and resonate with the human spirit as a tool for communication, emotional expression, and as a medium of cultural identity. During World War II, Nazi leadership recognized the power of music and chose to harness it with malevolence, using its power to push their own agenda and systematically stripping it away from the Jewish people and other populations they sought to disempower. But music also emerged as a counterpoint to this hate, withstanding Nazi attempts to exploit or silence it. Artistic expression triumphed under oppressive regimes elsewhere as well, including the horrific siege of Leningrad and in Japanese internment camps in the Pacific. The oppressed stubbornly clung to music, wherever and however they could, to preserve their culture, to uplift the human spirit and to triumph over oppression, even amid incredible tragedy and suffering. This volume draws together the musical connections and individual stories from this tragic time through scholarly literature, diaries, letters, memoirs, compositions, and art pieces. Collectively, they bear witness to the power of music and offer a reminder to humanity of the imperative each faces to not only remember, but to prevent another such cataclysm.

The inspiring story of Joe Sacco and his part in the greatest battles of World War II, from Omaha Beach to the liberation of the concentration camp at Dachau, Germany. In his riveting debut, Where the Birds Never Sing, Jack Sacco recounts the realistic, harrowing, at times horrifying, and ultimately triumphant tale of an American GI in World War II. Told through the eyes of his father, Joe Sacco—a farm boy from Alabama who was flung into the chaos of Normandy and survived the terrors of the Bulge—this is no ordinary war story. As part of the 92nd Signal Battalion and Patton’s famed 3rd Army, Joe and his buddies found themselves at the forefront—often in front of the infantry or behind enemy lines—of the Allied push through France and Germany. After more than a year of fighting, but still only twenty years old, Joe was a hardened veteran, but nothing could have prepared him for the horrors behind the walls of Germany’s infamous Dachau concentration camp. Joe and his buddies were among the first 250 American troops into the camp, and it was there that they finally grasped the significance of the Allied mission. Surrounded and pursued by death and destruction, they not only found the courage and the will to fight, they discovered the meaning of friendship and came to understand the value and fragility of life. Told from the perspective of an ordinary soldier, Where the Birds Never Sing contains first-hand accounts and never-before published photos documenting one man’s transformation from farm boy to soldier to liberator.