This is the riveting sequel the tale of a truly lost soul, just as many of us are. Lil House's slain father was a gangsta, even his grandfather was ruthless back in the day before he accepted Christ into his life and changed his ways. Yet as the saying goes, those who fail to learn from the past are destined to repeat it. And the definition of insanity is merely doing the same thing over and over again but expecting different results! Lil House is no exception to the rules of the game. Deep emotions will surface, family secrets will be revealed, and the path of right and wrong will be crossed, this coming of age saga in which you have a front row seat to embark on. The decision to be detoured from Da Life will be answered, sexual fantasies will become realities, lives will be lost.

This is the riveting sequel the tale of a truly lost soul, just as many of us are. Lil Houses slain father was a gangsta, even his grandfather was ruthless back in the day before he accepted Christ into his life and changed his ways. Yet as the saying goes, those who fail to learn from the past are destined to repeat it. And the definition of insanity is merely doing the same thing over and over again but expecting different results! Lil House is no exception to the rules of the game. Deep emotions will surface, family secrets will be revealed, and the path of right and wrong will be crossed, this coming of age saga in which you have a front row seat to embark on. The decision to be detoured from Da Life will be answered, sexual fantasies will become realities, lives will be lost.

“Enthralling.… Seymour powerfully evokes the world from which Rhys never really escaped, one of prejudice, abuse, and abuse’s shamefaced offspring, complicity.” —James Wood, The New Yorker An intimate, profoundly moving biography of Jean Rhys, acclaimed author of Wide Sargasso Sea. Jean Rhys is one of the most compelling writers of the twentieth century. Memories of her Caribbean girlhood haunt the four short and piercingly brilliant novels that Rhys wrote during her extraordinary years as an exile in 1920s Paris and later in England, a body of fiction—above all, the extraordinary Wide Sargasso Sea—that has a passionate following today. And yet her own colorful life, including her early years on the Caribbean island of Dominica, remains too little explored, until now. In I Used to Live Here Once, Miranda Seymour sheds new light on the artist whose proud and fiercely solitary life profoundly informed her writing. Rhys experienced tragedy and extreme poverty, alcohol and drug dependency, romantic and sexual turmoil, all of which contributed to the “Rhys woman” of her oeuvre. Today, readers still intuitively relate to her unforgettable characters, vulnerable, watchful, and often alarmingly disaster-prone outsiders; women with a different way of moving through the world. And yet, while her works often contain autobiographical material, Rhys herself was never a victim. The figure who emerges for Seymour is cultured, self-mocking, unpredictable—and shockingly contemporary. Based on new research in the Caribbean, a wealth of never-before-seen papers, journals, letters, and photographs, and interviews with those who knew Rhys, I Used to Live Here Once is a luminous and penetrating portrait of a fascinatingly elusive artist.