Accompanying CD-ROM contains ... "all of the texts and documents in the exhibition."--Page 5.

“A rare moral thriller in the tradition of Fahrenheit 451,” this stunning work from the author of Ishmael is set in a white-washed alternate world where Nazis won the war (Village Voice) Daniel Quinn, well known for Ishmael—a life-changing book for readers the world over—once again turns the tables and creates an otherworld that is very like our own, yet fascinating beyond words. Imagine that Nazi Germany was the first to develop an atomic bomb and the Allies surrendered. America was never bombed, occupied, or even invaded, but was nonetheless forced to recognize Nazi world dominance. The Nazis continued to press their campaign to rid the planet of “mongrel races” until eventually the world—from Capetown to Tokyo—was populated by only white faces. Two thousand years in the future, people don’t remember, or much care, about this distant past. The reality is that to be human is to be Caucasian, and what came before was literally ancient history having nothing to do with those then living. Now imagine that reincarnation is real, that souls migrate over time from one living creature to another, and that a soul that once animated an American black woman living at the time of World War II now animates an Aryan in Quinn’s new world—and that due to a traumatic accident, memories of this earlier incarnation assert themselves. Compared by readers and critics alike to 1984 and Brave New World, After Dachau is a new dystopian classic with much to say about our own time, and the dynamics of human history.

Through the author's restrained, precise style, combining personal memories and the researcher's scholarly detachment, the reader discovers the many facets of the camp: the hierarchical structure of the camp established and controlled by the SS, the categories of prisoners, their daily life, the arbitrary and escalating violence, the selections, the medical experiments and the role of the SS physicians, the intentional and programmed extermination, the camp's evacuation, the typhus epidemic, and liberation.

Auschwitz, Belsen, Dachau. These names still evoke the horrors of Nazi Germany around the world. This 2001 book takes one of these sites, Dachau, and traces its history from the beginning of the twentieth century, through its twelve years as Nazi Germany's premier concentration camp, to the camp's postwar uses as prison, residential neighborhood, and, finally, museum and memorial site. With superbly chosen examples and an eye for telling detail, Legacies of Dachau documents how Nazi perpetrators were quietly rehabilitated to become powerful elites, while survivors of the concentration camps were once again marginalized, criminalized and silenced. Combining meticulous archival research with an encyclopedic knowledge of the extensive literatures on Germany, the Holocaust, and historical memory, Marcuse unravels the intriguing relationship between historical events, individual memory, and political culture, to offer a unified interpretation of their interaction from the Nazi era to the twenty-first century.

At the Nazi concentration camp Dachau, three barracks out of thirty were occupied by clergy from 1938 to 1945. The overwhelming majority of the 2,720 men imprisoned in these barracks were Catholics—2,579 priests, monks, and seminarians from all over Europe. More than a third of the prisoners in the "priest block" died there. The story of these men, which has been submerged in the overall history of the concentration camps, is told in this riveting historical account. Both tragedies and magnificent gestures are chronicled here--from the terrifying forced march in 1942 to the heroic voluntary confinement of those dying of typhoid to the moving clandestine ordination of a young German deacon by a French bishop. Besides recounting moving episodes, the book sheds new light on Hitler's system of concentration camps and the intrinsic anti-Christian animus of Nazism.

Marcus Smith was the sole medical officer attached to a small displaced person (DP) team that was sent to the Dachau concentration camp the day after it was liberated by Allied troops and several days before the shocking conditions of the camp were publicized throughout the world. Several years after his experience at Dachau, believing that we must never forget what happened, Smith unearthed his notes and the daily letters he wrote to his wife and used them as source materials for Dachau: The Harrowing of Hell. From the perspective of a young physician, Smith describes his experiences, shedding light on the immense difficulties and complexities of the large-scale tasks the small DP team completed, against great odds, to combat epidemic diseases and starvation and repatriate the former prisoners. Smith also describes some of the people the team tried to help—men, women, and children from all walks of life, of many nationalities and religions. Smith tells his moving story objectively, with simplicity and grace. While this book is the story of man's inhumanity to man, it is more than an account of Nazi persecution. It is about how Smith, whose previous experience had not prepared him for the immense horror of what he encountered at Dachau, quickly became a public health expert; how a small team improvised relief and combated a typhus epidemic; and how the soldiers of different countries had to get along with each other while dealing with the prejudices of some of the displaced people they were trying to help. Dachau contains six drawings by noted European artist Zoran Music, who was arrested by the Gestapo in Venice in 1944 and incarcerated at Dachau. The drawings were given to Smith when he left Dachau.