Young D.J. is going to be a page for the queen of Zulu, the oldest African-American parade in the New Orleans Mardi Gras.

When D.J.'s sister is chosen to be queen at a debutante ball, D.J.'s grandfather gives him and his cousin lessons in etiquette so that they can be her pages.

Although he does not want to go at first, D.J. has a good time and learns a lot when he joins his mother and godmother at the annual jazz festival in New Orleans.

Many stories have been told about the Battle of New Orleans, but none by the drummer, Jordan Noble, whose rumble summoned Gen. Andrew Jackson's troops to action. "Old Jordan," as he was affectionately known, tells his story to young readers in this rhyming picture storybook.

Although he does not want to go at first, D.J. has a good time and learns a lot when he joins his mother and godmother at the annual jazz festival in New Orleans.

A photographic look into the world of vinyl record collectors—including Questlove—in the most intimate of environments—their record rooms. Compelling photographic essays from photographer Eilon Paz are paired with in-depth and insightful interviews to illustrate what motivates these collectors to keep digging for more records. The reader gets an up close and personal look at a variety of well-known vinyl champions, including Gilles Peterson and King Britt, as well as a glimpse into the collections of known and unknown DJs, producers, record dealers, and everyday enthusiasts. Driven by his love for vinyl records, Paz takes us on a five-year journey unearthing the very soul of the vinyl community.

One of the first women's organizations to mask and perform during Mardi Gras, the Million Dollar Baby Dolls redefined the New Orleans carnival tradition. Tracing their origins from Storyville-era brothels and dance halls to their re-emergence in post-Katrina New Orleans, author Kim Marie Vaz uncovers the fascinating history of the "raddy-walking, shake-dancing, cigar-smoking, money-flinging" ladies who strutted their way into a predominantly male establishment. The Baby Dolls formed around 1912 as an organization of African American women who used their profits from working in New Orleans's red-light district to compete with other Black prostitutes on Mardi Gras. Part of this event involved the tradition of masking, in which carnival groups create a collective identity through costuming. Their baby doll costumes -- short satin dresses, stockings with garters, and bonnets -- set against a bold and provocative public behavior not only exploited stereotypes but also empowered and made visible an otherwise marginalized female demographic. Over time, different neighborhoods adopted the Baby Doll tradition, stirring the creative imagination of Black women and men across New Orleans, from the downtown Trem area to the uptown community of Mahalia Jackson. Vaz follows the Baby Doll phenomenon through one hundred years with photos, articles, and interviews and concludes with the birth of contemporary groups, emphasizing these organizations' crucial contribution to Louisiana's cultural history.