By 2008 Robb Peters had been keeping a diary for over ten years. He decided to share the first year of the diary, written between 1998 and 1999, when he was fourteen to fifteen years old. D.A Diary is a year in the life of a teenage boy and his friends. In Robb's opinion, D.A Diary might not be the most interesting book to some, but it is certainly the "funniest". Robb says, "D.A Diary is like Marmite, you either love it or hate it, but I can guarantee you have never read anything like it in your life (even if you're 94)". Enjoy reading about Robb's daily life in 1998 and 1999. Share in the life of a cheeky teen, laugh, cry and enjoy the rollercoaster of the first year of D.A Diary.

In 1961, twenty-five-year-old Herbert Jay Stern, fresh from reserve duty, stood in his green army uniform in a New York County courtroom to be sworn in as an attorney. He could only guess what his life as a prosecuting lawyer would be. A dozen years later, in the wake of the national scandal of Watergate, Stern, draped in black robes now, would take the oath of office as a federal judge. In the years between, the idealistic young Stern would sharpen his skills in the realities of the criminal courts of New York City, to emerge as the lead trial attorney for the Justice Department, charged with breaking the back of organized crime in New Jersey. Stern’s highly charged account of his outright war against powerful state government officials and the mafia takes us deep inside the mechanisms of law and order during a time when assassinations came fast and loose, cities were burning in race riots, and racketeering and graft were so prevalent in the Garden State that its own senator called it a “stench in the nostrils and an offense to the vision of the world.” Before Stern and his equally dedicated colleagues on the “strike force” out of Washington, D.C., are finished, they will have successfully prosecuted the mayors of Jersey City, Newark, and Atlantic City for being on the take; a congressman for conspiracy, tax violations, and perjury; and blackened the eye of organized crime.

“[An] intimate account of a Forward Air Controller working with the Special Forces on their secret operations in South Vietnam and Laos . . . Don’t miss it!” (John Prados, author of Storm Over Leyte). Originally published in 1991, this classic work has now been revised and updated with additional photos. It is the story of how, in Vietnam, an elite group of Air Force pilots fought a secret air war in Cessna 0-2 and OV-10 Bronco prop planes—flying as low as they could get. The eyes and ears of the fast-moving jets who rained death and destruction down on enemy positions, the forward air controller made an art form out of an air strike—knowing the targets, knowing where friendly troops were, and reacting with split-second, life-and-death decisions as a battle unfolded. The expertise of the low, slow FACs, as well as the hazard attendant to their role, made for a unique bird’s-eye perspective on how the entire war in Vietnam unfolded. For Tom Yarborough, who logged 1,500 hours of combat flying time, the risk was constant, intense, and electrifying. A member of the super-secret “Prairie Fire” unit, Yarborough became one of the most frequently shot-up pilots flying out of Da Nang—engaging in a series of dangerous secret missions in Laos. In this work, the reader flies in the cockpit alongside Yarborough in his adrenaline-pumping chronicle of heroism, danger, and wartime brotherhood. From the rescuing of downed pilots to taking out enemy positions, to the most harrowing extended missions directly overhead of the NVA, here is the dedication, courage and skill of the fliers who took the war into the enemy’s backyard.

The diary as a genre is found in all literate societies, and these autobiographical accounts are written by persons of all ranks and positions. The Diary offers an exploration of the form in its social, historical, and cultural-literary contexts with its own distinctive features, poetics, and rhetoric. The contributors to this volume examine theories and interpretations relating to writing and studying diaries; the formation of diary canons in the United Kingdom, France, United States, and Brazil; and the ways in which handwritten diaries are transformed through processes of publication and digitization. The authors also explore different diary formats, including the travel diary, the private diary, conflict diaries written during periods of crisis, and the diaries of the digital era, such as blogs. The Diary offers a comprehensive overview of the genre, synthesizing decades of interdisciplinary study to enrich our understanding of, research about, and engagement with the diary as literary form and historical documentation.

Born in Venice in the 12th century, Allesandro Da Veneto finds himself storming the gates of Constantinople with the Crusades only to be seriously wounded in the attack and left for dead. Or at least he should have been dead. This diary records Alessandro's departure from plague-ravaged Venice to Spain and Portugal at the time when Iberian provinces were moving toward nationhood.

Military Writers Society of America Gold Medal BEST MEMOIR OF 2014. Originally published in 1990, this classic work has now been revised and updated with 50,000 words of additional narrative and previously unpublished photos. It is the story of how, in Vietnam, an elite group of Air Force pilots fought a secret air war in Cessna 0-2 and OV-10 Bronco prop planes--flying as low as they could get. The eyes and ears of the fast-moving jets who rained death and destruction down on enemy positions, the Forward Air Controller made an art form out of an air strike--knowing the targets, knowing where friendly troops were, and reacting with split-second, life and death decisions as a battle unfolded. The expertise of the low, slow FACs, as well as the hazard attendant to their role, made for a unique birds-eye perspective on how the entire war in Vietnam unfolded. For Tom Yarborough, who logged 1,500 hours of combat flying time, the risk was constant, intense and electrifying. A member of the super-secret "Prairie Fire" unit, Yarborough became one of the most frequently shot-up pilots flying out of Da Nang--engaging in a series of dangerous secret missions in Laos. In this work, the reader flies in the cockpit alongside Yarborough in his adrenaline-pumping chronicle of heroism, danger and wartime brotherhood. From the rescuing of downed pilots to taking out enemy positions, to the most harrowing extended missions directly overhead of the NVA, here is the dedication, courage and skill of the fliers who took the war into the enemy's backyard. Colonel Tom Yarborough, USAF (ret.) served in the Air Force for thirty years in a variety of flying and staff assignments. A command pilot, during his two Vietnam tours as a forward air controller, he earned thirty combat decorations, including the Silver Star, Distinguished Flying Cross, Purple Heart, Air Medal, and the Vietnamese Cross of Gallantry. He currently lives in Springfield, Virginia, where he maintains ties to the academic community as an adjunct history professor at Northern Virginia Community College.

Carolina Maria de Jesus' book, Quarto de Despejo (The Trash Room), depicted the harsh life of the slums, but it also spoke of the author's pride in her blackness, her high moral standards, and her patriotism. More than a million copies of her diary are believed to have been sold worldwide. Yet many Brazilians refused to believe that someone like de Jesus could have written such a diary, with its complicated words (some of them misused) and often lyrical phrasing as she discussed world events. Doubters prefer to believe the book was either written by Audáulio Dantas, the enterprising newspaper reporter who discovered her, or that Dantas rewrote it so substantially that her book is a fraud. With the cooperation of de Jesus' daughter, recent research shows that although Dantas deleted considerable portions of the diary (as well as a second one), every word was de Jesus'. But Dantas did "create" a different Carolina from the woman who coped with her harsh life by putting things down on paper. This book sets the record straight by providing detailed translations of de Jesus' unedited diaries and explains why Brazilian elites were motivated to obscure her true personality and present her as something she was not. It is not only about the writer but about Brazil as recorded by her sarcastic pen. The diary entries in this book span from 1958 to 1966, five years beyond text previously known to exist. They show de Jesus as she was, preserving her Joycean stream-of-consciousness language and her pithy characterizations.